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Character development introduction
An essay on character development
Character development introduction
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Inner Voice: I parked the car. Turning it off, silencing its hushed rumbling, I removed my seatbelt and took a step out into the chilly, star-speckled night. I deliberated for a moment… then surrendered, dropping back onto my seat and digging through my bag that lay across the passenger seat to remove the black notebook, its leather binding cool on my skin.
[Tico steps out of the car again and walks down the concrete path toward a house]
Inner Voice: This really is a beautiful house, I thought. The elaborate carvings that ran along its eaves, its cerulean shutters, even the interestingly melodic creaking sound the steps made when I stepped down and lifted up. I hoped to use this house later as a setting in one of the stories I’d created.
[Tico knocks on the door. It opens and his sister Debbie appears from behind it]
Tico: Hey Debs! Happy Thanksgiving!
Debbie: [somewhat forced] Hey, Happy Thanksgiving!
Inner Voice: Ah, my sister’s sheepish smile. It’s subtle, invisible to the average human eye, but I knew it all too well.
Tico: Oh no. You didn’t scorch the turkey again, did you?...
her sister with a mixture of envy and awe. She thinks her sister has held life always in the palm of one
Gazing upon my sister, it was as though she had been replaced by her complete opposite. Where once her face had been covered with smiles all of the time, her face was now contorted with grief, and it looked like she would never smile again. Her look could only be described as a small child who has lost a toy in the sand box.
“The Yellow Wallpaper” is a short story written by Charlotte Perkins Gilman. To put it briefly, it’s about a married woman who moves to a mansion to recuperate after her physician had diagnosed her with “neurasthenia” or what they referred in the story as a “slight hysterical tendency.” What makes this story special is the treatment she received, how she was treated and most importantly what happened in the “yellow room.” Unlike most other stories that were written before and during her time, this story conveys a very strong point. It emphasizes the idea of “self-expression”, specifically for women and opposition to the “rest cure”. Having encountered similar experiences like the unnamed character in the story, her remonstration of the “rest cure” was entailed as a result of her repressed activities required by the treatment.
... to be inside this precarious place, I was careful with every movement. As we both lay in our bags, the cave's darkness soon soothed our eyes and sleep came to our tired bodies. Striking camp early in the morning we traversed over the white, moon lit landscape. We arrived at the car for a late lunch, which ended our camping trip.
I was drawn to this house, it looked like any other house really but I had a feeling, there was something different about it.
Your vocal chords tightened, your breath hitches. The light of your cellphone is the only outlet that keeps you from being fully enveloped by the darkness. Aggressively, your heart thumps in your chest. The tremor in your entire body is violent as footsteps moved through the dark. They move closer and closer until they halt in front of the stall you had occupied. The moment you open your mouth to scream for help there is an abrupt, loud, bang. The force of the impact was strong enough to shake the walls of your stall. You squeak in terror, the surprise has you drop your phone. The device, still lit, slides under the opening of the door. Muddled as your thoughts were, you swiftly crouched down to reclaim it. Your fingers extended, nearly grazing
The movie, The Voices, is a story about Jerry (played by Ryan Reynolds), a seemingly happy-go-lucky guy working a factory job that was appointed to him by the court. He is eager to meet and mingle with his new coworkers at a factory party, which he tells his psychiatrist, Dr. Warren, about at one of his appointments. He mentions to her that he likes one of the ladies up in accounting, Fiona. She encourages Jerry to talk Fiona. The story continues to escalate as we find out that Jerry is a schizophrenic who hears the voices of his dog, Bosco, and cat, Mr. Whiskers. Bosco and Mr. Whiskers act as the “angel and devil on your shoulder” for Jerry as he tells them about plans with Fiona. After a fatal accident, Jerry brings Fiona’s dead body home and keeps her severed head in the refrigerator and she becomes an additional voice in Jerry’s head. She convinces him to take his medication because he is a bad man, so he does. His world goes from cheerful and organized, to horrifically unclean, bleak, and lonely. We then see flashbacks from his childhood, giving us
The air hung around them, tensed and quiet. The fragility of her emotion was threatening to shatter. It is as if that time stood still for her. She fingered the brim of her notebook, nervously and took notice of the cup of coffee on her side. Controlling the sudden urged to drown the caffeine all at once; she carefully picked the cup and warily sipped its content. It had long been cold, and her tongue appreciated that fact.
