Charles Tilly defined the “repertoire of contention” as “the ways that people act together in pursuit of shared interests” (p. 41). He distinguishes the contrast in repertoires between the pre-modern or traditional forms of protest and the modern social movements. The term ‘repertoire’ is as Tarrow writes “at once a structural and a cultural concept, involving not only what people do when they are engaged in conflict with other but what they know how to do and what others expect them to do (p. 30).
The older repertoire was parochial, bifurcated, and particular. Tilly writes:
“It was parochial because most often the interests and interaction involved were concentrated in a single community. It...
... middle of paper ...
...ternational matters from their citizens. Third, “as the state’s capacity to control global economic forces declines, individuals and groups have gained access to new kinds of resources to mount collective action across borders.” Individuals have more control and access over global economic forces. Fourth, “as economies globalize, cultures universalize, and institutions proliferate, “principled ideas’ are increasingly adopted as international norms and then become socialized into domestic understanding.” Finally, “growing out of global economy and its attendant communications revolutions wound around the latticework of international organizations and institutions, drawing on the inequalities and abuses created by economic globalization and fortified by international norms, a web of new transnational organizations and movements is being forced.” (Tarrow p, 181-182)
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