The interesting concept of the absurd hero is classically presented by the author, Albert Camus in many of his novels, including The Plague. An absurd hero is a person who does what he has to do regardless of whether or not he can control that situation. Dr. Rieux, a physician in the plagued town, for example, still performs his job daily and just as diligent as he ever has, instead of caving in to the worry and fear that his town experiences because of this widespread epidemic. Camus uses this concept of the absurd hero to develop the four main characters, Tarrou, Rambert, Grand, but especially Dr. Bernard Rieux.
Dr. Rieux is absolutely an absurd hero because he does what he has to do. He still works as a doctor instead of hiding in fear, hoping to not get the plague like many other of the citizens. Of course, he does not want to fall ill, but he knows that should not stop him from completely ignoring his duties. Unlike many of his fellow citizens who just cowered in their home, he realizes his responsibility and lived up to his specific duty. Everyone’s belief was that the whole city is condemned to die, which was influenced by the priest's sermon, stating this is punishment for the sins of the townspeople, but Dr.Rieux ignored that and stayed to fight. "There's no question of heroism in all this. It's a matter of common decency. That's an idea which may make some people smile, but the only means of fighting a plague is – common decency." (Camus, The Plague). He does not give up and he does not show weakness. Dr. Rieux has a very similar personality to the character Sisyphus in The Myth of Sisyphus. Sisyphus is sentenced to roll a rock to the top of the mountain and then watch it roll back down, for eternity. “Man...
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...ainst the plague, show it who’s boss. This is good because it shows his persistence and how good his moral character is. Dr. Rieux’s absurd personality is a main contributor as his role as an absurd hero in The Plague.
The concept of the absurd hero clearly displays the development of the main character, Dr. Bernard Rieux. Through his slim chances of changing the present, his maintaining of existentialist integrity, and his absurd personality, comes the perfect absurd hero. Dr. Rieux is a true fighter for what he believes in is best for everyone else, his fellow citizens. He is not selfish nor rude. He is not conniving nor sceptical. He knows exactly what the future brings, more death from the plague, but that does not stop him from doing his purpose in life, to help the sick. He is an unlikely hero, but he sure does prove himself worthy of the “hero” title.
The Doctors’ Plague was a meaningful book to read because of the information provided, its ability to break new ground, and the credibility of its author and evidence. Overall, there were more strengths than weaknesses, and this served to cement new knowledge into the reader’s heads. I would recommend this book to anyone in the medical field, as well as for anyone who likes
In many works of Literature, a character comes forth as a hero, only to die because of a character trait known as a tragic flaw; Hamlet from Shakespeare’s Hamlet, Okonkwo from Achebe’s Things Fall Apart, and Winston Smith from Orwell’s 1984 all exhibit that single trait, which leads, in one way or another, to their deaths. These three tragic heroes are both similar and different in many ways: the way they die, their tragic flaws, and what they learn. All three characters strongly exhibit the traits needed to be classified as a tragic hero.
“Cyrano de Bergerac” is a play about a man named Cyrano de Bergerac, a poet and a superb swordsman who contains a terribly giant nose. He’s in love with his cousin, Roxanne. Cyrano never tells Roxanne how he feels concerning her therefore she has no idea of his love for her. Within the play Cyrano is a tragic hero. A tragic hero is a great, noble, heroic character. The dictionary.com definition of a tragic hero states, “All tragic heroes have a tragic flaw and since of that flaw the hero is destined for a downfall, suffering, or defeat: the tragic hero is the character that the majority readers will sympathize or empathize with.” Cyrano is different from the contemporary anti-hero however his death was foreshadowed by his actions. Cyrano has all of these traits. Heroic principles and values are necessary of a tragic hero. Whether its showing honor in battle, by charging at enemy lines to redeem his fallen friend Christian, or his loyalty to Roxanne by visiting her each week and comforting her at the church until his death, displays why he was the hero. Cyrano's admirable traits may be seen as the cause of his downfall. His low self-esteem is why he's too afraid to inform Roxanne how he feels about her. He’s terrified of rejection. Not only is He to proud to ever except defeat in battle by never backing down from a fight but also he is too proud to tell Roxanne how he feels for he believes he will be defeated. This is often the reason why he has gained such a large amount of enemies throughout his life. His pride, along with his low self-esteem, is a burden that weighs him down throughout the play.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
As a Christian speaking to the people of Oran, it would be very difficult to say anything to a people facing such terrible affliction. Even though Father Paneloux believed what he was preaching, I believe he was completely wrong. This would make what I would say much different from what Father Paneloux said. However, some strong points did emerge from his sermons. Overall, the two sermons in Albert Camus’ The Plague fail to help people become more faithful and fail to even preach to the people of Oran the truth.
A tragic hero is a protagonist with a fatal flaw which eventually leads to a character's downfall. The tragic hero is often introduced as happy, powerful and privileged, and ends up dying or suffering immensely due to their own faulty action. John Proctor’s, the protagonist in the play, flaw that lead to his “downfall” was his inability to accept his fate and his pride in which he holds in the town of Salem, Massachusetts. John Proctor had displayed the four characteristics of a tragic hero goodness, superiority, a tragic flaw, and has an eventual realization
Character development in The Plague plays a significant role in illustrating the way that man will endure against an incomparable being or force. In this case, the plague. The people of Oran have an understanding, though an indefinite one, of the power of the plague because Dr. Rieux publicly accepts the situation. Rieux makes it clear that he plans to “get busy with [the plague]” (89), but “[he] knew: that this wasn’t the easiest course” (89). In other words, Dr. Rieux us fully aware that he is up against something much stronger than himself. However, he is intent on combating the plague. Dr. Rieux, however, does not represent all of the people. Not all of the people are immediately awake to the fact that the plague is a force to be reckoned with. Because a majority of them do not know the true power of the plague, they have no desire to counteract the early stages of the disease. Without knowing the actual severity of the situation, “the risk of the plague seemed insignificant” (70) to them. The overall nonchalant attitude of the citi...