On a house, on a hill, on the darkest of nights, when the rain poured down a little too hard and the wind blew a little too coldly, a Creature perched, digging its claws into the rotting roof. It was not the first time this particular Creature sat on a spot like this, on a night very much like this night, surveying his domain. For not so near, but not so very far a building sprung up out of the bleakness. Fenced in by barbed wire, its windows barred, the occasional tormented pale face peering out, it stood, a miracle of the taxpayers’ moneys, slowly falling into disarray, no move to fix it. The Creature shifted, confident in its roost, and glaring at me. Inclining my head, I signaled I knew what was asked of me. The Creature took off, soaring in large, lazy circles like a vulture might do as he waits patiently for his next meal to die.
“… gave details of the house: it was white with black doors fitted with iron bars; four rooms were stuccoed, but other parts were less finished; the front floor was stone slabs. She loc...
The sounds of laughter echoed around the living room and the smell of sweet potatoes, dressing, chitterlings, and turnip greens filled the air. The living room walls were white and red curtains were hanging in front of the window seals. The fire place had black coal around the edges of brown brick that formed from burning short days and long nights. I could hear my little cousins’ feet hitting the brown and shiny hardwood floor as they ran to the kitchen. Their laughter echoed around the dense hallway, and those sounds reminded me that I had the longest day ahead of me. I rolled out of bed and stared at the reflection of myself and let out a deep sigh. As my feet rubbed against
“Self” is the identity bestowed upon humans that allows us to distinguish ourselves from one another. A persons unique psyche is what entitles them to be considered an individual and mindfully independent. This distinct self identity follows a person through out every facet of their lives. It remains the same “self” from the time a person is born to the day they die, and possibly after. Despite many opinions, the true “self” does not come from our physical body, it comes from the mind and the soul. It is not what a person specifically thinks and feels, but the distinctive unparalleled way they do so. “Self” is embodied by our continued existence in every moment we experience. Our “self” is created to be stable and is best exemplified through consciousness. Consciousness, as defined by Miller in John Perry’s First Night, is “the non-physical and non-material aspects of you”. Some non-physical features of consciousness are demonstrated through our actions, memories, and how we perceive information. As new born babies, our consciousness is already established. Newborns have the ability to recognize their individual needs. They have a full understand of their idea of pain and pleasure, happiness and sadness. As we grow older, we better establish an awareness of our
I cried as we locked up the house for the last time. I felt like we had just spackled, primed, and painted over my childhood. I felt as if my identity had been erased, and like the character in the song, I had lost myself. There was no longer any physical evidence that I had ever lived in, much less grew up in, the house.
My car squatted in the parking lot like a bug on a blackened, cooled, lava flow. I dreaded going back to my normal life after enjoying a weekend of such freedom and pleasure. Duties and obligations began to flitter though my mind as I once again began to think like an insect in a hive. I looked back over my shoulder, fondly remembering the freedom the wonderful weekend blessed me with, and vowed that I would once again return to experience the pleasure and seclusion that lay hidden therein.
As I walked I let my eyes close and my feet feel the groove in the gravel. My mind, still asleep, dreamt of breathing. The lining of my father's old coat escaped inside the pockets and caught my fingers, which were numb from the cold. I would have worn gloves but the sun would be unbearable later in the day. The clouds would rise over the mountains and disappear and the birds would slowly become silent as the heat settled in. But for now it was just cold. I tried to warm my neck by breathing down the collar. It smelled like diesel and sweat.