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The role of women in the Victorian era
Kate chopin literary criticism
The role of women in the Victorian era
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Kate Chopin’s “The Story of an Hour” is a late nineteenth-century Victorian work that highlights the oppressive state of women. Chopin’s text describes the emotional journey of Louise Mallard upon discovering the death of her husband. Through the uses of streams of consciousness, she reveals her inner thoughts about her new-found freedom as a widow. She discovers that her husband is alive, and she dies from a heart attack. Thus, Chopin uses her text to suggest a need for a critical assessment of the roles of women in society. Chopin, then, deconstructs these traditional ideas and expectations of women and gender roles in the Victorian era.
Jacques Derrida’s literary theory of deconstruction examines how theorist employs texts or ideas to dismantle
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It is assumed that Louis was subjected to marriage for the sake of economic survival analogous to all Victorian women. She admits that “she had loved him—sometimes. Often she had not.” The social taboo of divorce, and economic dependence keeps Louise in an unhappy marriage. Hence, the death of either Mr. or Mrs. Mallard is the only means of respectable escape for Louise. The demise of their marriage, as a result of death, triggers a sense of rebirth because his death offers “the new spring life”. Thus, Chopin demonstrates that marriage should not be a form of expectation for all women. Chopin intends to deconstruct traditional Victorian beliefs on marriage and …show more content…
She centralizes the text around the subject of women, perceptions and the cultural norms of the aforementioned. Chopin does not mention the race of Mrs. Mallard in “The Story of an Hour”, which can further alter the reader’s perspective of the character in the nineteenth century. Provided that Chopin chose to make Mrs. Mallard into a black woman, the intersection of race and gender could be heavily discussed. Then, critical race theory cannot be applied to this short story. Chopin does not present her text as a form of Marxism where class and class relations are thickly interpreted in terms of the socioeconomic system. Also, her text does not analyze the aftermath of the oppressive actions of the colonial society, which is post-colonial
Deconstruction is the core idea of Jacques Derrida’s philosophy. And Derrida’s philosophical theory on Deconstruction is also the main part in this realm. The word “deconstruction” is always tied with the name Derrida.
In conclusion, “The story of an hour” is a clear depiction that women status in the society determines the choices they make about their lives. In this work, Chopin depicts a woman as a lesser being without identity or voices of their own. They are expected to remain in oppressive marriages and submit to their husbands without question.
A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than Howard realizes. Rather than simply being torn between independent and dependant versions of her personality, “The Story of an Hour’s” Mrs. Mallard actually rejoices in her newfound freedom, and, in the culmination of the story, the position of the woman has actually been elevated above that of the man, suggesting a much more radically feminist reading than Howard cares to persue.
She whispers, “Free! Body and soul free!” (Chopin). Though her situation is sad, she does not have a remorseful response. She locks herself in her room and reflects upon her new reality. She instead comes to find a form of liberation for herself from her husband’s death. As she looks out the window, Chopin writes, “…she was drinking in a very elixir of life through that open window,” (Chopin). Chopin is stating Louie’s newly found greatness for her life. She is now able to live for herself and not behind her husband as society has told her. She can be different and gain more from her life now because she does not have to follow or live for a man, as many woman did in society. She feels exonerated from her bondage, which is marriage, and she now feels she can have a life for herself. In the end, her husband is actually found to be alive as he walks into the room. Chopin writes, “When the doctors came they said she had died of heart disease--of the joy that kills,” (Chopin). From seeing her husband, Louise dies. It was joy that had killed her. Readers can easily believe that she died because of the shock that her husband was still alive, but in reality she died from the loss of her new found greatness. The joy that killed her was her own
In Kate Chopin’s “The Story of an Hour”, it talks about marriage and a woman’s life in the 1800’s. This story illustrates the stifling nature of a woman’s role during this time through Mrs. Mallard’s reaction to her husband’s death. When Mrs. Mallard obtains news that her husband is dead, she is hurt after a brief moment and then she is delighted with the thought of freedom. This story shows how life was in the mid 1800’s and how women were treated around that time.
Written in 1894, “The Story of an Hour” is a story of a woman who, through the erroneously reported death of her husband, experienced true freedom. Both tragic and ironic, the story deals with the boundaries imposed on women by society in the nineteenth century. The author Kate Chopin, like the character in her story, had first-hand experience with the male-dominated society of that time and had experienced the death of her husband at a young age (Internet). The similarity between Kate Chopin and her heroine can only leave us to wonder how much of this story is fiction and how much is personal experience.
Chopin displays a need for more independent women in this piece, suggesting that wronged womanhood is the simple fact that society didn’t allow them to be on the same level with men. Mrs. Mallard realizes a “possession of self-assertion which she suddenly recognized as the strongest impulse of her being.” This suggests a dying will for independence. Mrs. Mallard realizes that she can now rely upon her self for everything and it will become her number one driving factor in life. After she realizes this, Chopin says Mrs. Mallard thinks “spring days, and summer days, and all sorts of days that would be her own.” When she has days to herself, she will have no one to tell her what to do, as this line suggests her husband used to.
