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Racism in literature
Indian culture in regards to marriage
Importance of indian marriage
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Recommended: Racism in literature
Kapur has described both physical and psychological distress of Nina at the very beginning of the novel. The novel opens with the description of Nina:
Nina was almost thirty, friends and colleagues consoled her by remaking on her radiant complexion and jet-black hair but such comforts were cold. Nina’s skin knew it was thirty, broadcasting the fact at certain angles in front of the mirror. Her spirit felt sixty as she walked from the bus stop to the single rooms where she lived with her mother. Her heart felt a hundred as it surveyed the many years of hopeless longing it had known. (Kapur 1)
The above passage gives the description of the wretched condition of a girl who is almost thirty years old and still a bachelor. Nina feels guilty of her
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Her friends and colleagues console her by remarking on her radiant complexion. All the people in Nina’s circle taunt her about her marriage that makes her and her mother’s life too miserable to lead peacefully. They both feel the need of the man in their life after the death of Nina’s father. Though Nina is financially independent, her mother considers her as a huge responsibility and concerns a lot for her marriage. She bears the thoughts of Nina’s marriage in her mind all the time. Manju Kapur raises the sentiments of a mother about her daughter, she writes, “And her womb, her ovaries, her uterus, the unfertilized eggs that were expelled every month, what about them? They were busy marking every passing second of her life” (1). Manju Kapur has expressed worries of an Indian mother, whose daughter has crossed thirty and still a bachelor. Nina’s marriage, which is considered as an ultimate destination for a woman in India, has become a prime focus for Nina’s …show more content…
It is an unwritten moral code that a woman should be young and beautiful to be worthy of marriage. In traditional Indian society, aged and unmarried girl becomes the topic of gossip to the society and concern for the parents. In the novel also, the age factor becomes a major concern for Nina and her mother. She becomes the topic of taunts and gossip for the society and of tension for her mother. She is also facing the typical odd phase in her life. Nina gets disturbed because of her situation. She is anxious and becomes afraid to spend her life as a spinster like some of her colleagues in the college. Kapur aptly describes Nina’s worry, “Academic were full of spinsters, minatory signposts to depressing, lonely futures” (3). She hates the atmosphere where she is in. With the growing age, Nina becomes hopeless of any brightness and happiness coming in her life. Nina’s passing age disturbs her mother, she also gets disturbed due to her daughter’s passing age, and it seems that Nina’s marriage is the only important thing left in her life. Her mother is so desperate that she prays and often visits astrologer about Nina’s marriage. She even promises to give hundred rupees at the Katyayani mandir on the day when her daughter gets
In Jean Rhys’ novel “Good Morning Midnight” the reader is introduced to Sasha Jansen. Sasha is a run of the mill alcoholic who has seemingly been handed the most dreadful hand in life. Her husband deserted her, her child died, she is poor, and mostly—she is isolated and alone. Her viewpoints on the world, and herself, are very cynical and pessimistic. Sasha’s story details her downfall in a stream of consciousness narrative that takes the reader from one thing to the next and back again. It tells of the things she has sensed which leads to the inevitable end of hopelessness which causes her to suffer severe disconnection from the world around her. The problem is, absolute hopelessness is the best thing that Sasha could find for herself. For Sasha, everything must be kept in perspective. She must not go places that make her remember, she must not do things that make her remember, and she must not see things that make her remember. For Sasha, remembering her tragedies means destroying the careful routine that she has crafted for her life. Sasha herself alludes to this when she claims “[she] doesn’t want the way to the exhibition, [she] wants the way out.” (13)
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
pity in the reader by reflecting on the traumatic childhood of her father, and establishes a cause
The main character is Mrs. Das whom is flirtatious, careless, and needy. She and her husband take their family to see the country India for the first time. The tour guide Mr.Kapsi whom is curious, understanding, and quite aware. He sees something unusual at the beginning of the trip, but does not say anything. As the children continue their site seeing, the husband takes picture with his camera as if he lost in his own world. Meanwhile the wife gets to know the driver instead of site seeing. Mr.Kapsi is aware that the family is not like most Indians which lead him to be attracted to Mrs.Das. It states, “The family looked Indian but dressed as foreigners did, the children in stiff, brightly colored clothing and caps with translucent visors (29). This quote shows the difference in cultural clash as well the difficulty of communication. Mr.Kapsi tells Mrs. Das that he is an interpreter for a doctor which makes her believe she can discuss her personal business without him telling anyone. It states, “He decided to begin with the most obvious question, to get to the heart of the matter, and so he asked, “Is it really pain you feel, Mrs. Das, or is it guilt?”(39) Made the wife realized what she was truly feeling about her mistakes. After the conversation Mr.Kapsi did not look at the Mrs.Das the same way. The unusual
Within the thin exterior of the cold dark building she called home, she wanted to keep the bodies of those in which she felt she had a connection. Whether it be a reasonable connection or not, she didn’t want to be alone. Her connection with her father brought her to keeping his corps in the house as well as the other man. Her distance from other people around her only drove her to madness causing nothing but isolation and a craving for any type of relation she could hold or be close
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
The article I chose for this assignment included two passages from the book, The Gift of Years, by Joan D. Chittister (1936). Chittister wrote this book when she was 81 years old and it is a particularly poignant read because the book provides a realistic and an optimistic view about how we grow old.
