Free Abstract Expressionism Essays and Papers

Abstract Expressionism "New needs need new techniques. And the modern artists have found new ways and new means of making their statements ... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture." Jackson Pollock Rarely has such a massive transfer of influence has ever touched the world as did in the Paris to New York shift of the 1940's and 1950's. All of the characters of American art were

In The beginning, Abstract expressionism came upon at an earlier time than Pop art. During this time Abstract Expressionism was well-defined because this art didn’t have any clear view of any objects or people.Abstract Expressionist looked at paintings as paint and not as people. They also came to conclusion that when creating a type of art in a certain field, that you should only focus on the field that you created. The ending results were not determined by the artist it was to be viewed and discussed

Abstract Expressionism Abstract Expressionism started in America as a post World War II art movement. It was the first art movement that arose from America and put New York at the center of the art world. The term Abstract Expressionism was first applied to American art in 1946 by art critic Robert Coates. It is most commanly said that Surealism is it’s predecessor because of the use of spontaneous, automatic and subconscious creations. Abstract Expressionism gets its name from the combining

abstract expressionism It was a full 170 years after Americans had their political revolution that they won an aesthetic revolution. American art to get rid of its inhibiting mechanisms- provincialism, over-dependence on European sources, and an indifferent public- and liberate itself into a quality and expressive force equal to, or exceeding that of art produced anywhere within the period. Few would argue that the painting and sculpture that emerged from the so-called New York School in the

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences

Abstract Expressionism "What about the reality of the everyday world and the reality of painting? They are not the same realities. What is this creative thing that you have struggled to get and where did it come from? What reference or value does it have, outside of the painting itself?" Ad Reinhardt, in a group discussion at Studio 35, in 1950. My essay starts with the origin and the birth of this great expression in the twentieth century. This movement not only touched painting, it

Abstract Expressionism is defined as “an artistic movement of the mid-20th century comprising diverse styles and techniques and emphasizing especially an artist's liberty to convey attitudes and emotions through nontraditional and usually nonrepresentational means” (Merriam-webster). Abstract expressionism is the first are movement of America and it is one of the most diverse movements. A few of the leading artist of this movement were Mark Rothko, Robert Motherwell, Barnett Newman, and Jackson Pollock

American Realism popular at the time, Abstract Expressionists sought a new form of expression that would allow the flow of their own emotion onto the canvas. They achieved this by rejecting the traditions of illusionistic painting in favor of their own individual mark. Abstract Expressionists chose to express their emotions through action, directly onto their canvases, or by explorations with color, leaving no recognizable images or figuration. Many Abstract Expressionists threw fine art methods

Willem de Kooning was known as one of the major artists of the Abstract Expressionism period. In the post World War II era, de Kooning painted in the style that is referred to as Abstract expressionism, Action painting, and the New York School. Like all Modern art, the intent of these forms of art was not to produce beauty, but critical reflection. The intent was to awaken in the viewer a recognition of the specific, usually social or political, concern of the artist (New World, 2008). De Kooning

Abstract Expressionism and Frank O’Hara’s Writing While researching everything about American cotemporary poet Frank O’Hara, it became very apparent that art was a driving force in both his personal life and his professional writing career. This can be proved by merely trying to find information about him in the literature section in a library. Only his collected poems can be found, but much more information about Frank O’Hara can be found in the art section. Many art books dedicate entire

in Minnesota and Minneapolis. His mother was a painter and from a young age, she encouraged him to have an artistic interest. Rosenquist began his art studies at the University of Minnesota in 1952 where he studied under Cameron Booth, an American Abstract Expressionist. During the summers he would paint gas stations signs, storage tanks, and grain silos to make a little money. After college he worked for a billboard company, painting a variety of advertisements across towns. He painted above almost

popular at the time, Abstract Expressionists became a new type of expression that gave permission to artist to have flow of their own emotion onto the canvas. They accomplished this goal by turning down the traditions of illusionistic painting in favor of their own individual spot. Abstract Expressionists were different from others they expressed their feelings/or emotions straight on a canvas, or by explorations with color, leaving no recognizable images or figuration. Many Abstract Expressionists threw

and began to spill into the art of New York City’s avant-garde (Paul par. 4). By the mid-1940s, artists reeling from the unparalleled violence, brutality, and destruction of war found a shared “vision and purpose” in a new artistic movement: Abstract Expressionism (Chave 3). Critics considered the most prominent artists of the movement to comprise the New York School

Abstract Expressionism signaled a new age of American artistic expression in the immediate postwar period (the late 1940s and 1950s). Though it was never a formal movement, “AbEx” was comprised of artists who had interest in spontaneity, and improvisation. A new vanguard emerged in the early 1940s, primarily in New York, where a small group of loosely affiliated artists created a stylistically diverse body of work that introduced radical new directions in art and shifted the art world’s focus.

I have read your scathing review of an Abstract Expressionist art exhibition and I would like to show you my opinion about how the work of American artwork was created in the 1930’s embodied Democratic values. In the 1930 a new art of painting came out and it was called the American Scene movement because it had risen in a bad reaction to the emergence of European modernism. In the social devastation of the Great Depression, many people found themselves and found strength within. Another point

principle of the matter had changed. Art leapt from viewable understanding straight into the Modern movement where theory became art, and to understand it, one must know the theory it is based upon. Never was this more apparent than in the artwork of the abstract expressionist. Essentially, artwork is not art because of theory, and art based on theory cannot be creative or truly said to be art. To understand all of this, from the beginning, one must begin with the Word. That is to say, one must start with

attained a place in the downtown art scene among his fellow artists. By the late 1940s, de Kooning along with Arshile Gorky, Jackson Pollock, Mark Rothko and Barnett Newman, began to be recognized as a major painter in a movement called "Abstract Expressionism". This new school of thought shifted the center of twentieth century art form Paris to New York. Willem de Kooning was recognized as the only painter who had one foot in Europe and one in America. He combined classical European training

technology brought into focus natural contradictions in modern thinking. Abstract Expressionists of the 1940’s and 50’s were abstract artists because they had been schooled in early modern painting. They were expressionist artists because of their strong belief in the individual gesture and in the freedom to practice by any means, including the human figure (literally), to convey their intentions. Abstract Expressionism was the first art movement with both American and European roots. They reflected

art and sculpture had a profound effect and it was quite extensively used by Picasso. Negro sculpture approved his subject in a more conceptual way than a naturalistic depiction, mostly by a western view. This resulted in forms that were more abstract and stylized and in a sense

School, Los Angeles, and in 1930 Pollock moved to New York City settling in Greenwich Village, where he studied at the Art Students League under Thomas Hart Benton. Pollock began doing all his work in a completely abstract way in the mid 1940s, but Pollock's most recognizable abstract works was after 1947, then came a new approach to drip painting. This was