Even though Richard may look like a monster, his physical appearance has little to do with his monstrosity. In actuality, his mind overpowers his self. Because he firmly holds on to the belief that he “cannot prove a lover” without offering any proof that he really is incapable of wooing “a wanton ambling nymph,” Richard chooses “to prove a villain” (Shakespeare 6). His mind constantly rejects optimism and instead thrusts him back into the darkness where he can protect himself from disappointment. By doing so, Richard’s body becomes a canvas upon which his mind can paint any identity. Richard plays the concerned, supportive b...
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...im thus far. He is now closer to being king than ever before and he attributes this entirely to his ingenuity.
Unfortunately, Richard must ultimately bear the consequences of this ingenuity. In lieu of having the ability to employ multiple personalities, Richard must part with his true identity. This makes him vulnerable to the horror supplied by his own mind and makes him subject to its will whereas before he was perhaps complicit. Buckingham, Richard’s closest accomplice, senses his internal strife and “look[s] into…[him] with considerate eyes” (107). It can be argued that of all characters, Buckingham has the greatest awareness of Richard’s true identity, and so when he exhibits sympathy toward Richard, who wants Edward dead despite having achieved his goal of becoming king, it is made clear that the latter has been lost to the darkness and his own monstrosity.
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