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Recommended: Symbolism essay
The Overlords: Noble Souls
Childhood's End is one of the best early examples of apocalyptic science fiction. It is the story of Earth's invasion by a supervisory alien race, the 'Golden Age' of life under the Overlords, followed by the mutation of all human offspring into bodiless parts of a hive mind. The final phase of the mutation causes a chain reaction that destroys the Earth. Childhood’s End is a colonial parable, deftly engineered to make the reader identify with the colonial administrators, the Overlords, and their self-sacrificing mission to better humanity.
Wikipedia defines sympathetic characters as fictional characters in a story with which the writer expects the reader to identify with and care about, if not necessarily admire (Black). Sympathetic Characters come from all backgrounds. They can be outsiders, rule breakers, vulnerable, driven, picked on, ect. The criteria needed to develop characters an audience can relate to requires human attributes such as humor, admiration, kindness, misfortunes and /or handicaps that hold them back. Having these characters maintain a secret, or hide true feelings also make for great sympathetic characters. This strategy makes the characters appear more primitive, especially when they finally get to reveal their secret. Whenever characters are hiding something, suspense and tension are created; It immediately raises the question of when will they get found out. Allowing the audience to get suspicious, all adds to the reader’s investment in the characters. Through the use of these techniques and human attributes, Arthur C. Clark is able to portray the Overlords as sympathetic characters, primarily beheld through Karellen, their head supervisor on Earth.
Throughout the book Clark...
... middle of paper ...
...s with Karellen watching the departure of the new humanity from the Overlords’ orbiting craft. The children that remained on Earth to continue the transformation have horrific faces, unkempt persons and incomprehensible behavior. This is an image to be feared not admired. And finally, after 150 years, Karellen--not a God but a dedicated, patient servant-- can turn his attention to his next assignment.
Works Cited
Black, Jason. "Sympathetic character." Wikipedia. Wikimedia Foundation, Web. 25 Feb. 2014.
Clarke, Arthur C.. Childhood's end. New York: Ballantine Books, 1953. Print.
Goldman, Stephen H. “Immortal Man and Mortal Overlord: The Case for Intertexuality.”
Death and the Serpent: Immortalilty in Science Fiction and Fantasy. Eds. Carl B Yoke and Donald M. Hassler. Westport: Greenwood, 10985. 193-208
“Ender’s Game”, by Orson Scott Card, is a military science fiction novel that narrates the story of a boy named Andrew “Ender” Wiggin and his predetermined life to save humanity. Set in the future, humans are at war with an alien insect race dubbed the “buggers.” The buggers have already invaded Earth two times previously and did not succeed because of Mazer Rackham, the general that won the second invasion. Expecting a third invasion of the buggers, the International Fleet (I.F.) has trained child geniuses at very young ages through games that gradually increase in difficulty including the zero gravity battle rooms in preparation for them to become commanders of the Third Invasion.
Lina Vilkas is a fifteen year old girl who is the protagonist of this story. She was taken, by the NKVD, from her house with her mother and brother to exile. Later in the story she meets Andrius and falls in love with him. She marries him after the war while moving from place to place. Andrius uses his misfortune as a fortune to help others. He takes care of Lina and her family as best he can. Nikolai Kretzsky is a young NKVD officer who helps Lina and her mother even after Lina insulted him. Mr Stalas is a Jew who is deported with the other people. He wanted to die with dignity. He is often referred to as The Bald Man. He confesses that he was liable for the deportation. Janina is a starry-eyed young girl who likes to help others and to talk to her "dead" doll. When few selected people are brought to the North Pole for more suffering, dozens of people die from cholera and pneumonia. Lina however, survives and manages to save Jonas and Janina with the help of Nikolai Kretzsky.
In order to support his point of view Neill explains the possible reasons why people respond either sympathetically or empathetically to the fiction and how these responses are related to each other. He splits his research in three parts. For obvious reasons the first part clarifies the terms empathy and sympathy. He states that “with sympathetic ...
An attention-grabbing story of a youngster’s voyage from end to end. In “A LONG WAY GONE,” Ishmael Beah, at present twenty six years old tells a fascinating story he had always kept from everyone. When he was twelve years of age, he escaped attacking the revolutionaries and roamed a land-living rendered distorted by violence. By thirteen, he’d been chosen up by the government military and Ishmael Beah at nature a gentle young boy, bring into being that he was accomplished of really dreadful deeds. Few days later on the rampage he is unrestricted by military and referred to a UNICEF rehabilitation centre, he wriggled to re-claim his humankind and to re-enter the biosphere of non-combatants, who seen him with terror and distrust . This is at preceding a story of revitalisation and hopefulness.
Immortality and eternal youth frequently appears in literature as a means of exploring fears of mortality, aging and decay. Carmilla is immortal in the sense that she cannot die from old age, though she can be killed through other means, as seen at the end of the novel. The undead are those that have died but maintain living traits, immune to aging while maintaining an animate body and mind. In Carmilla, there is a clear binary between the mortal and immortal. Laura’s illness is described as a strange melancholy, “a pretty advanced stage of the strangest illness under which mortal ever suffered,” furthering the dist...