This reflection paper is based on the life history interview conducted on me and a 78-year-old woman who is soon going to celebrate her 79th birthday on Sep 21st. I would call her with a fictitious name “Smita” in the entire paper to maintain and protect her privacy. The interview was about our life. It was divided into six major life categories: childhood, adulthood, identity, the present, aging, and life lessons. Having an opportunity to interview a 78-year-old woman and writing this reflective paper about the life history and experiences had made me realize that I have a lot to learn about the stages of human life. Every individual lives are different and it varies tremendously. As an interviewee my goal was to collect the details of life, different stories, and experiences that makes our life unique from the rest of the people.
“Arranging a Marriage in India” by Serena Nanda is a well written, informative article aimed at sharing the view of the Indian culture on arranged marriages and also showing how much effort is put into the process of arranging a marriage. Our own culture has evolved into accepting the fact that we are all independent individuals who could not imagine having someone else make such a significant decision for us. Serena Nanda does an excellent job of using her sources within the society as evidence of the acceptance of the arranged marriage aspect of their culture.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
...her to feel despair. Her misery resulted in her doing unthinkable things such us the unexplainable bond with the woman in the wallpaper.
Nina has also blacked out on several occasions and shows signs of mutilation to her body without her knowledge: bruises, cuts, and scratches. According to her mother, Nina used to self-mutilate when she was a child, but it has recently started happening again. Nina sees images of herself, but a different and “evil” version of herself. This could be the awakening of an alter personality or sub-personality. Nina’s stress level with the new performance in her ballet company may have played a part in this change.
The bleak tone of this story takes a particularly sad and disturbing tinge when the wife illustrates a scene from early on in her marriage where she tries to get her husband to satisfy her desire and provide her with mutual satisfaction, only to have him rebuke and reprimand her. In fact, the husband responds in such a particularly brusque and hysterical manner that the reader can see how traumatized the wife would have been at ...
In conclusion, the character of Nina shows how a girl can be negatively affected by the loss of a father, being abandoned by a mother and husband. As a result, her complicated relationships interferes and damage others people’s lives, which everyone get involve with her will be negatively affected too. Nina was living with the Cinderella complex where she dream to find her prince that will protect her and living in a castle happily ever
‘Indian women Novelists in English are proving to be a singular phenomenon in today’s modern times. Their unique genius, as reflected in their novels, has provided insightful understanding of women’s psyche. The reader is kept abreast of all the intricate thoughts and views of today’s women. Thus the writing of these novelists enjoy a significant and central place in women’s lives.1 The stereotyped representations of women have been emphatically rejected by the contemporary women novelists. The repressive society has taught a woman to be culturally silent, and thus this act of writing is for her essentially an act of breaking her silence. These women writers are aware that hundreds of thousands of women are discriminated against merely for being women. Such an insight into the marginalized feminine consciousness is provided by Manju Kapur’s Difficult Daughters. Every woman wants to differ from the stereotypes based on sex but to win over the oppressive forces she must manifest courage and uprightness. Manju Kapur, as a keen observer, explores many aspects of feminine sensibilities in her novel, Difficult Daughters. The novel can be considered as an earnest effort to portray the various nuances of women’s psyche and especially of those women who do not wish to be encoded even by the deceptively trivial bonding of male supremacy. In the novel Virmati and Ida rebel against the existing traditional roles preordained for a woman. In spite of belonging to different generations both show an unmistakable urge of self- actualization. Through Virmati’s and Ida’s private and intimate experiences, Manju Kapur has boldly handled even radical themes.