Throughout many of O’Connor’s short stories, a theme of religion and morality can be easily found. O’Connor’s stories explore a notion of struggles between her story’s main characters and their sacrilegious faults; these characters are typically depicted with the fatal-flaw of a superiority complex. This is of course, ironic due to the fact that many of these characters believe themselves to be pious Christians and though this entails that they should not retain a judgmental nature, they do so anyways believing themselves to be superior. Many times, O’Connor will introduce a dynamic character, seemingly out of nowhere, in order to test the moral-fiber of the story’s protagonist, and hopefully enlighten the protagonist with the grace of God—protagonists like the grandma in “A Good Man is Hard to Find,” Mrs. Turpin in “Revelation,” and Mrs. Cope in “A Circle in the Fire.” While the dramatic characters found within O’Connor’s stories, such as “A Good Man is Hard to Find”, “Revelation”, and “A Circle in the Fire,” are all depicted through unique situations and context, all are used as a direct means by which the main character is made aware of one’s conceited persona and becomes a recipient of grace.
In “A Good Man is Hard to Find,” the protagonist, the grandmother, is depicted as a selfish, irksome woman who constantly passes judgment on others. She manipulates her family into doing whatever bids her best, all the while claiming to be a religious woman. In order to test her character, O’Connor introduces the dynamic character “The Misfit” to the story. While the Misfit is a murderer and is in no way a “good man,” he is able to reveal a self-awareness that the grandmother is without. Immediately before the Misfit kills the grandmothe...
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.... Being of Christian faith herself, it is understandable that O’Connor would want to explore this notion of corruption found within those claiming to be of faith. These protagonist’s fatal flaws are meant to represent a very real struggle found within people of faith, what it would be like if these flaws were confronted. It is only by means of a dynamic character that one might be enlightened and receive the humble grace of God.
Works Cited
O'Connor, Flannery. “A Circle in the Fire." Flannery O'Connor The Complete Stories. New York: Farrar, Straus and Giroux, 1971. 175-193. Print.
O'Connor, Flannery. "A Good Man Is Hard to Find." Flannery O'Connor The Complete Stories. New York: Farrar, Straus and Giroux, 1971. 117-133. Print.
O'Connor, Flannery. "Revelation." Flannery O'Connor The Complete Stories. New York: Farrar, Straus and Giroux, 1971. 488-509. Print.
McCarthy, John F. “Human Intelligence Versus Divine Truth: The Intellectual in Flannery O’Connor’s Works.” English Journal 55.9 (1966): 1143-1148. JSTOR. Web. 22 Nov. 2011.
O'Connor, Flannery. "Revelation." American Short Stories. By Bert Hitchcock, Virginia M. Kouidis, and Eugene Current-García. 8th ed. New York: Pearson Longman, 2008. 472-87. Print.
In O’Connor’s short stories she is writing from a catholic perspective, which was not very noticeable at first, but once it is realized that her stories are written with a religious undertone about grace it is hard to forget. In her short stories such as “A Good Man is Hard to Find”, “Revelation” and “Everything That Rises Must Converge” the characters are people who believe they are better than some other class and have a “holier than thou” attitude towards many, especially directed towards African-Americans who are seen as second class citizens. Because of their attitude and way of life, O’Connor gives them a chance to rethink their lives or show them grace, through an act that shocks them. O’Connor uses “freaks” to give the characters a chance at receiving grace such as the ugly girl in “Revelation”, which causes Mrs. Turpin to rethink the way she treats people she believes to below her and her judgmental ways. The “Freaks” bring about a distinct change in the way the characters view others by showing them the errors of their ways and that times have changed. This could also be considered an act of grace and a sign from God. The settings for the stories seem to be predominately take place in the south, where religion is a major influence in people’s lives during the time her stories take place. This change in their views of the world can be seen in all three of the short stories “Revelation”, “Everything That Rises Must Converge”, and “A Good Man is Hard to find”.
