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An essay about role models
Describe your role models
An essay about role models
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For this essay I am going to be talking about the value of a body of work called ‘Somewhere I have never travelled, gladly beyond’ that was photographed by a young lady named, Jennie Gunhammar. I hope to bring other documentary photographers into the essay as they all have similarities to one another. I will be including some photographs such as; some of Nan Goldin’s and the famous photograph by Therese Frare of David Kirby on his death bed dying of aids. The photographs that Jennie Gunhammar produced for this series was showing the day to day life and struggle of; her twin sister Jessie and her partner Stan, who are both suffering from different diseases.
Jennie Gunhammar along with her twin sister Jessie was born in Sweden in 1975. They then later on in 1992 moved to London to educate themselves. Jennie and Jessie then at the age of 20 in 1995 started to do some modelling to support their education. Jennie not long after became the face of British Airwaves. Alongside of doing the modelling Jennie studied at London College of Communication. Meanwhile Jessie was taking different degrees in gender studies and social studies and also lectured at London School of Economics and Political Science. In 2002 Jennie was diagnosed with the disease Lupus, in 2004 her twin sister was then diagnosed with the same illness.
A year before Jennie published her first solo project in 2007 she had decided she would like to go down the artistic route that she had always wanted to. Her and her sister had been looking at different exhibitions to get inspiration for what she wanted to do. After looking at several different exhibitions she realised that the most compelling and emotional bodies of work was the ones that were personal stories. They had b...
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· 1999: Private commissions (2). Continues to work on paintings for traveling exhibition, Visual Poems of Human Experience (The Company of Art, Chronology 1999).
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
Richards focus is that of the ignored; a people that otherwise have been forgotten. It’s his compassion to his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions are left to be made by the viewer.
The poem “Extended Development” by Sarah Kay explores the ways in which the art of photography has changed throughout time, yet still remains a highly important and influential hobby. More specifically, how photography is an important aspect in each member of the speaker’s family. By using allusions, characterization, and imagery, Kay explores how the art of photography has changed throughout time.
5 Light, Ken. Tremain, Kerry. Witness in our Time: Working Lives of Documentary Photographers. Washington and London: Smithsonian Institution Press, 2000.
Works Cited Chin-Lee,Cynthia. Amelia to Zora: 26 Women Who Changed The World.Charles Bridge, 2005. Ergas, G. Aimee. Artists: From Michaelangelo to Maya Lin. UXL, 1995 Lin, May. Boundaries. Simon and Schuster New York, 2000. Cotter, Holland. “Where the Ocean Meets the Mountain”. New York Times May 8: C23.
I keep my journal hidden; the script, the drawings, the color, the weight of the paper, contents I hope never to be experienced by another. My journal is intensely personal, temporal and exposed. When opening the leather bound formality of Alice Williamson's journal a framework of meaning is presupposed by the reader's own feelings concerning the medium. Reading someone else's diary can be, and is for myself, an voyeuristic invasion of space. The act of reading makes the private and personal into public. Yet, for Alice Williamson and many other female journalists of the Civil War period, the journal was creating a public memory of the hardship that would be sustained when read by others. The knowledge of the outside reader reading of your life was as important as the exercise of recording for one's self; creating a sense of sentimentality connecting people through emotions. (Arnold)
Migrant Mother is without a doubt Dorothea Lange’s most famous photo. The photo is an 11 1/8 x 8 9/16’’, Gelatin silver print photo from 1936 (Museum of Modern Art). The photo is in black and white and features a mother, her elder children, as well as an infant that can be seen in its mother’s arms. Each subject looks extremely dirty and their clothes are exceptionally worn. The two older children are turning their heads in despair so their faces can not be seen, while their mother’s expression shows looks of worry and concern as she is recently left a widow and single mother to her seven children (Ostrom Peters). Migrant Mother is an example of a documentary photograph because it shows the genuine emotions of hurt and worry that this mother and her family were going through during a real period in time. I believe that Lange is trying to convey what not only those in Nipomo were feeling and having to deal...
When I first read about Marina Abramovic, I found her performance art can be both shocking and hold the attention of one. Her work ranges in physical intensity, emotional exposure, and sadness. Marina Abramovic work is about self abuse, self discipline, and unreasonable punishment and great courage. Through the conditions she puts herself and her audience in her performance. In my opinion, I feel Marina Abramovic and my main goal as an artist is not only to completely change the way art is seen by the public, but to push the performance the same line as fine art.
Many artists find themselves struggling to find their identity in the beginning and then when you have discovered yourself it can be hard to come up with ideas to fit the mold as what the public sees them as. This then leads to what people call the struggling artist’s life due to the fact that without making a product there is no income to flow into the household. These three authors: James Fenimore Cooper, Charles Dickens, and Johanna Spyri all went through the tough times of finding an identity or how to take personal experiences and then turn them into a story that readers would enjoy. Going
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League photographer expressed this sentiment, summarizing the role photography had on America in the 1940’s and 50’s. During this era, photojournalism climaxed, causing photographers to join the bandwagon or react against it. The question of whether photography can be art was settled a long time ago. Most major museums now have photography departments, and the photographs procure pretty hefty prices. The question of whether photojournalism or documentary photography can be art is now the question at hand. Art collectors are constantly looking to be surprised; today they are excited by images first seen in last week’s newspapers as photojournalism revels in the new status as art “du jour” or “reportage art”.
Art has always been a way in which humans have shared stories with one another. From the ancient stone age cave drawings chronicling great hunts to modern contemporary paintings such as that of Francis Bacon’s, depicting the turmoil and grief suffered by the troubled mind through the grotesque and haunting creatures that reside within his paintings, us humans have always found a way to describe the world around us and the fascinating and often disturbing stories that lurk around each dark corner, around each shimmering ray of light.
Images inspired by Diamant’s work flooded my conscious. Perhaps I was experiencing flashes of my rememory, my collective unconscious coming to life on the paper in front of me. However, it was not just The Red Tent providing me with stimulation, but other works such as Toni Morrison’s Beloved, Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf, Mary Oliver’s “The Fish,” Judy Chicago’s “The Dinner Party” and The Book of Genesis. Each work embodied themes of childbirth and motherhood to self-love and social standing, in which I could find connections that affected me creatively. Aesthetically, I intended my visual art to be full and consistent in texture and fecund in my use of sensuous lines. My hope is to celebrate women and the strength that comes from battling adversity, challenge, victimization and in actualizing the power of childbirth. In all of these works, a connection is made: these are stories of women that need to be remembered and cel...
Marrs, Suzanne. Eudora Welty(tm)s Photography: Images into Fiction. Critical Essays on Eudora Welty. W. Craig Turner and Lee Emling Harding. Boston, MA: G.K. Hall, 1989. 288-289.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.