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Theme of the poem to his coy mistress by Andrew Marvell
COMPARISON BETWEEN andrew marvell POEM THE DEFINITION OF LOVE AND HIS COY MISTRESS COMNPARISON
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Kris Allen, a former winner of American Idol, summarizes the entire carpe diem theme in his song “Live Like We’re Dying,” “We only 86,400 seconds in a day to, to turn it all around or throw it all away… ” Andrew Marvell’s poem “To His Coy Mistress” centers on the carpe diem theme. Marvell acknowledges life’s briefness and how time flashes before ones eyes. In “To His Coy Mistress,” Marvell attempts to persuade his lover to elope and run away with him.
This poem seems quite simple; Andrew Marvell attempts to expedite the brevity of life and the swiftness of time to seduce his mistress. In the first stanza, Marvell flatters his mistress with kind words and sweet compliments. He insists on his enthusiasm to wait for her. Marvell writes, “I would love you ten years before the flood, and you should, if you please, refuse till the conversion of the Jews.” From ten years before the flood to the conversion of the Jews are thousands of years apart. Marvell exclaims that he will wait for her, and he finds satisfaction in admiring her beauty until she articulates her desire to emerge in a sexual relationship with him.
Marvell presents a case that few women could deny, but he quickly turns the flattery into a disguised threat. The compliments he pays to his lover promptly evaporate because of his efforts to convince her to have sex. In the first stanza Marvell expresses his desire to spend all the time in the world to admire her beauty, but in the second stanza Marvell communicates his true intent. The second stanza displays the briefness of life and the brevity of beauty. Instead of using time to glorify his mistress, Marvell manipulates time against her beauty. Her shyness hinders him from his true plan, but Marvell anticipates the real...
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...y. Perchance, when Marvell exclaims, “ . . . then worms shall try that long preserv'd virginity,” he intends for the best. Marvell comprehends that time moves rapidly and hopes that his mistress recognizes this fact before her hour glass empties. Although Marvell seems very rude and abrupt in certain predicaments, tough love deems necessary.
Marvell polishes the poem off by reiterating his affection for his mistress. Although Marvell’s methods appear obscure, he displays undeniable love for her. Marvell’s patience runs thin with his mistress, but his love does not. Even though Marvell comes off as a bit demanding, with reevaluation, I believe Marvell’s true character shines through. His love and compassion for his mistress may seem harsh, but in the situation his harshness could save her from her doom. Marvell loves his mistress and only craves the best for her.
Professor’s comment: This student uses a feminist approach to shift our value judgment of two works in a surprisingly thought-provoking way. After showing how female seduction in Malory’s story of King Arthur is crucial to the story as a whole, the student follows with an equally serious analysis of Monty Python’s parody of the female seduction motif in what may be the most memorable and hilarious episode of the film.
Was this piece presented for humor or was this piece a serious analysis of man’s own fragility to his sexual desires? Here, we see how social context can certainly illuminate the impact of the poet’s
Throughout the entire poem, coyness is not regarded as an attractive behavior in the long term view of objective reality. Time is always of the essence, and death puts an end to all physical and emotional interactions between people. This is expressed in the line “that long-preserved virginity, and your quaint honor turn to dust, and into ashes all my lust” (Marvell). As time progresses, so does the process of decay, and this is what leads to the cycle of life and death. Marvell conveys both the biological and emotional need to propagate the concept of carpe diem, seizing the day and taking initiative in the face of time’s constant war against mortality.
Comparing Tone in To the Virgins, to Make Much of Time and To His Coy Mistress
I shall endeavour to explore and analyse how women are presented in Shakespeare’s “Romeo and Juliet”, Marvell’s “To His Coy Mistress” and Duffy’s “Human Interest”.
This entire poem talk about how beauty fades with time. Thus, like any carpe diem poetry, one is urged to cherish time. In this case, beauty is associated with time and the narrator believes that both should be cherished with the same intensity. There is a tone of urgency to find physical love, as the narrator only addresses physical beauty, which fades. He wants the girl to learn to be "desired" and "admired" while she is still beautiful.
