Postmodern materialism and subsemantic cultural theory 1. Structuralist rationalism and the subcapitalist paradigm of reality In the works of Gibson, a predominant concept is the concept of patriarchialist truth. The primary theme of the works of Gibson is not narrative, but neonarrative. But the closing/opening distinction prevalent in Gibson's Neuromancer is also evident in Idoru, although in a more mythopoetical sense. Lyotard's model of subdialectic Marxism suggests that the significance of
This paper covers a personal view concerning theories of counseling. Personal beliefs about human nature are also discussed and a balance of life and self-awareness is identified as being one of the most important aspects to human change. It is identified that change only occurs when an individuals’ conditions are altered. Conditions are unable to change without a person first obtaining insight and taking action towards making change happen. Personal theoretical orientation is also discussed. Establishing
Introduction As the theme of my essay I have chosen to find out what our contemporary society must not forget in order to be able to make organizational theory evolve well into the 21st century. For this task I have decided to take a look back to Aldous Huxley’s modern dystopia “Brave new world”, that warned against totalitarian regimes that intended to suppress individuality in order to advance the interest of the state in its time. Even as those regimes might not be a direct threat nowadays
“Postmodern” is a complicated term, and so are “postmodernity”, “postmodernism” and “postmodernist”, and every other term one might come across in the way of evolution. According to Andreas Saugstad (2001) different postmodern theorists may have contrasting opinions and thinkers from different areas may have contrasting definitions of the term “postmodern”. Thus, the postmodern debates influenced the cultural and intellectual scene in many areas throughout the world. These terms have been used in
"Enormous Changes at the Last Minute:" Postmodern Humanism in the Short Fiction of Grace Paley(1) On the jacket of her second book of short stories, Enormous Changes at the Last Minute, Grace Paley, a feminist, postmodernist, antiwar activist, and writer, identifies herself as a "somewhat combative pacifist and cooperative anarchist." In 1979, she was arrested on the White House lawn for demonstrating against nuclear weapons, and her résumé is full of such protest-related arrests. Paley's
Classical Greek Philosophical Paideia in Light of the Postmodern Occidentalism of Jacques Derrida ABSTRACT: In his writings during the 60s and 70s, Derrida situates his doctrine of différance in the context of a radical critique of the Western philosophical tradition. This critique rests on a scathing criticism of the tradition as logocentric/phallogocentric. Often speaking in a postured, Übermenschean manner, Derrida claimed that his 'new' aporetic philosophy of différance would help bring about
Christian Belief in a Postmodern World: The Full Wealth of Conviction Others have tried to do what Diogenes Allen, Professor of Philosophy at Princeton Theological Seminary, does in his book but none with his breadth or effectiveness. That is, others have attempted to exploit for theism's benefit the hard times now befalling the modern world's emphasis on scientific reasoning and pure rationality, which for quite a while had placed Christianity (and religious belief in general) on the intellectual
The Aesthetic, the Postmodern and the Ugly: The Rustle of Language in William S. Burroughs’ The Soft Machine and The Ticket That Exploded Ugliness is everywhere. It is on the sidewalks—the black tar phlegm of old flattened bubblegum—squashed beneath the scraped soles of suited foot soldiers on salary. It is in the straddled stares of stubborn strangers. It is in the cancer-coated clouds that gloss the sweet-tooth sky of the Los Angeles Basin with bathtub scum sunsets rosier than any Homer
Postmodern Literary Criticism Postmodernism attempts to call into question or challenge the notion of a single absolute unified master narrative without simply replacing it with another. It is a paradoxical, recursive, and problematic method of critique. It encourages transcendence through or in spite of limitation, while simultaneously decentering the concept of absolute transcendence. To this end, it encourages the development of a heightened sense of self in relation to itself and
A Postmodern Tendancy in Their Eyes Were Watching God ...Zora Neale Hurston lacks [any] excuse. The sensory sweep of her novel carries no theme, no message, no thought. In the main, her novel is not addressed to the Negro, but to a white audience whose chauvinistic tastes she knows how to satisfy. She exploits the phase of Negro life which is "quaint," the phase which evokes a piteous smile on the lips of the "superior" race. -- from "Their Eyes Were Watching God (1937)," a
