Guggenheim Museum Essays

  • The Guggenheim Museum

    1750 Words  | 4 Pages

    The Guggenheim Museum I first visited the Guggenheim Museum two weeks ago with Claus, my friend from Germany. We had the MOMA in mind but I guess talking, talking we must have passed it by. Half an hour from the MOMA we found ourselves in front of the Guggenheim, the astonishing white building that was Frank Lloyd Wright's last project. Why not? We said to ourselves. And so we walked right in. According to the pamphlet: "The Guggenheim Museum is an embodiment of Wright's attempts to render

  • Guggenheim Museum Case Study

    1213 Words  | 3 Pages

    Solomon R. Guggenheim Museum, New York, USA (1959) In 1943, Hilla Rebay, art advisor for the Solomon R. Guggenheim Foundation, asked Frank Lloyd Wright to design a new museum for the Guggenheim’s Non-Objective painting collection. Wright originally opposed the location of New York for the new Guggenheim museum, as he felt that the city was overpopulated with both buildings and people. However, he chose the site for the Guggenheim mainly for its proximity to Central Park, believing that green space

  • My Visits to the Guggenheim Museum and the Metropolitan Museum of Art

    729 Words  | 2 Pages

    For my study, I visited two museums. First I went to the Guggenheim Museum which is located at Upper East Manhattan, at the corner of 89th Street and fifth Avenue, then I later visited Metropolitan Museum of Art. The reason why I decided to visit two museums is because Guggenheim does not display the kind of art I was interested in, as its main genre of art if Modern art. My focus for this project was studying work from the Renaissance period, by Piero di Cosimo, the painting of” A Hunting Scene”

  • Andre Masson: Man In The Guggenheim Museum

    873 Words  | 2 Pages

    love to draw, but when I really put the painting as a major, I feel very confused. Because I think I am too lack of imagination, and there is no way to create the ideal work for me. Until I see Andre Masson’s art work “Man in a Tower” in the Guggenheim museum, I know that creative ideas could be inspired by many basic and normal elements of our life. Gradually I have a deeper understanding of art and have the confidence to complete the painting. When I leave my hometown in Jin Lin Province, China

  • The Effects of Architecture on Society

    1911 Words  | 4 Pages

    could occur when the ‘liberating intentio... ... middle of paper ... ...ccessed April 26, 2014. http://UWA.eblib.com.au/patron/FullRecord.aspx?p=254441. Nero, Irene, "Computers, Cladding, and Curves: The Techno-Morphism of Frank Gehry's Guggenheim Museum in Bilbao, Spain" PhD diss., Florida State University, 2004. Accessed April 26, 2014. http://diginole.lib.fsu.edu/cgi/viewcontent.cgi?article=3568&context=etd. Schwartz, Frederic, ed. Mother’s House: the evolution of vanna venturi’s house in

  • Frank Gehry

    3158 Words  | 7 Pages

    Ballpark: and Other Irreverent Essays on Architecture. San Francisco: Chronicle Books. Templer, K. (1999, October 5). Frank Gehry. People. http://www.salon.com/people/bc/1999/10/05/gehry/print.html (2001 November 14). Frank Gehry: Architect. Guggenheim Museum. http://www.guggenheim.org/exhibitions/gehry/biography.html (2001 November 14). Frank Gehry:Pritzker Architecture Prize Laureate 1989. Complete List of Pritzker Architecture Prize Laureates 1979 – 2001 http://www.pritzkerprize.com/gehry

  • Frank Gehry

    1117 Words  | 3 Pages

    Frank Gehry was born on February 28, 1929 in Toronto, Canada. His parents, Irving and Thelma Caplan Goldberg were both very creative people and Gehry was exposed to an artistic and inventive environment from a very young age. His social life however, was clouded by anti- Semitism and teasing throughout most of his teen years and affected him greatly throughout the rest of his life. He was teased as “fish” by many of his peers and developed a sort of obsession for the creatures which would only wear

  • The Two Franks and Their Architecture

    974 Words  | 2 Pages

    early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style. The Guggenheim Museum in NewYork City directly across from the famous Central Park

  • Examining Frank Gerhy's Opus Hong Kong

    997 Words  | 2 Pages

    The year of 2012 marked the completion of Frank Gehry’s very first residential project in Asia, the Opus Hong Kong. Coming from a Pritzker prize-winning architect, this residential complex cannot be labeled as just another building. Frank Gehry engraved his distinctive and whimsical style on the building, making it beautifully unique. However, the appeal of this building does not stop on its exterior. Serving its purpose as a residential unit, the building was meticulously designed to fit into the

  • Zaha Hadid: Making Utopia a Reality in Architecture

    1655 Words  | 4 Pages

    "Utopia: n .an impractical idealistic scheme for social and political reform" - The American Heritage Dictionary of the English Language, Fourth Edition For over twenty years the Iraqi-born, English educated architect Zaha Hadid has symbolized the vanguard of contemporary architecture. She has pushed back the boundaries of built form to forge a highly individualist architectonic language that is at once thrillingly dynamic and intensely thoughtful, and as a result now has an enormous following

