The earliest appearance of Pop Art was believed to be birthed in the mid 1930s however was brought to the forefront of the Art world in the late years of the 1950s and the early years of the 1960s. “It was quite stunning at the beginning – the first post World War II representational reaction to abstract art that was not primarily conservative (or antimodernist) in spirit” . It challenged people to think about what was classified or defined as being Art. Dick Hebdige identifies; “… the dismissive critical response [to Pop] merely reproduces unaltered the ideological distinctions between, on the one hand, the ‘serious’, the ‘artistic, the ‘political’,” being High Art, “and on the other, the ‘ephemeral’, the ‘commercial’ the ‘pleasurable’ which is considered Low or Popular Culture. This notion can be...
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...In other words bringing High Art to Low Culture. The Pop Art movement assisted in blurring the distinctions and stereotypes of Art. Art is a paradigm that is judged on an individual level, like beauty; Art is judged in the eye of the beholder.
Collins, Jim, Architectures of Excess: Cultural Life in the Information Age (New York: Routledge, 1995)
Kostelanetz, Richard, Dictionary of the Avant-Gardes, 2nd Ed., Schirmer Books, 2000.
‘Mom and Pop Art’, The Simpsons, Season 10, Episode 19, DVD, directed by Steven Dean Moore 20th Century Fox: USA, 1999
Scherman, Tony & Helman, Robin, “When Pop Turned the Art World Upside Down,” American Heritage 52, no. 1 (Febuary/March 2001): 68-81.
Wolf, Reva, “Homer Simpson as Outsider Artist: How I Learned to Accept Ambivalence,” Art Journal 65, no. 3 (Fall 2006): 100-11.
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