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Essays on the plague
Symbolism in the plague by Albert Camus
Symbolism in the plague by Albert Camus
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Running Out of Time Time is only running out, and it is one of the most vital and overlooked qualities of life. Albert Camus highlights the theme of time in his 1947 novel, The Plague. Through the use of allegory and point of view, Camus substantiates that when people are not aware of time and its advancing, they are wasting the precious and limited time of their lives. He constantly establishes that the amount of consciousness obtained by a person is the difference between spending time wisely and foolishly. In order to fully utilize it, people need to be aware of time and its passing. Camus uses point of view to demonstrate through Tarrou’s eyes his vision of time. “…Tarrou added: ‘Query: How contrive not to waste one’s time? Answer: By being fully aware of it all the while. Ways in which this can be done: By spending one’s days on an uneasy chair in a dentist’s waiting-room; by remaining on one’s balcony all of Sunday afternoon; by listening to lectures in a language one does not know; by traveling by the longest and least-convenient train routes, and of course standing all the way; by lining up at the box-office of theaters and then not buying a seat; and so forth” (Camus 26). The activities Tarrou recounts are not much different of those of the people he censures. However, the difference lies in the amount of consciousness obtained by the person. Tarrou argues that be being aware, anyone may give purpose to any action. These activities do seem like a waste of time, but by examining the things around them, they are not. For example, by listening to a lecture one does know, they are required to think a little deeper. People are accustomed to having things directly told to them; however, this instance would force them to draw ... ... middle of paper ... ... time in this book is Miss Havisham. Dickens goes on, “On this day of the year, long before you were born, this heap of decay," stabbing with her crutched stick at the pile of cobwebs on the table but not touching it, "was brought here. It and I have worn away together. The mice have gnawed at it, and sharper teeth than teeth of mice have gnawed at me." (97). She might have stopped all of the clocks in the Satis House, but she cannot stop time. She is stuck and destroyed by time. No matter how hard someone tries, time is the only thing that is impossible to get back. Time is being wasted if people are not aware of its passing. Instead of mindlessly going about their day, they need to attain their utmost consciousness and examine the things around them. People are only in control of time when they realize the second that just passed by is never going to return.
The interesting concept of the absurd hero is classically presented by the author, Albert Camus in many of his novels, including The Plague. An absurd hero is a person who does what he has to do regardless of whether or not he can control that situation. Dr. Rieux, a physician in the plagued town, for example, still performs his job daily and just as diligent as he ever has, instead of caving in to the worry and fear that his town experiences because of this widespread epidemic. Camus uses this concept of the absurd hero to develop the four main characters, Tarrou, Rambert, Grand, but especially Dr. Bernard Rieux.
William H. McNeill makes a monumental contribution to the knowledge of humanity in his book Plagues and Peoples. He looks at the history of the world from an ecological point of view. From this viewpoint the history of human civilization is greatly impacted by changing patterns of epidemic infection. Plagues and Peoples suggests that "the time scale of world history...should [be] viewed [through] the "domestication" of epidemic disease that occurred between 1300 and 1700" (page 232). "Domestication" is perceived "as a fundamental breakthrough, directly resulting from the two great transportation revolutions of that age - one by land, initiated by the Mongols, and one by sea, initiated by Europeans" (page 232). This book illustrates how man's environment and its resident diseases have controlled human migration, as well as societal successes and failures. McNeill discusses the political, demographical, and psychological effects of disease on the human race. He informs his audience that epidemics are still a viable threat to society, and warns of potential future consequences.
People often use the expressions “a New York minute”, “time flies” and “wasting time” to describe the passage of time; however, these idioms indicate time is something that can be controlled, altered, or differentiated. Jennifer Egan’s A Visit From the Goon Squad presents time exactly how it is: relative. Egan breaks away from the structurally conventional form of traditional novels and presents time as a “goon”, a foolish entity that controls every character in this story and hinders them from becoming successful individuals. This “goon” leaves no one unscathed; everyone faces the wrath of time and all that comes with it. Egan uses music, as well as the non-linear structure of the book,
is how time can be 'mean' when one needs a few moments to reflect on
All of Camus' writings may be viewed as a quest for meaningful values in a world of spiritual aridity and emptiness. He begins with man's despair, estrangement, fear, suffering and hopelessness in a world where is neither God nor the promise that He will come- the fundamental absurdity of existence- but ultimately affirms the power of man to achieve spiritual regeneration and the measure of salvation possible in an absurd universe. This radical repudiation of despair and nihilism is closely bound up with his concept of an artist. Camus conceives of art as a way of embracing a consciousness of the absurdity of man's existential plight. But art becomes a means of negating that absurdity because the artist reconstructs the reality, endowing it with unity, endurance and perfection. By taking elements from reality that confirms the absurd existence, an artist attempts to correct the world by words and redistribution. Thus the artist never provides a radical transformation of reality but a fundamental reinterpretation of what already exists. He provides a new angle of vision of perceiving reality. That is why, for Camus, an artist is a recreator of myth. He teaches humanity that contemporary man must abandon the old myths that have become otiose, though once defined his existence. The artist liberates man to live in his world by redefining both man and the condition in which he exists. In this regard, it is important to point out that, for Camus, the traditional opposition between art and philosophy is arbitrary. It is because they together become most effective to create the redefinition: the philosophy awakens the consciousness and the art, propelled by such a radical discovery, ...
