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Literary analysis essay on the red convertible
The red convertible by louise erditch symbolism
Literary analysis essay on the red convertible
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“The Red Convertible”, by Louise Erdrich is a story about two brothers that buy a red convertible. The story is told in first person by the main character Lyman. Lyman seems to get all of the good luck. Lyman becomes the owner of a restaurant at the age of 16. Money seems to come easy to him. Henry is not lucky and he gets called to go and fight in the war. Lyman made a comment on it saying “ I always had good luck with numbers, and never worried about the draft myself. But Henry was never lucky in the same way as me” (Erdrich 1030). The two of them had always been close and the thing that brings them even closer is the red convertible. The boys hitchhike and head to Winnipeg, which is the biggest city to where they live. When they come upon the car Like anyone who has fought in a war, the war makes a person very different. We do not know if Henry was tortured while fighting, but the way he was acting leads us to believe that he was. He is very quiet and restless. He is not making jokes or laughing and if he does laugh it creeps people out. It is hard for Lyman to see his brother like this. Henry only seems interested in watching the color television. The furthest thing from Henry’s mind is the red convertible. Lyman is sad that the bond with is brother is gone because of Henry’s experience in the war. Another sign of symbolism is when Lyman destroys the car and make it look like trash. He does this to try and get Henry out of whatever mood he is in and so that they can ride and spend time together. The hope is that Henry snaps out of whatever funk he is in and that he notices the car. Henry is screwed up from his experiences during the war. His plan works out perfectly. He gets the attention of his brother and Henry says, “that red car looks like shit” (Erdrich 114). He notices how bad the car is and he himself starts to repair it. He blames Lyman for how bad the car is and he hopes that he can get it to run
The National Institute of Mental Health recognizes PTSD as a “disorder that develops in some people who have seen or lived through a shocking, scary, or dangerous event.” Since Henry’s return from the war, Lyman describes his brother as tense. There are many examples of Henry’s strange behaviors. However one truly stood out to Lyman and his family. He says, “I looked over, and he’d bitten through his lip. Blood was going down his chin” (970). Lyman continues that, “he took a bite of his bread his blood fell onto it until he was eating his own blood mixed in with the food” (970). Henry clearly is troubled by something, and the troubles all began after Henry went off to the Vietnam War. I’m no doctor, but one could simply recognize Henry is suffering from some form of
During the war, Henry was taken P.O.W. and spent time in a Vietnamese prison. When he returned home, Lyman said, "Henry was very different...the change was no good," (463). Henry was constantly paranoid and evidently mentally unstable as a result of his wartime trauma. When the family had exhausted all efforts to help Henry, Lyman thought of the car. Though Henry had not even looked at the car since his return, Lyman said, "I thought the car might bring back the old Henry somehow. So I bided my time and waited for my chance to interest him in the vehicle." (464)
He passes a Cadillac dealership, from a corner of his eye he spots a flashy new flawless new Cadillac. Senior ended up buying his beloved man, not boy anymore a new Cadillac.
...who endures pain. His brother, Lyman, suffers from many of the same things as Henry. Lyman also experiences post-traumatic stress. Although Lyman seems to acknowledge this stress in a rather different way than Henry, it is there all the same. Just as Henry tries to give the red convertible up to his brother, Lyman does the same in the end, and pushes it right back to him. The red car represents a bond between the two brothers, and with Henry gone, Lyman can not bear to have it around anymore. Unfortunately, getting rid of the car does not take care of Lyman's pain. Even a long time after Henry's death, Lyman still experiences post-traumatic stress. Only now he has a tragedy of his own to endure.
Even though Henry never expressed his fears to Tom Wilson or Jim Conklin. the audience could tell by the expressions on his face that he was scared. While he was writing a letter to his parents he wrote about how he is going to fight for the first time and he wants to make the proud. After Henry runs away from the first battle. He feels embarrassed because he didn't have a wound.
He was quiet, very uncomfortable sitting anywhere and always moving around. Henry went from a fun energetic person like the color red from their convertible, to a more mean, cold and jumpy. Layman is very shocked and disappointed upon henry’s arrival bc he is not the henry he knew anymore. In one the paragraphs he mentions buying a color TV when Henry was gone, “I was also sorry I bought color because with black-and-white the pictures seem older and further away”(The Red Convertible, Erdrich-4), in this paragraphs Erdrich uses the color TV to represent the presents ,and mentions he would have rather bought a black-and-white in order to remember the good times with his brother henry. His family knew Henry was damaged from war, and couldn’t take him to a hospital. In a sentence his mom mentions “They don’t fix them in those places…they just give them drugs.” Layman tried everything to repair his brother. He completely destroyed the Red convertible to see if it would catch Henry’s attention. Layman’s plan successfully worked, Henry saw the car and got angry at his brother and decided to fix the
Henry and Lyman are two brothers which developed a nicely bond whey got the red convertible. The story is written in first person, we get to know about Lyman and his emotions than they do about Henry. But the author, Louise Erdrich, has tried to go farther and deeper feelings into the character of Henry by means of the red convertible. Throughout this story, the course of “The Red Convertible” becomes the life story of Henry and everything it represents is somehow affiliated with Henry and his changing condition. At the beginning when the two brothers saw the car “Really as if it was alive. I thought of the word repose, because the car wasn't simply stopped, parked, or whatever. That car reposed, calm and gleaming” (359). It can be see that this is a mental condition of Henry who is calm and happy is and delighted with this car.
