What are Dystopian Novels?

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Dystopia is common theme which dates hundreds of years in literature worldwide. Dystopian novels and short stories often depict a society repressed by a totalitarian government which comes to power after a cataclysmic occurrence, wielding unforgiving power and control over inhabitants for their own good. These dystopias are often perceived by the average citizen as a normal or unavoidable way of life, sometimes even a better way of life, yet there is often a single person or group of protagonists who question the justification of such living arrangements and threaten upheaval of the utopia sold by the ruling class. Dystopian work is often an overt commentary on “social and political structures” (“Utopian”) present at the time of their writing, though the author’s observations and predications of calamity are usually set far in the future. Veronica Roth’s Divergent follows this tradition, setting the story 100 years after a great war, where the citizens have been segregated into five factions to maintain peace. This manner of keeping peace is similar to modern self-segregation of racial and ethnic groups who, despite winning civil rights to congregate and live among their Anglo-Saxon counterparts, often choose to live and interact primarily among themselves. Self-segregation is also common in another area of life pertinent to Roth’s audience: high school. Students identifying with a primary characteristic will often socialize near-exclusively with a group sharing that trait (i.e., jocks and cheerleaders, geeks, nerds, Goths, outcasts, body image, skin color, etc). People who attempt to cross those unchiseled yet observed boundaries may be met with ostracism, distrust and ambivalence. They are essentially treated as the divergent... ... middle of paper ... ... dystopian mark: “Certain sections just didn't exist, including the first phase of Dauntless training, the Ferris wheel scene, Visiting Day, the visit to the fence, the visit to Caleb at Erudite headquarters, and the zip line scene. Certain characters also didn't exist, such as Uriah, Lynn, and Marlene. … [I]t was all so sparse that it wasn't living up to its potential” (Roth, “How Much”). Essentially, this was a young adult romance novel scantily clad in futuristic clothing, but before she was allowed to introduce the world to Tris, Roth was ordered to dress her up and give her depth, build character and a plot that made sense. Roth ultimately added 50,000 words to her novel and did a lot of “tweaking” when the narrative would have been better served by a lot of expounding, revision and bleakness. Perhaps she got it right with the following installment, Insurgent.

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