The Plague (French, La Peste) is a novel written by Albert Camus that is about an epidemic of bubonic plague. The Plague is set in a small Mediterranean town in North Africa called Oran. Dr. Bernard Rieux, one of the main characters, describes it as an ugly town. Oran’s inhabitants are boring people who appear to live, for the most part, habitual lives. The main focus of the town is money. “…everyone is bored, and devotes himself to cultivating habits. Our citizens work hard, but solely with the object of getting rich. Their chief interest is in commerce, and their chief aim in life is, as they call it, 'doing business’” (Camus 4). The citizens’ unawareness of life’s riches and pleasures show their susceptibility to the oncoming plague. They don’t bother themselves with matters not involving money. It is very easy for the reader to realize that they are too naive to combat the forthcoming calamity. The theme of not knowing life is more than work and habits will narrow the people’s chances of survival. Rieux explains that the town had a view of death as something that happens every day. He then explains that the town really doesn’t face towards the Mediterranean Sea. Actually it is almost impossible to see the sea from town. Oran is a town which seems to turn its back on life and freedom. The Plague was first published in 1948 in France. “Early readers were quick to note that it was in part an allegory of the German occupation of France from 1940 to 1944, which cut France off from the outside world; just as in the novel the town of Oran must close its gates to isolate the plague” (“The Plague” 202). When the plague first arrives, the residents are slow to realize the extreme danger they are in. Once they finally become aware of it...
The plague affected people not only on a physical level but a mental one as well. The mental health of the citizens of Oran was amongst the plague's many victims, it suffered of exhaustion as well as being forced to handle mental confrontations. When the citizens dealt with these issues, some people lost their capacity to love as intently, but overall the general capacity of people to uphold their devotion remained resilient to the challenges the plague provided.
Imagine a world where there was a great chance of a mother dying right after giving birth to her child. Sounds like a pretty crazy supposition. Unfortunately, not too long ago, that was the world we called home. Nuland’s book discusses the unfortunate tragedies of puerperal fever and the journey the medical field in Europe took to discover a cause and prevention. Hand in hand, Nuland also depicts the life of Ignác Semmelweis, the unknown founder of the aforementioned cause and prevention strategies: washing hands in chloride of lime. The Doctors’ Plague is a worthwhile read based off the information provided, its ability to break new ground, and the credibility of its author and sources.
Time is all you have and you have to make the most of it. Randy Pausch had pancreatic cancer and according to his doctors he had only three to six months left to live, but that did not matter to Randy. Randy made the most of his time to spend with his family and preparing his last lecture at Carnegie Mellon to leave something to his kids to look back on. Randy shows us that time is not to be wasted sitting around and doing nothing. Randy also shows us to manage our time to do everything that is needed to be done. Finally, Randy shows us that time can change people for good or for worse. From this book, I learned that you have to spend all of your
I wanted to understand so I went to the dictionary and found that Webster?s had no less than 29 definitions for this tiny word, time. I looked on-line and found self help books that said I could manage it better and scientists who posted things regardi...
In 1665, in the Kingdom of England, there was a great disease going through the kingdom that killed over 100,000 people, it was passed throughout the population by tiny bugs that were everywhere and were nearly impossible to avoid. This epidemic is known as the Great Plague of London, 1665 and it is the strand of the Bubonic Plague that tore through London, killing about 15% of London’s population which was around 100,000 people. This Plague was one of the worst diseases to tear through Europe in the 1300’s - the 1600’s. It hit England especially hard because they were on an island and had to where to go and couldn't avoid the spreading of the disease.
J. G. Ballard’s Chronopolis tells the story of Conrad Newman. Conrad lives in a world without time. They have timers and calendars, but they have no clocks or watches. Despite it being illegal to own a watch, Conrad manages to acquire on and he becomes obsessed with keeping track of time. His teacher, Mr. Stacey, a time policeman, discovers his watch and takes him to the center of the city of Chronopolis to explain to him why clocks were outlawed. Chronopolis used to have a population of thirty million people with every minute of their lives scheduled. Eventually, people got tired of being slaves to time, so they overthrew the government and stopped all the clocks. Conrad notices one clock in the city is working, and he runs away from Mr. Stacey. Conrad meets an old
... man’s eye, that is when his sensitivity to time is shown to begin. The obsession with time becomes the narrator’s downfall when the beating of the heart that he hears resembles the ticking of a clock, similar to the watches and clocks present throughout the story, driving him into a deeper madness that finally causes him to reveal his hideous crime to the authorities.
As the clock ticks, days come and go and time passes by. On Earth, every society revolves around clocks whether it be at work or at school. Each day of our lives we have somewhere to be or something to do at a certain time. Just think about it, without clocks there would not be a past or future, everything would be in the present. Quentin quotes, "Because Father said clocks slay time. He said time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life." In this phrase Quentin is describing that everything you have missed in the past is only made possible if the clock stops marking the difference between past and present. Faulkner plays around with individual time, especially with Quentin by explaining that everything Quentin does is on his own time rather than public time. “It was Grandfather's and when Father gave it to me he said I give you the mausoleum of all hope and desire; it's rather excruciatingly apt that you will use it to gain the reducto absurdum of all human experience which can fit your individual needs no better than it fitted his or his father's.” In this quote Mr. Compson is trying to tell Quentin that even though the watch has been handed down to each generation, it cannot even begin to measure time the way any person experiences it. Therefore, Quentin decides that his watch...
the poem (up to line 20). In this part he uses time as a positive