Mayan Music Essay

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Mayan music The musical traditions of Mayan possess a characterized hybrid nature from the traditions of pre and post encounter instrumentation, performance, practice, and beliefs. In the present day, it is possible to evaluate the Mayan music from a contemporary point to determine the characteristics affiliated with both European and indigenous. This paper aims at explaining the musical selections of Mayan music using scholarly literature to assert premise regarding the hybridization. In the light of the social context, it is possible to say that the Mayan music of nowadays has some references from both pre and post Encounter perspectives. Maya music is regarded as a function of the system that involves Maya beliefs symbols and other practices…show more content…
This chant is significantly different from the theory of musical Encounter that involves singing with a single tone that falls to a lower pitch when the shaman briefly pauses to recollect breath (Olsen & Sheehy, 2008). There are other performances in shaman music that includes dances as well as certain kind of dress like the shirt associated with rainmaking. In most cases, these ritualistic events utilize instrumentation from the influence of post Encounter. For instance, performances that accompany rainmaking include guitar usage although to some point the words of the song may be ancestral instead of Christian-European. In addition, these words reference the Maya viewing of the universe and its…show more content…
Based on this, it has become hard to conceptualize Mayan music nowadays without the influences of post Encounter. The Mayan music of present day uses marimba as the most popular instrument. This instrument is believed to have originated from Central Africa in the 16th century and arrived in Guatemala in the 17th century (Oxford Music Online, 2012). One of the most outstanding examples of hybrid in pre and post Encounter is the notion that in some Mayan tribes the marimba is used both as an instrument of music and communicating device (Pellicer, 2005). The marimba gives a revelation of indirect contact existing between Africa and Europe. The quality of hybrid in Mayan music is exhibited in the selections of songs from Olsen and Sheehy (2008). The influence of Mayan musical tradition has been seen in ‘Los Novios. ' The instrumentation involved mirrors the effect of African contact from an indirect perspective while the subject matter of the work mirrors the influence of Roman Catholic. Looking at ‘Los Trece’ there is an integration of the subject matter into sones that Latino musicians have developed from various traditions of pre and post-Encounter. In ‘Amilahani’ however, the traditional Mayan impacts the performance and music in general. Dances are more vivid without any trace of influence from post
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