Write Activity: A6.15 Lesson: Read 1. Kennedy notes that “The Lake Isle of Innisfree” is one of his favorite poems. What is your reaction to this poem? How does it make you feel? Explain. In the poem “The Lake Isle of Innisfree” by William Butler Yeats, the author paints a picture that convinces a person that living in the country is better than living in the city because in the city a person have to deal with so much noise, and there are so many buildings as well as the traffic on the roads, and you have no peace for the noise. Living in the country a person would have peace and quiet. Furthermore, a person may have enough property to do what he or she wants to do; therefore, a person does not have to worry about the many distractions …show more content…
This passage reveals that the poet hates the city and his feeling. The poet shows his dislike of the city when he describes himself standing in the street. The color “grey” meaning dull or colorless and/or without interest; therefore, this is how the poet describes the city street. Yet, living in the city torments his soul. In addition, the poet hears a calling from the Lake Isle of Innis free in his deep heart’s …show more content…
In stanza four “Once out of nature I shall never take/My bodily form from any natural thing,/But such a form as Grecian goldsmiths make/Of hammered gold and gold enameling/To keep a drowsy Emperor awake;/Or set upon a golden bough to sing/To lords and ladies of Byzantium/Of what is past, or passing, or to come.” The author proclaims to never go back to his recent form after being taken out of the natural world. Hence, he yearns the involvement in the artifice of eternity. He has a desire to become a singing bird made of hammered gold made by Grecian goldsmiths. Consequently, the author wants to set upon a tree of gold to sing to the people of Byzantium of the past, the present, and the
The first two lines of the poem set the mood of fear and gloom which is constant throughout the remainder of the poem. The word choice of "black" to describe the speaker's face can convey several messages (502). The most obvious meaning ...
The narrator is trapped by their past, and the poem describes it affecting their daily life. They have a black cat they are envious of, because the cat is carefree and does not make the same mistakes that the narrator does. “He refuses to be snared by a single love the way I did” (319). The narrator had gotten trapped by a love that went badly, and left them being broken from it. Their cat does not make this mistake, and is also carefree, “He leaps from the rooftop . . . doesn't dread crossing bridges or dark alleyways” (318). He just lives his life out and is not concerned about any sort of danger, and because of this the narrator is envious of the cat. They cannot act the same way as the cat does, they are too concerned about their life and what happens with it, “He doesn't cling to life as I do” (318). The narrator seems to be trapped by their past, and because of this, it affects the way they live now. They have shut themselves off purposefully, they let their past affect them this much, they corrupted themselves. They know this, and they wish they had not let it happen, this is why they envy their
Loneliness can be compared to a coin; it has a head and a tail. To someone who is overcome by the constant influx of people or situations, loneliness can be seen as a sort of utopia; to someone who feels that they are all alone in the world, loneliness can be seen as a sort of hell. In these two works, the reader is exposed to the positive and negative aspects of being alone. Yeats' character desires to be alone because he longs to feel all of the comfort that lonesomeness has to offer; within his soul, the persona feels an intense desire to leave the fast-paced city and become one with nature (Yeats, 2093). He longs to go to is an island called Innisfree (2092) because he became infatuated with the idea of this place as a child when his father read him Thoreau's Walden. On this island he could live in a cabin, where he could grow his own food and experience all of the beauty that nature had to offer. Yeats allows his character to rationally conclude that he would rather be alone because his life is constantly being overrun by aspects of the city. Loneliness can be either positive or negative; in the case of Yeats' character, solitude was something to be treasured, while Eliot's character felt that loneliness was something to be loathed.
The speaker in “Disillusionment of Ten O’ Clock” (Stevens) places the readers in a position that is crucial to the way that he wants them to perceive of the environment. The poem is written in free verse, a decision made by Stevens to invite his readers to come away from rules; not even writing should be controlled by what thy neighbor thinks.
The poem begins with a childlike tone, misleading the reader on the upcoming subject matter. The first line echoes a nursery rhyme, feeling like a charm against some brooding curse. “You do not do, you do not do/ anymore black shoe” (lines 1-2). Metaphorically, the shoe is a trap, smothering the foot. The adjective “black” suggests the idea of death, thus it can relate to a coffin. The speaker feels a submissiveness and entrapment by her father. In an attempt to rid herself of the restriction in her own life, she must destroy the memory of her father. “Daddy, I have to kill you” (line 3). However, the description of the father as “marble-heavy” and “ghastly statue” reveals the ambivalence of her attitude, for he is also associated with the beauty of the sea. The speaker reacts with hate to her father who had made her suffer by dying at such a point in her development.
In the poem, the speaker, setting, and imagery depict the style of romanticism. First, the speaker of the poem is interpreted as a Romantic poet who is intelligent and lonely, but he is able to keep himself fulfilled by simple beauty. Wordsword accentuates this by writing in the first person. Next, the setting is richly presented to demonstrate the beauty of nature. Wordsword writes, “Beside the lake, beneath the trees, fluttering and dancing in the breeze” (Wordsword, 5-6). The setting is interpreted to be in the countryside with daylight. Through this use of words and setting, Wo...
The opening paragraph is an incredibly vivid account of nights spent by “the stony shore” of Walden Pond. His description of the animals around the pond, the cool temperature, and the gentle sounds of lapping waves and rustling leaves all serve to remove the idea that nature is a wild and unkempt world of its own, and instead makes it seem much more serene and graceful. Any who thought of Thoreau as an insane outdoorsmen may have even found themselves repulsed by the monotony and constant bustle of city life and longing for the serenity felt by Thoreau. This
An elegance in word choice that evokes a vivid image. It would take a quite a bit of this essay to completely analyze this essay, so to break it down very briefly. It portrays a positive image of blackness as opposed to darkness and the color black normally being connected with evil, sorrow, and negativity. The poem as a whole connects blackness with positivity through its use of intricate, beautiful words and images.
In this poem, the author tells of a lost love. In order to convey his overwhelming feelings, Heaney tries to describe his emotions through something familiar to everyone. He uses the sea as a metaphor for love, and is able to carry this metaphor throughout the poem. The metaphor is constructed of both obvious and connotative diction, which connect the sea and the emotions of love.
Second of all, in the poem “Lake Isle of Innisfree”, the reader sometimes fails to understand what is really happening. “I will arise and go now, for always night and day I hear lake water...
The verb "wanders" connotes contemplative walking without specific destination through streets that are described as "chartered". But the word "street" is ambiguous. While it could be the home of people, a neighborhood and a place for emotional refuge, the streets and the river Thames are "chartered"; they are defined as commercial entities where business and cold cash dominates. The scene is set in which the poet sees the unhappy citizens of London. Their faces reflect the common man's physical and spiritual suffering through "marks of weakness, marks of woes".
The tone of the poem is described as a weary, self-depressed outlook. He is uncertain about life and his place in it. T.S Eliot uses the
The poem is launched by a protracted introduction during which the speaker indulges in descriptions of landscape and local color, deferring until the fifth stanza the substantive statement regarding what is happening to whom: "a bus journeys west." This initial postponement and the leisurely accumulation of apparently trivial but realistic detail contribute to the atmospheric build-up heralding the unique occurrence of the journey. That event will take place as late as the middle of the twenty-second stanza, in the last third of the text. It is only in retrospect that one realizes the full import of that happening, and it is only with the last line of the final stanza that the reader gains the necessary distance to grasp entirely the functional role of the earlier descriptive parts.
The tone in the first stanza of the poem is thoughtful. It is as if the speaker is contemplating the value
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.