The life of Richard

Richard Wilhelm Wagner Richard Wagner was born in Leipzig, Germany, on May 22, 1813. His work was done throughout the romantic period. His father died soon after his birth, and in 1814 the family moved to Dresden. In 1822 Wagner entered Dresden's Kreuzschule. In 1828 he enrolled at the Nicolaischule in Leipzig, where he began lessons in harmony with the conductor named Christian Gottlieb Müller.

The son of a barber-surgeon, Handel showed a marked gift for music and became a pupil in Halle of the composer Friedrich W. Zachow, learning the principles of keyboard performance and composition from him. His father died when Handel was 11, but his education had been provided for, and in 1702 he enrolled as a law student at the University of Halle. He also became organist of the Reformed (Calvinist) Cathedral in Halle, but he served for only one year before going north to Hamburg, where greater opportunities awaited him. In Hamburg, Handel joined the violin section of the opera orchestra. He also took over some of the duties of harpsichordist, and early in 1705 he presided over the premiere in Hamburg of his first opera, Almira.

Ludwig Van Beethoven 9th Symphony Symphony number nine in D minor, Op.125, the "Choral" is the outstanding piece accompanied with a vocal chorus. Beethoven began concentrated work on the piece in 1822. It occupied him throughout 1823, and he completed it in February 1824. The first performance took place at the Karntnertor Theater in Vienna on May 7, 1824. The deaf composer stood on stage beating time and turning the pages of his score, but the real conducting was done by Michael Umlauf.

(1813-1883) German composer. His childhood was divided between Dresden and Leipzig, where he had first composition lessons; his teacher refused payment because of his talent. His first opera, Die Feen (1834), was followed by Der Liebesverbot (1836); the premiere performance was so unprepared that the event was a fiasco, and he henceforth determined not to settle for modest productions. The success of Rienzi (1840) led him to be more adventurous in The Flying Dutchman (1843), and even more so in Tannhäuser (1845). Caught up in the political turmoil of 1848, he was forced to flee Dresden for Zurich.

Bizet     Puccini     Wagner     Mozart     Verdi Georges Bizet (1838-1875) ========================= The composer of the classic opera "Carmen" was born in 1838 near Paris. Bizet's first teacher was his father, a noted voice teacher and pianist. Later he studied at the Paris Conservatory, where one of his instructors was Gounod. At 19, Bizet won the prestigious Prix de Rome. Bizet's first opera, "La Maison du Docteur," was written when he was only 14.

Although his first job, beginning just after his 17th birthday, was as church organist in Halle, Handel's musical tendencies lay elsewhere. Thus, in 1703 he traveled to Hamburg, the operatic center of Germany; here, in 1704, he composed his own first opera, Almira, which achieved great success the following year. Once again, however, Handel soon felt the urge to move on, and his instincts led him to Italy, the birthplace of operatic style. He stopped first at Florence in the autumn of 1706. In the spring and summer of 1707 and 1708 he traveled to Rome, enjoying the backing of both the nobility and the clergy, and in the late spring of 1707 he made an additional short trip to Naples.

Arnold Schoenberg was born on September 13, 1874, to a Jewish family in Vienna. He taught himself composition, with help in counterpoint from the Austrian composer Alexander Zemlinsky, and in 1899 produced his first major work, the tone poem Verklärte Nacht (Transfigured Night) for string sextet. In 1901 he married Zemlinsky's sister Mathilde, with whom he had two children. The couple moved to Berlin, where for two years Schoenberg earned a living by orchestrating operettas and directing a cabaret orchestra. In 1903 Schoenberg returned to Vienna to teach.

He also composed at the same time. At the Warsaw International Piano Competition in 1927, Shostakovich met Bruno Walter, a conductor. He liked Shostakovich’s works and he said that he will conduct Shostakovich’s “1st Symphony” in Berlin. Shostakovich completed his “2nd Symphony” in 1927, and he started to work on the music for the opera “The Nose”. When the opera premiered in 1930, the opera did not do well and received many terrible reviews from the audience.

A comedic opera of two acts, The Rose of Persia stands as the final opera completed by the English composer Arthur Sullivan. After departing from his comedic roots for several productions, Sullivan cultivated an opera consisting of exoticism influences within its constructed environment and plot elements. Though irregularly revived today, The Rose of Persia exploits Arthur Sullivan as a consistently successful composer; demonstrates the influence of ethnic groups from the late 19th century within this particular musical; directly draws parallels to Middle Eastern cultures, and sufficiently implies similarities and differences to comparable earlier works, of which also include depictions of Exoticism and Orientalism. On June 24, 1842, Arthur Sullivan was born in South London. At an early age, Sullivan’s musicality was easily recognizable, which his father immensely supported, as he was a band conductor.

Between 1775--6 he composed two operas: La finta Giardiniera (trans The Lady Who Disguised Herself as a Gardener) and Il Re Pastore (The Shepherd King); five... ... middle of paper ... ...apellmeister of St Stephen's Cathedral. His last complete works were the masonic Singspiel, Die Zauberflote (1791, The Magic Flute); an opera seria, La clemenze di Tito (1791, The mercy of Tito), and a clarinet concerto for Leopold's coronation. Commissioned by an unknown stranger to compose the Requiem Mass, Mozart became obsessed with the idea that it was for his own death, and he died before the work was finished after a three-week fever. No convincing evidence about the cause of death has come to light, although there has been much speculation about it. Deeply in debt at the time of his death, Mozart did not live long enough to enjoy the financial rewards from the success of The Magic Flute, and was buried in a pauper's grave.