íShe was referring to their respective biosin Whoís Who in America.î It is Klinkowitz's well-argued contention that Barthelmeís mid-career novel The Dead Father (1975) not only represents the high-water mark of his skill as a technical master of postmodern prose, but that it also embodies the central neurosis/inspiration driving nearly all his work, from his first published story, ìMe and Miss Mandibleî in 1961, to his last novel, Paradise (1986).(Though The King is mentioned by Klinkowitz, it is
Piazza d'Italia as an Example of Postmodern Architecture A public place incorporated into a larger commercial complex, the fountain of the Piazza d'Italia occupies a circular area off center of the development, which consists of buildings and open-air corridors planted with trees. The fountain is set on a ground of concentric circles in brick and masonry, and is composed of a raised contour relief of the boot of Italy and a construction of several staggered, interconnected facades following the
Postmodern Methodology is Hypocrisy “What is striking is precisely the degree of consensus in postmodernist discourse that there is no longer any possibility of consensus, the authoritative announcements of the disappearance of final authority and the promotion and recirculation of a total and comprehensive narrative of a cultural condition in which totality in no longer thinkable.” So there is a consensus that there is no consensus, an authority saying there is no final authority and a totalizing
A Postmodern Take on a Hollywood Film Classic The jacket blurb on Robert Coover’s creative compilation A Night at the Movies reads: “From Hollywood B-movies to Hollywood classics, A Night at the Movies invents what ‘might have happened’ in these Saturday afternoon matinees. Mad scientists, vampires, cowboys, dance-men, Chaplin, and Bogart, all flit across Robert Coover’s riotously funny screen, doing things and uttering lines that are as shocking to them as they are funny to the reader. As Coover’s
Postmodern Poetry - Confessional Poets With World War II finally over and a chapter in history written, the next chapter is about to begin. The twentieth century brings with it a new literary movement called postmodern, where poetry is "breaking from modernism" and taking on a whole new style Within postmodern poetry emerge confessional poets whom remove the mask that has masked poetry from previous generations and their writings become autobiographical in nature detailing their life's most intense
Postmodern novel as a genre is mainly intertextual because it often goes beyond the paradigm of literature and borrows its material from different fields of study like science, geography, history, astronomy and so on to make a collage of different theories and citations for shaping a literary text in a new dimension. Thomas Pynchon was a student of Engineering Physics at Cornell University. It is therefore not surprising that he uses science as a background for the interpretation of literature. His
Some of the dominant features of postmodern fictions include temporal disorder, the erosion of the sense of time, a foregrounding of words as fragmenting material signs, a pervasive and pointless use of pastiche, loose association of ideas, paranoia and the creation of vicious circles or a loss of destination between separate levels of discourse, which are all symptoms of the language disorders of postmodernist fictions. The postmodern novel may be summed up as: • Late modernism. • Anti-modernism
postmodernism on the human condition. The Postmodern Condition is one of Lyotard’s seminal works on the impact of postmodernism on the modern world. The focus of the work is the current transition of societies from an industrial to a postindustrial framework. How does this shift revise the means and methods of productions and the products created? How does the alteration of legitimation from Enlightenment/Newtonian criteria for legitimation to postmodern ones affect the nature and status of science
The reader of a metafiction raises the question-which is the real world? The ontology of “any fiction is justified/validated/vindicated in the context of various theories of representation in the field of literary art and practice. Among these theories the seminal and the most influential is the mimetic theory. The theory of mimesis (imitation) posits that there is a world out there, a world in which we all live and act, which we call “the real world”. What fiction does (for that matter any art)
produced in the period after modernism, though there has been much recent debate since the early 1980’s as to what the definition of Postmodernism could be. Postmodern art has always been difficult to define for various reasons which include what styles of art should be included in the movement, what is the exact artistic style of Postmodern art and the insufficiency to specify what exactly postmodernism is. One of the most basic definitions of the term postmodernism is that it is post-modern or