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
Response to His Coy Mistress Andrew Marvell's "To His Coy Mistress" is the charming depiction of a man who has seemingly been working very hard at seducing his mistress. Owing to Marvell's use of the word "coy," we have a clear picture of the kind of woman his mistress is. She has been encouraging his advances to a certain point, but then when he gets too close, she backs off, and resists those same advances. Evidently, this has been going on for quite some time, as Marvell now feels it necessary to broach the topic in this poem. He begins in the first stanza by gently explaining that his mistress's coyness would not be a "crime" if there were "world enough, and time…" (l.2).
and it's foolish for two lovers to postpone a physical relationship. Marvell's piece is structured as a poem, but flows as a classical argument. He uses the three stanzas to address the issues of time, love, and sex. In doing so, he creates his own standpoint and satirizes his audience in the process. Using appeals to ethos, pathos, and logos; logical reasoning; and even a hint of the Rogerian technique - Marvell proves that acting now is essential.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Marvell chooses not to employ many of these techniques in the opening of "To His Coy Mistress." Instead, his images and tools stress how he wishes his love to be- tranquil and drawn out. Rather than beginning with a focus on the concept of death, he opens the poem with the lines, "Had we but world enough, and time / This coyness, lady, were no crime" (ll. 1-2) He will later take on the trappings of the carpe diem poem, but his focus will then be on the grandeur and passion of love, rather than its instability.
As part of his conceit, Marvell spends the first half of “On a Drop of Dew,” relating a simple story drawn from nature, the story of a dewdrop resting on a flower. Without initially revealing what the dewdrop represents, he traces its “life” from the time it is “[s]hed from the bosom of the morn” (line 2) to the time “the skies exhale it back again” (18). He also incorporates personification into the conceit, describing the way the dewdrop “slight[s]” the flower on which it lies and rues its separation from the sky (9). To the way the dew beads on the petal, he lends emotion and motive: “careless of its mansion new,” the drop withdraws into itself, hoping to capture a part of the sky in...
Andrew Marvell in his poem describes a young man convincing his fair mistress to release herself to living in the here and now. He does this by splitting the poem up into three radically different stanzas. The first takes ample time to describe great feelings of love for a young lady, and how he wishes he could show it. The idea of time is developed early but not fully. The second stanza is then used to show how time is rapidly progressing in ways such as the fading of beauty and death. The third stanza presses the question to the young mistress; will she give herself to the young man and to life? Although each stanza uses different images, they all convey the same theme of living life to the fullest and not letting time pass is seen throughout. Marvell uses imagery, symbolism, and wonderful descriptions throughout the poem. Each stanza is effective and flows easily. Rhyming couplets are seen at the ends of every line, which helps the poem read smoothly.
(Lines 1 – 3). He encourages her to give in to his demand by making the act seem trivial, insignificant and nothing to be ashamed of. He implies that if their blood can be shared by a flea, why not share it with each other? A sense of humour is evident as he ridicules the mindsets of sex before marriage being a sin. ‘And in this flea our two bloods mingled.
Structure, a major tool stressed in this poem, tends to rearrange the text in a large-scale way. In "To His Coy Mistress", the reader should focus on the most significant types of structure: stanza and temporal. In other words, time and chronological order assemble the whole meaning of the text throughout the poem. Although the story contains seduction and intimacy, which is portrayed in the title alone, it is merely a cry for two lovers to be together before time runs out. Temporally, the man first explains to the woman how he would love her if he only had the time. The man's sincerity is truly expressed when Marvell writes, "Had we but world enough, and time...I would love you ten years before the flood...nor would I love at lower rate," (373: 1, 7-8, 20). It seems that the man genuinely cares for the lady, or is he secretly seducing her into bed? Taking a look at the second stanza...