The Grandmother’s deviousness and immorality is evident in the beginning of the story. While reading the newspaper article about the Misfit, the Grandmother brings it to Bailey’s attention. In Short Story Criticism, Mary Jane Schenck writes “For Bailey, the newspaper story is not important or meaningful, and for the Grandmother it does not represent a real threat but is part of a ploy to get her own way” (Schenck 220). “A Good Man is Hard to Find” begins with an innocent road trip, however, due to coercion by the Grandmother; it soon turns into a fatal nightmare. In Short Story Criticism, Martha Stephens writes “… it is true that in a trivial sense everything that happens is the Grandmother’s fault…” She continues with “It is in the conscious of the Grandmother that we continue to experience the action of the story…” (Stephens 196).
Scott, Nathan A., Jr. "Flannery O'Connor's Testimony." The Added Dimension: The Art and Mind of Flannery O'Connor. Ed. Melvin J. Friedman and Lewis A. Lawson. New York: Fordham UP, 1966. 138-56.
O’Connor, Flannery. "A Good Man Is Hard to Find.” The Story and Its Writer. Charters, Ann. Compact 8th ed. Boston: Bedford/ST. Martin's, 2011. 676-687. Print.
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
All of O’Connor’s writings are done in a Southern scene with a Christian theme, but they end in tragedy. As Di Renzo stated “her procession of unsavory characters “conjures up, in her own words, “an image of Gothic monstrosities”… (2). Flannery O’Connor was highly criticized for her work as a writer, because of her style of writing, and her use of God. It was stated that “…whatever the stories may have meant to her, they often send a quite different message to the reader”… (Bandy). But the stories of O’Connor take a look at the way people depict themselves on the outside, but inside they are
How does O’Connor explain her complaint that “[e]ver since there have been such things as novels, the world has been flooded with bas fiction for which the religious impulse has been responsible”?
In the short story, “The Good Man Is Hard to Find” the grandmother describes a “good man” vaguely. The grandmother pertains the label “good” broadly, putting a shadow over the definition of a “good man” until it loses its meaning completely. She first applies it to Red Sammy after he furiously complains of the universal untrustworthiness of people. Red Sammy states, “Two fellers come in here last week, driving a Chrysler. It was an old beat-up car but it was a good one and these boys looked all right to me. Said they worked at the mill and you know I let them charge the gas they bought? Now why did I do that?” (1,045). The grandmother said he did this because he is “a good man.” She next relates the label “good” to the Misfit. After she identifies him, the grandmother asks, “You wouldn’t shoot a lady, would you?” (1,049). Even though he hates to admit it, The Misfit says, “I would hate to have to” (1,049). Because being a lady is such a meaningful part of what the grandmother believes as being ethical, the Misfit’s answer confirms to her that he does not share the same moral principles as she does. The grandmother begins to desperately call him a good man and that he comes from ...
1. “[For O’Connor’s characters], the path to salvation is never easy; the journey is marked by violence, suffering, often acute disaster. To arouse the recipients of grace, divinity often resorts to drastic modes of awakening. A kind of redemption through catastrophe,” according to Dorothy Walters. Trace how this is true in one of her stories. Show with specifics how the character moves along the path to salvation, showing the journey and how the character ultimately is redeemed.
O'Connor, Flannery. ?Good Country People.? A Good Man is Hard to Find and Other Stories. Comp. Flannery O'Connor. San Diego: Harcourt Brace & Company, [2006?].
In A Good Man is Hard to Find, the grandmother and the Misfit both experience a life-changing event that leads to them having a clear understanding of who they should truly be. After the Misfit kills the rest of the family, the grandmother is left alone with the Misfit in the ditch. Once she sees the Misfit wearing her now dead son’s shirt, she is reminded that the Misfit is no worse than she is (Whitt 47). She is reminded of her son because of the shirt, but this thought inspires an even deeper understanding and thought beyond being confused as to why he is wearing that shirt (Whitt 47-48). She goes as far as to tell the Misfit “Why you’re one of my babies. You’re one of my own children!” (Whitt 47). She realizes that her beliefs and thoughts of the old fashioned southern social class structure that everyone must be good or they must be beneath an individual do not make sense or is applicable when faced with a serious event in life such as death (Whitt 47). The Misfit is taken back by what the grandmother has said to him and quickly shoots her three times without thought, as if by instinct, “as if a snake had bitten him” (Whitt 48). The truth that the grandmother speaks is too much for the Misfit to the point that he violently tries to reject it. Even though the grandmother is dead...