A tragic hero is an individual who possesses a fatal flaw in their character that will bring about their own destruction or suffering. Aristotle believed that “A man doesn't become a hero until he can see the root of his own downfall. (Aristotle #1)” This Ancient Greek philosopher also believed that each tragic hero has four characteristics. The first of these characteristics is that a tragic hero is born with either wisdom or high integrity, and in some cases both. Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last characteristic is that the tragic hero will find out that their own turnabout of fortune was brought about by their own actions. McCandless in into the wild is the ideal tragic hero mentioned by Aristotle. McCandless had everything in the world but he gave it up to live in the wilderness and through his own actions he paid the ultimate price. McCandless is seen by the world as a young man who left the corrupted society to embrace a journey only a few would dare. “That's what was great about him. He tried. Not many do. (Krakauer 96)” This journey ended up being the best time of his life and the fact that he attempted this wildlife adventure makes him look more like a daring hero than an idiotic teen.
In the novel, the people of Oran are ignorant and selfish by thinking that a fatal plague or epidemic would never harm them. When it does though, everyone goes ballistic and can’t understand why it is happening to them. Dr. Rieux is one of the main people that decided to do something about it. He is a doctor that sees some of the first signs of the plague early on. Being one of the first that acknowledges the problem as a plague came with disagreements amongst everyone. No one believed that there was a plague in their city and couldn’t recognize that they were all in serious danger. As days go by and the death toll increases dramatically, the ci...
Camus' inability to accept Christian theology is voiced in The Plague by Riex and juxtaposed against the beliefs preached by Father Paneloux (Rhein 42). Paneloux's attitude toward the plague contrasts sharply with Rieux's. In his first sermon, he preaches that the plague is divine in origin and punitive in its purpose. He attempts to put aside his desires for a rational explanation and simply accepts God's will. In this way he is not revolting and therefore falls victim to the plague.
The Plague (French, La Peste) is a novel written by Albert Camus that is about an epidemic of bubonic plague. The Plague is set in a small Mediterranean town in North Africa called Oran. Dr. Bernard Rieux, one of the main characters, describes it as an ugly town. Oran’s inhabitants are boring people who appear to live, for the most part, habitual lives. The main focus of the town is money. “…everyone is bored, and devotes himself to cultivating habits. Our citizens work hard, but solely with the object of getting rich. Their chief interest is in commerce, and their chief aim in life is, as they call it, 'doing business’” (Camus 4). The citizens’ unawareness of life’s riches and pleasures show their susceptibility to the oncoming plague. They don’t bother themselves with matters not involving money. It is very easy for the reader to realize that they are too naive to combat the forthcoming calamity. The theme of not knowing life is more than work and habits will narrow the people’s chances of survival. Rieux explains that the town had a view of death as something that happens every day. He then explains that the town really doesn’t face towards the Mediterranean Sea. Actually it is almost impossible to see the sea from town. Oran is a town which seems to turn its back on life and freedom. The Plague was first published in 1948 in France. “Early readers were quick to note that it was in part an allegory of the German occupation of France from 1940 to 1944, which cut France off from the outside world; just as in the novel the town of Oran must close its gates to isolate the plague” (“The Plague” 202). When the plague first arrives, the residents are slow to realize the extreme danger they are in. Once they finally become aware of it...
By definition, a tragic hero is a protagonist that due to some tragic flaw loses everything he has. Throughout history, literature has always been filled with main characters possessing some tragic flaw. In Macbeth, Macbeth’s tragic flaw is his enormous ambition to become king. In Hamlet, Hamlet’s tragic flaw is his need for revenge for the death of his father at the hands of his uncle. In the Epic of Gilgamesh, Gilgamesh’s tragic flaw is his need to be remembered. In the Anglo-Saxon epic Beowulf, Beowulf also has a tragic flaw, excessive pride and the search for fame, which ultimately leads to his demise.
Tragic figures are characters that aim for a goal but never reach it. They suffer throughout their story and are most likely to die before the play ends. The tragic hero is the most commonly known of these figures, but tragic villains also exist. An example of the tragic hero is Franz Woyzeck, of Georg Büchner’s working-class tragedy ‘Woyzeck’. Compared and contrasted to Woyzeck is the tragic villain, Ferdinand, of John Webster’s tragedy ‘The Duchess of Malfi’. Both characters fail to gain what they desire because they suffer of a mental illness.
A tragic hero can be defined by several different factors; the hero usually has a major flaw that prevents him from seeing the truth that lies in front of him, which contributes to the character’s peripeteia due to mistaken judgement. This mistake then leads to achieving anagnorisis, usually at the end of the play, but is too late to change anything, and results in death.
The anti-hero is useless at being a hero when they should be one or have the opportunity to be one. Typically an ordinary, timid, selfish, anti-social, inept, cautious, passive, pessimistic person, they still manage to gain the sympathy of the reader. Usually unglamorous, many wallow in self-pity which only worsens their state of mind. Anti-heros rarely succeed at any goal set before them. Summed up in two words - failed heros. T. S. Elliot's “The Love Song of J. Alfred Prufrock” is a fantastic example of the modern anti-hero. A glimpse into the stream of consciousness of Prufrock reveals his secret struggles to handle a world he has no control over. Prufrock displays numerous characteristics of an anti-hero but three stand out the most: cowardice, passiveness, and pessimism.