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Breaking Social Norms
Breaking Social Norms
High School Confidential: Notes on Teen Movies
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To belong somewhere implies belonging somewhere else less. As a human being coincidently surrounded by other human beings, I feel the only place to not belong usually lays outside the exosphere. Luckily, my chances of celestial exploration are roughly one in nineteen-hundred million. Paradoxically, this feeling of inclusively belonging everywhere leaves me feeling exclusively belonging nowhere and completely alone.
What’s so sexy about belonging to a niche collective? What’s so enticing that some of us actually trade our personalities for group inclusion? I’m not talking about conforming, or crowd psychology, or how we edit ourselves in front of others (kind of), or how we act differently when trying to impress a girl that probably wasn’t interested in the first place. By now, these are all cliché enough that the fact that they are cliché is a cliché. Like Not Another Teen Movie, they are hypercliché.
This is about the feeling like you’re betraying one group of friends when you hang with another. This is about feeling like a disappointment to your gang when you don’t get together for one night. This is about struggling to talk about music or a thing that isn’t already established as in favor of your squad.
So it’s about highschool problems.
But highschoolers rule the world.
…show more content…
the more likely a movie is to be a masterpiece, the more likely it’s score or camera work or acting to be flawless). The people of the endeavors see the dependence and interconnectedness of their group and every other group, and see, ironically, what Corporate Personhood was looking for from the very beginning: an independent perspective of a nongeneralized
Can you recall the very last night that you spent with your high school buddies before packing your bags and leaving for college? The films American Graffiti and Dazed and Confused bring you back to that through the recreation of those great experiences. American Graffiti is based on a closely-knit group of teenagers who will all be leaving each other the next day for new adventures. This gang of teenagers, despite their differences, all goes out together and share their last memorable evening. Throughout the night, friendships are strengthened, conflicting struggles arise, and romances are created and disrupted. Dazed and Confused dealt about life during wartime – the wartime of high school, where the faculty is irrational, the parents are
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
S. E. Hinton’s argument is given from the perspective of a 14 year old Greaser named Pony boy Curtis who is being raised by his older brothers Darrel and Soda pop. The theme of the Outsiders is no matter what side you may grow up on whether you are a Greaser or a Socs, that you all can still have the same problems, see the same solutions, and dream the same dreams. You are also able to see how his character grows up and matures during the various interactions throughout this book. The two gangs in the book are the Greasers and the Socs (socials) and honestly, even after reading the book the only reason they didn’t like each other is they both had assumptions about each other that really weren’t correct.
Although each youth group as a whole is unique, the same types of people can be found within all of them. In most books and movies, there are the three teens that make up the main clique: the leader, the sidekick, and the romantic interest, as well as the uniform groups consisting of the nerds, the jocks, the artists, etc. Many of us might find these movie stereotypes difficult to identify with (though some are immensely accurate), but in my experience, a youth group wouldn’t be a youth group without these few key personalities to hold it together.
"To feel a sense of belonging, you need to accept yourself and be accepted by others."
I have chosen to review the film Boyhood written by Richard Linklater that took twelve years to film. In the movie Boyhood, it illustrates the life of a boy named Mason Jr. through the many stages of his childhood to adolescence to becoming an adult. The movie follows Mason Jr.’s life through his years of kindergarten, middle school, high school, and to college. Through these milestones in his life encounters society with socialization, culture and norms that are exhibited through his family, friends, and others. With factors of social classes, and gender that influence Mason Jr. as he grows and fits into the society that is formed. From the events and milestones in Boyhood, it is able to show human behaviour in society from our
We all need to belong somewhere and feel comfort in our lives. We as human beings need to open our eyes and see we can all belong together and live in one society without dropping our culture but before this can happen we need to end racism and stereotyping. These are the two main factors that push people, more commonly native people, into the loss of belonging the loss of their culture and the loss of the core of their identity.
Amy Heckerling’s movie Clueless focuses on an upper middle class 16-year-old girl, Cher, who lives in a nice neighborhood with her father and stepbrother, Josh. Cher and her friend, Dionne, take in a new girl, Tai, to help her fit into their high school. All of the major characters in the movie are in adolescence, which ranges from 10-19 years of age. In adolescence, teenagers undergo cognitive and emotional development. According to Piaget’s cognitive developmental theory, adolescents are in formal operational period from 11-20 years of age. During this period, adolescents develop abstract thinking and rational decision making. They experience two aspects of adolescent egocentrism, imaginary audience
A peer group can help one find their own identity by shaping an individual’s short-term choices, such as appearances and interests. They help a young person figure out how they fit in the world. “You’re not like the rest of us and don’t try to be” is told by one of the members of the gang. Ponyboy will have a hard time trying to not grow up like the rest of the pack because being in a gang like the Greasers,
This bond of friendship helps the men of Alpha Company survive on a day to day basis. They rely on each other for entertainment to drone out the monotony of the days. With hours and hours of marching and no action the men need a release or the boredom would drive them crazy. An example of this is “Kiowa teaching a rain dance to Rat Kiley and Dave Jensen, the thre...
I will begin my essay by looking closely at the narrative of Sunset Boulevard to see where and how the film represents the Hollywood Studio System. At the beginning of the film the audience is introduced to Joe Gillis, a script writer who is struggling to pay his rent as he in unable to sell his scripts to the ‘majors’ of Hollywood. The film follows Joe to ‘Paramount Pictures’ one of the major studios in Hollywood, which the film pays a large self reference to as the producers of Sunset Boulevard as well as representing the studio system.
As preteens and teens push for increasing independence from their parents, they tend to turn to their peers for guidance, acceptance, and security. For those who are low in self-esteem and confidence, their safety lies in fitting in and having a place to belong. Most people find a group in which they connect with in a healthy way while others make their way in cliques that give them security but at the price of their own values and individuality. The movie Mean Girls portrays how high school female social cliques operate and the effect they can have on girls. I will argue how if one doesn’t have a strong sense of self-identity, the opinions of others will become their identity.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.
...ed at that group, you simply become that group and nothing else. Which leads us back to the first corner of wanting to stay an individual, your life instinct corner. Otto worked hard to try and help others find their happy medium of life and death. Realizing that every instinct we have gives us a form of fear, which can be a positive thing if we are able to balance out our fears with our instincts, but yet can still deprive us of success if we don’t learn how to keep ourselves balanced. Its important to be yourself, and fallow your own dreams, but also contribute to the world, and keep healthy relationships with others. References