The Tragedy of Othello, the Moor of Venice Essay

The Tragedy of Othello, the Moor of Venice Essay

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A talented poet and playwright writer, William Shakespeare came during the golden age of England. His writings are the greatest in the English language. No one really know Shakespeare real birthday. The closet date the scholars can come up is on his baptism on April 24th, 1564. It has been over 400 years since his death; Shakespeare’s writing is not just limited to English scholars, but also appears on modern historical events and newspaper as well. Playwright and poetry are an art that appeals to the conscious mind, but the best classical playwright such as Othello not only appeals to conscious mind, but also to the subconscious mind. “The Tragedy of Othello, the Moor of Venice,” written by William Shakespeare from the sixteenth century is a tragic love play, and it is an excellent example of “Renaissance humanism,” said Paul A. Jorgensen, author of the Twayne Publishers, ( Jorgensen, 1, 3).
One reason his writings are still powerful and influential because it is an art form of expression. Shakespeare uses a variety of fictional characters to show new aspects of humanity. The play of Othello is a good example of an art that has movement and progresses over a set time. It does not restrict the readers or writers because both can create their own little fantasy world while writing or reading the play. Before the television age, people use theater as form of entertainment and also a good way to pass down human history to the next generation. Back then, people really enjoy the different theatrical themes. For instance, Shakespeare sets up a deceitful theme in “The Tragedy of Othello,” especially in the character Iago. He is the main plot and key figure to the entire play. Iago quickly learn his opponent’s weakness and use...

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5. Nosbakken, Faith. Understanding Othello: A Student Casebook to Issues, Sources, and Historical Documents. Westport, Connecticut 1997.

Works Cited

1. Bloom, Harold. William Shakespeare's Othello: Modern Critical Interpretation. New York: Chelsea House Publishers, 1987.
2. Jorgensen, A. Paul. “Little of This World Can I Speak.” Twayne Publishers (1985): GALIEO DATABASES. 26 September 2011.
3. Mack, Maynard. The Norton Anthology of World Literature. Second Edition Vol. C. New York, London: W.W.NORTON & COMPANY, INC, 2002.
4. Newton, K.M. “Othello Overview” Chicago St. James Press (1991): GALIEO DATABASES. 26 September 2011.
5. Nosbakken, Faith. Understanding Othello: A Student Casebook to Issues, Sources, and Historical Documents. Westport, Connecticut 1997.

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