  • Museum Debt Policy Report

    819 Words  | 2 Pages

    This proposed debt policy is developed for the Solomon R. Guggenheim Museum and endeavors to reflect its philosophy and possible priorities. The Guggenheim Museum is located in the heart of New York city. Its architectural design and powerful ability to create a reciprocal relationship with its audience makes it unique and unforgettable in the memory of its visitors. Furthermore, the Museum has developed a multicultural ambience that attracts people from all over the world by presenting significant

  • Modern vs. Postmodern Architecture

    1622 Words  | 4 Pages

    defying gravity. This is a building that will disappear in the air that will bring the same magic to the skyline that the neo-Gothic brings” (Piano). Works Cited Drutt, Matthew. “Frank Lloyd Wright Building”. In Guggenheim Foundation History. New York: The Solomon R. Guggenheim Foundation. 2010. Kleiner, Fred S. Gardner’s Art through the Ages: The Western Perspective. Vol 2.13th ed. Boston: Wadsworth/ Cengage Learning, 2010. Piano, Renzo. The New York Times Building. November 2007. Robinson

  • Frank Lloyd Wright

    1031 Words  | 3 Pages

    also farming, cooking, and nature. At the age of seventy-three, Wright Lloyd Wright staged a great comeback in his career, it was then that he designed the "Fallingwater" house that was built over a waterfall in Mill Run Pennsylvania. The Guggenheim Museum was the last commissione...

  • Frank Lloyd Wright: The Architecture Of The 20th Century

    1140 Words  | 3 Pages

    architecture. The reason I say this is that architecture is more than just a piece of art, but a masterpiece of the combination of intelligence, physics, and the work of the imagination. I just happened to be in luck when I visited the MOMA because the museum was currently exhibiting a special collection of archives and the designs of the architect Frank Lloyd Wright. The show displayed all the drafts of the most iconic buildings the Frank Lloyd Wright had designed in his career, and this made it very

  • Architecture and Construction: Frank Gehry

    1052 Words  | 3 Pages

    He is famous for his strange twisted shapes and the use of unconventional materials on his buildings. In this research paper, I will discuss the two most popular works of Gehry’s, which are the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall. I’m interested in exploring the design of each museum and the way both building responds to the challenge that Gehry was presented with while building both masterpieces and also the way each building interacts to its surroundings. I will also briefly

  • Franklin Delano Roosevelt's Four Freedoms

    860 Words  | 2 Pages

    Following major historical events, architects construct memorials to help generations remember and reflect on the past. In 1973, American architect Louis Kahn designed a park on the southern tip of New York City's Roosevelt Island that is an abstract representation of Franklin Delano Roosevelt's Four Freedoms. When I visited the park, I noticed that Kahn intentionally avoided revealing Roosevelt's four core ideals until the very end of the memorial. In fact, it took me around three minutes to walk

  • Breakfast At Tiffany's Research Paper

    1052 Words  | 3 Pages

    “Wrinkles and bones, white hair and diamonds: I can't wait.” ‘Breakfast at Tiffany’s’ is based in Manhattan's Upper East Side, during the final years of World War II. ‘Breakfast at Tiffany’s’ is a classic novel and is taught throughout schools and has been for many years. The classics should be continued to be taught in the school curriculum as they continue to connect to modern audience especially through the characters throughout the book. The literary Canon is an authoritative list, as of the

  • The Four Shuttlecocks

    1039 Words  | 3 Pages

    shuttlecocks in the early 1990’s, the enormous shuttlecocks are now valued at the museum. Some people even pronounce them to be a representation of Kansas City itself. These are giant sculptures mimicking real life shuttlecocks that are typically used to play badminton. They are made of aluminum fiberglass- or plastic that was reinforced- and paint. This is representational art because their vast size is compared to that of the museum. Although the shuttlecocks exaggerated size could

  • mission

    2114 Words  | 5 Pages

    Departments within museum and their art educational programs have become increasingly important in order to evaluate the mission statement of institutions. The goal of any educational program is to engage visitors with art, developing skills such as how to see an artwork, delivering accurate content about the exhibition, promoting critical thinking, and above all, doing it in a meaningful way for the audiences. In order to understand in greater depth the work currently done by Museum Educators for visitors

  • Budget Cuts In Art Education Essay

    1170 Words  | 3 Pages

    Since 2001, budget cuts in art education have increased dramatically. In New York from 2006-2011 funding for art education in public schools were cut 68% (Phifer 2).This epidemic is spreading all across America due to the push for better standardized test scores. Reading and math have become the governments highest priority, leaving the arts in the shadows. But what if the arts could also improve test scores? Despite what many government leaders believe, budget cuts in art education are depriving