Bessie Smith

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  • Bessie Smith

    967 Words  | 4 Pages

    Bessie Smith Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed. Bessie was born April 15, 1894 in Chattanooga, Tennessee to a part time Baptist preacher, William Smith, and his wife Laura. The family

  • Bessie Smith Biography

    1389 Words  | 6 Pages

    By most accounts, Bessie Smith was a rough, crude, violent woman. She was also one of the greatest Blues singers of the 1920s. The road that took her to the title “Empress of the Blues” was not an easy one. It was certainly not one of the romantic "rags to riches" tales that Horatio Alger made popular during her time. For a young black woman from the South the journey was anything but easy, and it would require a special kind of person, and Bessie Smith was definitely that. She was a woman who fought

  • Bessie Smith: The Empress Of The Blues

    939 Words  | 4 Pages

    Bessie Smith was born April 15, 1894 in Chattanooga, Tennessee. She later in life became known as the “Empress of the Blues”. At the age of eighteen she being traveling with a group by the name of Moss Stokes Company. While with the group she met Ma Rainey who also became a friend and mentor to her. After traveling with the group, in 1923 she was discovered by Columbia Records. After signing with Columbia, she released her first song Downhearted Blues. The song Downhearted Blues went on to sale

  • Bessie Smith And The Classic Blues Singers Of The 1920s

    729 Words  | 3 Pages

    Bessie Smith was a rough, crude, violent woman. She was also the greatest of the classic Blues singers of the 1920s. Bessie started out as a street musician in Chattanooga. In 1912 Bessie joined a traveling show as a dancer and singer. The show featured Pa and Ma Rainey, and Smith developed a friendship with Ma. Ma Rainey was Bessie's mentor and she stayed with her show until 1915. Bessie then joined the T.O.B.A. vaudeville circuit and gradually built up her own following in the south and along the

  • Ma Rainey and Bessie Smith: Two Legendary Classical Blues Artists

    974 Words  | 4 Pages

    have a melancholy mood. The blues can be divided into many sub-genres, including Classical, Country, and Urban. The purpose of this paper is to focus on the careers of two of Classical blues most influential and legendary singers: Ma Rainey and Bessie Smith. Ma Rainey, considered by many to be the “Mother of the Blues,” was one of the first pioneers of the classical blues style. She sang with a deep, rich, and quite often rough contralto voice while the voices of her contemporaries a generation

  • Famous American Women's Song for the Blues

    913 Words  | 4 Pages

    of abandonment, separation, divorce, infidelity, loss, alcoholism, and prejudice could Jackie Kennedy, Bessie Smith, and Mahalia Jackson have inspired the powerful empathy of a nation. "We rejoice in our suffering, because we know that suffering produces perseverance; perseverance, character; and character, hope." This biblical scripture personifies the lives of Jack8ie Kennedy, Bessie Smith, and Mahalia Jackson. Through their own personal suffering, each of these women's lives "became all human

  • Jacqueline Lee Bouvier Kennedy Onassis and her Effect of Race Relations

    980 Words  | 4 Pages

    Effect On Race Jacqueline Lee Bouvier Kennedy Onassis has been placed among saints in Stanley Crouch’s eyes. He associates her with some of the most influential people the world has known. He places her among the ranks of Mahalia Jackson, Bessie Smith, and the Virgin Mary, whom have all had significant effects on race relations. Stanley Crouch grew up in the slum area of Los Angeles, California (Lamb 2). Despite the fact that he is an African American, Stanley fought his way out of poverty

  • Mississippi History and the Delta Blues

    681 Words  | 3 Pages

    Mississippi for various reasons. Bessie Smith, Charley Patton, Muddy Waters, and Cassandra Wilson have all made their mark on Mississippi history through the Blues and Jazz music. Although Bessie Smith was not born in Mississippi nor did she make her home there, she will always be known for her tragic and early death there. Blues singer Bessie Smith known as “Empress of the Blues” was born in Chattanooga, Tennessee in 1894. The Blues may have come naturally for Smith. Early in her life, she lost her

  • American Slavery

    797 Words  | 4 Pages

      They are blues, jazz, and gospel music.  Each of these forms of music are still in existence today.  In addition to exploring the history of each of these genres of music, this report will identify three African American female music legends, Bessie Smith, Emma Barrett, and Mahalia Jackson. Blues emerged in the period between the end of the civil war, and the beginning of the 20th century.  Originating in the fields of the rural south, it became popular after the emancipation of the slaves.  In

  • Poetic Elements Within the Blues

    569 Words  | 3 Pages

    relation between poetic elements and blues music is the song “Empty Bed Blues” by Bessie Smith. The lyrics to “Empty Bed Blues”, when not being sung, appear to be a regular poem. But when performed, the lyrics are transformed into a powerful and meaningful blues song. Bessie Smith is one of the most well-known and influential blues singers of the 1920’s. By incorporating poetic devices into the lyrics of her song, Bessie is able to better able to portray her attitudes and emotions to the audience By

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