Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character analysis julius caesar
Analysis of Julius Caesar
Julius caesar passage analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Character analysis julius caesar
Suicide has always been a common alternative action to get away from one’s problems in human history. Sometimes however, it is at times hard to decipher whether or not one’s suicide may be heroic or weak. In Ancient Rome, suicide was often considered an honorable and praiseworthy way to die, it was not until long after this time period that organized religions started considering suicide as a sin rather than an act of heroism. In the brilliant Tragedy of Julius Caesar by William Shakespeare, many characters in the play take their own lives, this throws us into the dark as to whether or not their acts of suicide are heroic or weak.
As described in Julius Caesar the play, Brutus is a man driven by will and pride. Honor is also a very vibrant underlying foundation of Brutus’ character. After the suspenseful assassination of Caesar, specifically during his funeral speech, Brutus inquires the people of Rome, “Who is here so rude that would not be a Roman? If any, speak; for him I have offended” (3.2.29-32). Brutus is proving to the people of Rome that he is the noblest Roman of them all. However, on the eve of his shocking defeat by Antony, Brutus runs onto his sword preserving his undeniable honor as a noble Roman citizen. Brutus’ decision to kill himself comes after he escapes the end of battle against Antony and Octavius, when his army is captured. As enemies are approaching, Brutus says his final farewell’s to his friends explaining that, “The ghost of Caesar hath appeared to me, two several times by night: at Sardis once, and this last night in Philippi fields. I know my hour is come” (5.5.18-21). Brutus then goes on demanding for Strato, his servant, to hold up his sword for him to run upon saying that, “Thy life ...
... middle of paper ...
...lled herself by “[swallowing] fire” (4.3.156). Portia could no longer live with honor in Rome; she couldn’t live with all of Brutus’ consequences hanging over her.
Every characters suicide in this novel was weak. The reason for this being that no suicide is ever considered heroic. In most ancient cultures, people’s reputation meant everything to them. If they had been betrayed or disgraced in some way, suicide was a way of claiming their honor back. In modern times people commit suicide for far different reasons than people did in ancient times. Portia, Brutus, and Cassius all were grieving over something and they all figured that they didn’t have anything to live for anymore, so they took their lives.
Works Cited
Shakespeare, William. “The Tragedy of Julius Caesar.” Elements of Literature: Kylene Beers. Austin: Holt, 2009. 842-963. Print.
The second henious act Brutus commits is murder on his dear friend Caeser. After commiting the crime he said "If there be any in this assembly, any dear friend of Caeser’s, to him I say that Brutus’ love to Caeser was no less than his". Brutus killed his dear friend because of ambition. If only today’s leaders had some ambition! He said that he love Rome more than Caeser and that is why he commited one of the most dishonorable acts a humn being can commit. After the act, Antony appropriately and sarcastically called Brutus an honorable man. Unlike Brutus, Antony knew what honor was. Even though Brutus knew that Caeser had turned down the crown three times, he still felt he was to ambitious to rule over Rome. If only Brutus would have had a level head on his shoulders like Antony. If anyone can call a murderer honorable, let them be known.
Shakespeare, William. "The Death and Life of Julius Caesar." www.shakespeare.mit.edu. N.P., n.d. Web. 22 Feb 2016. ;.
Shakespeare, William. “The Tragedy of Julius Caesar”. Elements of Literature. Ed. Deborah Appleman. 4th ed. Texas: Holt, Rinehart, and Winston, 2009. 843-963.
Suicidal tendencies play a huge role in Hamlet by forming character relationships, adding suspense to the plot and storyline. “Ah, I wish my dirty flesh could melt away into a vapor, or that God had not made a law against suicide. Oh God, God! How tired, stale, and pointless life is to me” (Hamlet 1.2.130-134). This quote by Hamlet Junior in act 1 really embodies the
In the play the Life and Death of Julius Caesar (just as in all of Shakespeare’s tragedies) there is much death, much tragedy, and of course, a tragic hero. However unlike most of Shakespeare’s plays this time the tragic hero is not particularly obvious. Throughout the play a few main characters present themselves as possibilities for being the tragic hero. But as being a tragic hero is not only having a tragic flaw but also entails much more, there really is only one person to fit the mold. The character Brutus is born into power and is higher/better then we are. He has a tragic flaw that causes his downfall and at the end he realizes his mistake (a trait none of the other characters can really claim).
Brutus was a man of noble birth. He had multiple servants and was often referred to as “Lord”, which indicates a certain level of respect for him. He was a very highly thought of person in Rome. At no point did he ever betray anyone, although he did kill Caesar, he did it to better Rome, not to mislead him. Everything he did was for the advantage of someone else. Even after Brutus dies, Marc Antony says “This was the noblest roman of them all; all the conspirators, save only he, did that they did in the envy of Caesar; he only in a general honest thought and common good to all...” This shows that regardless of brutus killing Caesar, he is still considered noble because he had good intentions. Brutus was also the best friend of Julius Caesar, the most powerful man in Rome. Had he been a commoner, Caesar most likely would not have associated with him or trusted him as a friend.
