Carnatic Music Essay

1211 Words3 Pages

The most popular type of music of South India, Carnatic music, acquires it’s essence in public performances. Carnatic music, unlike most traditions in South India, is widely based around women performers. Women in South India have been fighting for more equality for centuries. Acts of domestic violence against women in India take various forms that include beatings, rape, burning, acid attacks, and others. These negative interpersonal experiences are set within a socio-cultural context in which are seen to hold women at a lower status within society. India is often seen to use a caste system, and this alike. Things that set women back in South India include, but are not limited to, things like sex work and lower overall worth of women. According …show more content…

Women are expected to either be married, work, or be there for a man for sexual relations. Working with Carnatic music allows women in South India more opportunities for work towards a career where they do not need to rely on men. Even with modernization and social changes spreading rapidly through India, these traditional views seemed to hold influential sway in many sections of south Indian society. Laws against domestic violence do exist in India however, a survey of social demographic research shows that rates of violence against women in India remain quite high: a recent National Family Health Survey reported the rate of women who experienced domestic violence in India at 35 %.Woman in South India are trying to overcome and flourish without the spotlight from a man, and the Carnatic performances help them do just …show more content…

The Carnatic stage will usually have four or five performers, sometimes more. Most frequently, the tambura is played by a woman, while the flute and clay pot are played by a man. Either gender may perform on the veena or violin. It is most often for a women to be seen as the main performer. According to “Working Notes, Playing Carnatic Music: The Public Life of a Fourth Indian Musical Form” published in the South Asian Popular Culture by Kenneth Liberman, There are three basic aspects of any Carnatic performance, which include the music, spiritual devotion, and a felicity generated by familial association. Many keen listeners to Carnatic music will argue that the music itself plays a role that is secondary to spiritual expression, and it is common for reviews of Carnatic concerts to adorn the commentary with praise of the religious character of a musician’s performance. Carnatic music gives women something positive to inflate on. This positivity can be portrayed in a religious or work fashion as well. Music in India has always been used as a vehicle of spiritual enlightenment as well as intellectual

More about Carnatic Music Essay

Open Document