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    Both Dr. Manganelli in “The Tragic Mulatta Plays the Tragic Muse” and Dr. Ashton in “Entitles: Booker T. Washington’s Signs of Play” depict marginalized African-American characters who have to deal with being former slaves and get into the public light in performative roles. Both authors show that African-American always have to perform for white people, be it when they are slaves, in a concubine role or later when they are free. Dr. Manganelli depicts a mixed-race woman, which was a figure of intense

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    Dignity of the African People Conveyed in Things Fall Apart In Chinua Achebe's Things Fall Apart, it is shown that the African people had their own complex culture before the Europeans decided to "pacify" them. The idea that the dignity of these people has been greatly compromised is acknowledged in the essay "The Role of the Writer," which is explanatory of Achebe's novels. A writer trying to capture the truth of a situation that his readers may know little or nothing about needs a sense of history

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    Many African American men and women have been characterized as a group of significant individuals who help to exemplify the importance of the black community. They have illustrated their optimistic views and aspects in a various amount of ways contributing to the reconstruction of African Americans with desire and integrity. Though many allegations may have derived against a large amount of these individuals, Crystal Bird Fauset, Jacob Lawrence, and Mary Lucinda Dawson opportunistic actions conveys

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    affair that spans over a course of twenty-two years, 1880-1902, also known as the Transvaal War and the South African War, has good and bad everlasting effects on the people of South Africa by the deterioration of the Boers and Afrikaners and the forcefully implied English rule. The starting spark of the Boer War was lit over disputes of Great Britain trying to claim and unify all the South African States as their own, but the two Dutch republics, Transvaal and the Orange Free States, would not give in

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    Lester’s folktale, “People Who Could Fly” explores the African-American myth, which states that people of African decent has the powers to physically take flight. Throughout “People Who Could Fly,” the “flying Africans” decide to take flight on a quest back to Africa to escape slavery and oppression. “People Who Could Fly” displays the theme of flight by showing the “flying Africans” escaping from restraining circumstances and becoming free. In “People Who Could Fly,” the African witch doctor uses

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    resources, yet a majority of its people lives in poverty (Carr). Located on the tip of southern Africa is the country of South Africa. South Africa, later known as the Republic of South Africa, is a country where the people repeatedly experienced injustice and corruption from their respective governments, the apartheid and the African National Congress. The apartheid system consists of all-white government officials, while the African National Congress consists of people of color. Despite the differences

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    States would be readmitted into the Union, and how the African Americans would be accepted into society as freedmen. Regarding the latter concern, most whites in the South, and even the North, were reluctant to recognize African Americans as real people, and still stubbornly held on to their pre-emancipation ways of living. The following documents not only confirmed the white man’s unwillingness, but showed more in depth the awful racism African Americans had to experience. The first document, “The

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    entirely one-sided narrative which denies the African people their right to personage. For a majority of the novel, Marlow’s narration of a story goes so above and beyond telling one narrative, that it works toward preventing the African people from developing a voice of their own. Edward Said, in Culture and Imperialism, provides perhaps the most efficient explanation as to how the narrative that Marlow tells in the novel works against the African people: As one critic has suggested, nations themselves

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    a nervous condition introduced and maintained by the settler among the colonized people with their consent.” Frantz Fanon, 1961, The Wretched of the Earth Fanon’s quote, repeated on the first page of Nervous Conditions by Tsitsi Dangarembga, seems to state that Fanon held the colonized people of Africa partly responsible for the colonial system of governing and, by extension, the oppression of the African people. Fanon notes the silence of Africa in the face of colonialism and her inability or

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    African Drums In Africa

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    celebrations in musical selections in Africa. African drums vary in different shapes, sounds, and pitches each with its own particular sound. Unlike here in the United States, where drums are

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