Shakespeare, William. “The Tragedy of Julius Caesar.” Elements of Literature: Kylene Beers. Austin: Holt, 2009. 842-963. Print.
Bloom, Harold. William Shakespeare's Julius Caesar. Chelsea House Publisher; Connecticut, New York, & Pennsylvania. 1988, Pg. #33 - 36
Brutus recognizes that the “enemies have beat [Brutus and the conspirators].. to a pit” and believes it is honorable “to leap in” themselves “than tarry till” the enemies force them (5.5.23-25). Hence, Brutus requests his servant to assist him in committing suicide and finally utters “Caesar, now be still / I kill’d not thee with half so good a will” (5.5.50-51). Brutus’s action exhibits his understanding of the killing of Caesar, and now views it as irreparable. Furthermore, Brutus takes notice of the fights and unending deaths around him all due to his naivety and failure to judge people’s evil side. As a result, Brutus views suicide as the most appropriate “method” to retain his honor and dignity; otherwise, he would have to encounter the Roman citizens’ criticization and would be humiliated for his actions. In addition, Brutus requests Caesar to be done with his vengeance and to forgive him as he acts solely for the best of Rome, displaying Brutus to be a tragic hero who failed doing his best for good. Furthermore, the play ends with Antony’s summary of Brutus’s character leaving the audience to characterize Brutus to be the one who suffered the most and died in a tragic way. Antony describes Brutus to be “the noblest Roman of them all…/ [and have acted] only in a general
Shakespeare, William. "The Tragedy of Julius Caesar." Houghton Mifflin Company. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, 1994.
As a “speculative man of high motives and refined sensibility”(Catherine C. Dominic) Brutus does have his confusion of motives. Act I, scene ii, is the first we see his weakness, “his concern with reputation and appearance, his subtle vanity and pride”(Gayle Green). Yet the main bases of Brutus’s bewilderment of motives takes place in Act II, scene I, with his famous soliloquy beginning with “It must be by his death”. This speech may be the turning point in which Brutus feels better about the assassination of his once called friend.
Shakespeare, W. (2007). Julius Caesar [electronic resource] / William Shakespeare. Chandni Chowk, Delhi: Global Media, 2007.
Greed, ambition, and the possibility of self-gain are always constant in their efforts to influence people’s actions. In Julius Caesar, Marcus Brutus, a venerable politician, becomes a victim of the perpetual conflict between power-hungry politicians and ignorant commoners. He is a man of honor and good intentions who sacrifices his own happiness for the benefit of others. Unfortunately, his honor is strung into a fine balance between oblivion and belief and it is ultimately the cause of his downfall. His apparent obliviousness leads him to his grave as his merciful sparing of Mark Antony’s life, much like Julius Caesar’s ghost, comes back to haunt him. Overall, Brutus is an honest, sincere man who holds the lives of others in high regard while he himself acts as a servant to Rome.
In Shakespeare’s Hamlet, suicide is treated differently on the aspects of religion, morals, and philosophical views. Suicide is the act of deliberately killing yourself in contrary to your own best interests. In today’s society suicide is highly looked down upon. But Shakespeare used suicide and violence in almost all of his most popular plays. Many of his tragedies used the element of suicide, some accomplished, others merely contemplated. Shakespeare used suicide as a dramatic device. A character’s suicide could promote a wide range of emotions: horror, condemnation to pity, and even respect. Some of his suicides could even take titles like the noble soldier, the violated woman, and star-crossed lovers. In Othello, Othello see suicide as the only escape from the pangs and misery of life. In The Rape of Lucrece, Lucrece kills herself after being raped because she cannot live with her shame. And in Romeo and Juliet, the two lovers could not find happiness if life, so death was perceived as a way that they could be united with each other. Shakespeare was dealing with a very controversial subject: Was it right to end life in order to escape the cruel and unjust world? In the time of the Renaissance, many things had an impact on suicide such as religion, morals, and aesthetic views.
Hamlet’s anger and grief- primarily stemming from his mother’s marriage to Claudius- brings him to thoughts of suicide, which only subside as a result of it being a mortal and religious sin. The fact that he wants to take his own life demonstrates a weakness in his character; a sense of cowarness, his decision not to kill himself because of religious beliefs shows that this weakness is balanced with some sense of morality. Such an obvious paradox is only one example of the inner conflict and turmoil that will eventually lead to Hamlet’s downfall.