He then thinks what his reaction to fighting in battle will be. A flashback to when he first enlisted against his mother’s wishes occurs. He remembers fantasies of glorious and bloody wars of times past. Henry thinks that war is a courageous adventure. This transports us to a different setting at his farmhouse. During this time, the people live a simple life mostly based on agriculture. The youth also recalls his mother’s lecture before departing. “She could . . . give him many hundreds of reasons why he was vastly more important on the farm than on the field of battle” (p. 4). His mother warns him about taking care of himself and staying away from bad companions.
Written in the first person by Lyman Larmartine, The Red Convertible follows a typical dramatic development. The story begins in with an introduction of the narrator's life. Almost simultaneously the reader is introduced to older brother Henry Junior and the shiny red Oldsmobile convertible they bought on the spur of the moment together. The rising action of the story begins when the two take off one summer on a road trip that ends them in Alaska. When they arrived home, it was conveniently just in time for Henry to be drafted for the army. Just months later in early 1970 Henry was fighting in the Vietnam War and Lyman was had the red convertible in his possession. More than three years later, Henry finally returned home three years later only to be a much different person than the one that had left. Henry was distant and lackadaisical for the most part, never really caring about anything. Lyman knew there had been only one thing in the past that really cheered him up, and would do whatever it would take to have Henry back to his old self. Lyman took a hammer to their prized possession one night and soon showed Henry the car. Henry then was angered by the way the car was treated and was soon spend all his days and nights consumed by repairing the car. The climax of the story begins when Henry finally finished refurbishing the car and posing in front of it with Lyman for one last picture followed by a trip to Red River like in the good old days. When they arrived at the river, Henry confessed that he had known what Lyman did to the Olds, and was thankful for it, then offered to give his portion of the car to him. Just when the reader believes the old Henry has come back to life, he dives into the river and is sucked down with the strong current.
Henry is assumed to have taken his own life, concluding the short story and further enforcing the devastating effects that the war had on Henry. Works Cited Erdich, Louise. A. “The Red Convertible.” 1984. Literature: A Pocket Anthology.
In the first part of the novel, Henry is a youth that is very inexperienced. His motives were impure. He was a very selfish and self-serving character. He enters the war not for the basis of serving his country, but for the attainment of glory and prestige. Henry wants to be a hero. This represents the natural human characteristic of selfishness. Humans have a want and a need to satisfy themselves. This was Henry's main motive throughout the first part of the novel. On more than one occasion Henry is resolved to that natural selfishness of human beings. After Henry realizes that the attainment of glory and heroism has a price on it. That price is by wounds or worse yet, death. Henry then becomes self-serving in the fact that he wants to survive for himself, not the Union army. There is many a time when Henry wants to justify his natural fear of death. He is at a point where he is questioning deserting the battle; in order to justify this, he asks Jim, the tall soldier, if he would run. Jim declared that he'd thought about it. Surely, thought Henry, if his companion ran, it would be alright if he himself ran. During the battle, when Henry actually did take flight, he justified this selfish deed—selfish in the fact that it did not help his regiment hold the Rebs—by natural instinct. He proclaimed to himself that if a squirrel took flight when a rock was thrown at it, it was alright that he ran when his life was on the line.
Literature can be based on a myriad of plots. From a realistic fiction story to science fiction and aliens attacking earth, there are a multitude of possibilities. Many times the topic of the literature is based on some part of the author’s life. The short story, “The Red Convertible,” by Louise Erdrich, is a piece realistic fiction that has elements that parallel Erdrich’s life. This story outlines the relationship of two brothers, Lyman and Henry. They have a strong relationship, but after Henry comes back from the Vietnam War things change. “The Red Convertible” is a prime example of how authors write to express their feelings and make sense of life events. Ultimately, Louise Erdrich has perfected the art of writing a fiction story in an autobiographical way by relating events in her life such as her heritage, the death of her eldest son, and the suicide of her husband to those written in “The Red Convertible.”
The opening chapters focus so intently on the surrounding countryside, the forests and valleys and the villas in which Henry and his fellow ambulance drivers live, that the war almost seems incidental. He even notes the possibility of an Austrian occupation of the town with some complacency, "I was very glad the Austrians seemed to want to come back to the town some time, if the war should end, because they did not bombard it to destroy it but only a little in a military way" (5). This is a man who does his job, doesn't question authority and makes the best of the situation at hand.
Throughout the story, Erdrich uses the red convertible as a symbol of Henry and Lyman's relationship, and more generally, the war-torn relationships of soldiers. In the beginning of the story, Henry and Lyman buy, restore, and travel around the continent in the convertible together. This action represents a normal relationship before the effects of war. When Henry goes off to war, the relationship changes and Lyman demonstrates their separation by taking the car apart. Later, when Henry returns from war a scarred and changed man, he loses his usual interest in the convertible, as well as in Lyman. In return, Lyman bangs the car up, as a result of feeling neglected. The car portrays the "banged up" relationship he feels between his brother and him. When Henry discovers the car, as well as his relationship with Lyman is damaged, he confronts Lyman, "When I left, that car was running like a watch. Now I don't even know I can get it to start again, let alone get it anywhere near its old condition." Henry alludes to what condition the car was in before he left for Vietnam and expresses his concern about bringing the car back to its old condition. Erdrich uses symbolism here to e...
Then I grabbed my mostly empty can of Redbull, downed the last few gulps and hopped back out of the car which sat patiently waiting for a new tire.