Knowles’ moving novel, A Separate Peace, reveals many alarming features of adolescence, and human nature. Knowles shows that humans will naturally develop an enemy, and will fight them. The main character Gene develops a resentful hatred, which leads to his friend Finny’s untimely death. A liberal humanistic critique reveals that the novel has a self contained meaning, expresses the enhancement of life, and shows that human nature is unchanging.
Circumstance and time can alter or determine the different paths a group of young boys will take. These paths can have the power to strip children of their own innocence. Such a statement can be explored in William Golding’s “Lord of the Flies” as it ventures into the pros and cons of human nature. William Golding’s tale begins with a group of English school boys who crash land on a deserted tropical island during World War II. In Lord of the Flies, the island that the boys crash on is beautiful, glamorous, and magnificent; yet, it proves to become a dystopia by the horror of the cruelty, violence, and inhumanity.
In his paper “The Makropulos case: reflections on the tedium of immortality” Bernard Williams asserts his central claim that when immortality is feasible it is intolerable; further, it is reasonable to regard death as an evil. He argues his position by utilization of The Makropulos case, or the case of E.M. This character and circumstance is derived from a play by Karel Capek. E.M. is a woman of three hundred and forty two years. She has survived so long due to an immortality draught concocted by her father, a physician, long before the play’s action. E.M. explains her problem with immortality is that her unending life has become incredibly dull, her emotions have become cold and indifferent. She feels that in the end, everything has happened before and life has become unsatisfying. She stops taking the immortality draught and death overtakes her. This invokes the optimistic thought that immortality may be rewarding, if certain desires continue to be satisfied. Williams expands on the idea of these desires, called categorical desires and inherent motivation, but first we should confirm the views of death that make the conversation of immortality desirable.
‘Some idea of a child or childhood motivates writers and determines both the form and content of what they write.’ -- Hunt The above statement is incomplete, as Hunt not only states that the writer has an idea of a child but in the concluding part, he states that the reader also has their own assumptions and perceptions of a child and childhood. Therefore, in order to consider Hunt’s statement, this essay will look at the different ideologies surrounding the concept of a child and childhood, the form and content in which writers inform the reader about their ideas of childhood concluding with what the selected set books state about childhood in particular gender. The set books used are Voices In The Park by Browne, Mortal Engines by Reeve and Little Women by Alcott to illustrate different formats, authorial craft and concepts about childhood. For clarity, the page numbers used in Voices In The Park are ordinal (1-30) starting at Voice 1.
War always seems to have no end. A war between countries can cross the world, whether it is considered a world war or not. No one can be saved from the reaches of a violent war, not even those locked in a safe haven. War looms over all who recognize it. For some, knowing the war will be their future provides a reason for living, but for others the war represents the snatching of their lives without their consent. Every reaction to war in A Separate Peace is different, as in life. In the novel, about boys coming of age during World War II, John Knowles uses character development, negative diction, and setting to argue that war forever changes the way we see the world and forces us to mature rapidly.
This is an odd little book, but a very important one nonetheless. The story it tells is something like an extended parablethe style is plain, the characters are nearly stick figures, the story itself is contrived. And yet ... and yet, the story is powerful, distressing, even heartbreaking because the historical trend it describes is powerful, distressing, even heartbreaking.
In “The Son of Man,” Natalia Ginzburg asserts that while the war did irreparable psychological damage to its survivors, it also gave the young generation enough strength to confront the stark reality of the precarious nature of human existence. Passionately but concisely, through the use of repetitive imagery, fatalistic tone and lack of classic organization, Ginzburg shows how the war changed the world around Man and how Man changed his perception of the world.
William Golding’s, ‘Lord of the Flies’, is a powerful piece of literature that teaches important perspectives on the human nature and mind. In the story, the boys plane is shot down by the the military in which it lands on a deserted island. After this event, the boys’ decide to create a civilization on the island until they’re rescued. Golding paints a realistic image of evil, hope, and order expressed through the three items: the Lord of the Flies, the fire, and the conch during World War 2. The boys believe these items will assist them, however, they end up all tearing them apart in the end: the symbols all appear to be beneficial to the situation but eventually lead to their demise. Golding effectively uses the literary device symbolism to develop the theme in the novel that chaos and destruction can occur in the most peaceful places.
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
To view the links that are instilled between mortals, immortals, and fate in The Iliad, it is worthwhile to examine each on its own to observe how they connect. The characteristics of the three are inherently unique in relation to each other, though in some areas there is overlap. Man is defined as a mortal, someone who can die from old age and disease. Products from mortal and immortal procreation, such as the hero Achilles, fall into a sort of category all their own, but Achilles himself suggests that he would die from old age if he were to return home (9:502-505). In this weakness of the flesh they differ from the immortal gods, who cannot die from natural causes. Nevertheless, the gods share the imperfections of man: disloyalty, deceit, anger, and even lust. They see themselves as above man, and yet their actions are often as selfi...