In “The Story of an Hour” by Kate Chopin, the main character of the story, Mrs. Louise Mallard, is oppressed by her husband. Chopin’s works focus mainly on feminism, the relationships between classes, and the relationships between men and women, specifically between husband and wife in “The Story of an Hour” (“The Story of an Hour” 264). Mrs. Louise Mallard lives under her husband for her whole marriage. Mrs. Mallard gets news through her two best friends that Mr. Mallard was in a railroad accident and did not survive. Mrs. Mallard was hit with waves of guilt, agony, sorrow, fear, and grief. Mr. Mallard later comes back home, as he was mistakenly not involved in the accident. Throughout “The Story of an Hour,” Chopin demonstrates how the repression
Analysis of “The Story of an Hour”. In her story “The Story of an Hour,” Kate Chopin (1894) uses imagery and descriptive detail to contrast the rich possibilities for which Mrs. Mallard yearns, given the drab reality of her everyday life. Chopin utilizes explicit words to provide the reader with a background on Mrs. Mallard’s position. Chopin uses “She wept at once,” to describe Mrs. Mallard’s emotional reaction once she was told her husband had been “Killed.”
In Kate Chopin’s “The Story of an Hour”, the struggle for freedom is dominant. The main character, Mrs. Mallard, stands for a woman who is struggling internally and externally for freedom. After the sudden loss of her husband, Mrs. Mallard gets a taste of the freedom she was lacking in her marriage. Like Mrs. Mallard, women throughout history have struggled to find freedom and success away from their husbands. Chopin herself only became successful after the loss of her husband. In “The Story of an Hour”, Chopin shows women’s struggle for freedom during the Victorian period through Mrs. Mallard’s struggle for her own freedom.
The descriptions in the story foreshadow the tragedy that ends the story. The author believed unexpected things happen often. In the case of this story, Louise Mallard believed her husband to be dead, having been told this by her sister, Josephine. However, when it is revealed that her husband had been alive the whole time, she is unhappy to see him and suffers a fatal heart attack. While she did have heart trouble, Richards and Josephine thought that the news of her husband’s death, not her seeing him again would be detrimental to her health, possibly even fatal. Chopin succeeded in getting this message across.
Kate Chopin, author of “The Story of an Hour” written in 1894 was the first author who emphasized strongly on femininity in her work. In the short story, Chopin writes about freedom and confinement Chopin is an atypical author who confronts feminist matter years before it was assumed. The time period that she wrote in women were advertised as a man’s property. The main idea in the short story is to illustrate that marriage confines women. In “The Story of an Hour” the author creates an intricate argument about freedom and confinement Mrs. Louise Mallard longing for freedom, but has been confined for so long freedom seems terrible. Mrs. Mallard wife of Brently Mallard instantly feels free when her husband dies. The reason she feels this way
Xuding Wang writes in her essay, Feminine Self-Assertion in “The Story of an Hour”, a strong defense for Kate Chopin’s classic work, “The Story of an Hour”. Wang provides powerful proof that one of the pioneering feminist writers had a genuine desire to push the issue of feminine inequality. Even decades later, Xuding Wang fights for the same ground as Kate Chopin before her. She focuses on critic Lawrence I. Berkove, who challenges that Louise Mallard is delusional with her personal feelings of freedom once she discovers the news that her husband has passed away. The story opens with the line “Knowing Mrs. Mallard was afflicted with a heart trouble” (Chopin). [1] Chopin uses allegory to describe
Kate Chopin’s The Story of an Hour is a brilliant short story of irony and emotion. The story demonstrates conflicts that take us through the character’s emotions as she finds out about the death of her husband. Without the well written series of conflicts and events this story, the reader would not understand the depth of Mrs. Mallard’s inner conflict and the resolution at the end of the story. The conflict allows us to follow the emotions and unfold the irony of the situation in “The Story of an Hour.”
A Feminist Perspective on Kate Chopin's The Story of an Hour. Kate Chopin employs the tool of irony in "The Story of an Hour" to carefully convey the problem inherent in women's unequal role in marital relationships. Chopin develops a careful plot in order to demonstrate this idea, one not socially acceptable at the end of the 19th century, and unfortunately, a concept that still does not appreciate widespread acceptance today, 100 years later as we near the end of the 20th century. Louise Mallard's death, foreshadowed in the initial line "Knowing that Mrs. Mallard was afflicted with heart trouble" takes on quite a different meaning when the plot twists and the context of her sudden death is presented unexpectedly, not upon her shock at her husband's death, but instead in her inability to endure the fact that he lives.