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A brief analysis of Sister Carrie's character
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The Naturalist known as Theodore Dreiser
Throughout history there has been many great authors that have created even greater works, and some people refer to these as classics. However, what truly makes an authors’ work a classic? “The idea of a classic implies something that has continuance and consistence, and which produces unity and tradition, and transmits itself, and endures.” “A true classic, is an author who has expressed his thought, and who has spoken to all in his own peculiar style” (Hutchins). Theodore Dreiser is the epitome of this very definition. Dreiser drew upon his upbringing, life experiences, and the situations of his family members and transformed these collective experiences into his very first novel, “Sister Carrie”. This specific piece of work is unlike any novel before it because it displays the idea of the “American Dream” in a completely different way in which no other author could do and as such it still stands as a very influential novel today.
“He was the first to point out the fragile vulnerability of the facade that was understood to be the American Dream and to depict the awful but beautiful reality that supports the facade” (Johnson). The theme of the American Dream makes up the entire surface idea of the novel. Dreiser displays a reality of success that many have aligned with the idea of the American Dream, while at the same time displaying the failures that may come along with them. Carrie goes through life barely trying, and yet it the end achieves so much. However, her achievement leaves her feeling empty because it contrasts with her personality of always wanting to accomplish more and more. Hurstwood exhibits the American idea of opportunity by having an affair with Carrie an...
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Kazin, Alfred, et al. "Studies." The stature of Theodore Dreiser; a critical survey of the man and his work. Bloomington: Indiana University Press, 1955. 171-179. Print.
Lydenberg, John, and Malcolm Cowley. "Sister Carrie's Brother." Dreiser: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall, 1971. 52-57. Print
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Warren, Robert Penn. Homage to Theodore Dreiser, August 27, 1871-December 28, 1945, on the centennial of his birth. New York: Random House, 1971. Print.
The almighty American dream, commonly misconceived as the property of those who reap great materialistic wealth, has been analyzed and sought after through generations. However, this dream, “could come from anywhere and be anything you want in this country” (Goldberg), and the numerous success stories of impoverished beings proves this. This subjectiveness stems from the great diversity within human nature and the variation of goals and pleasures. The characters in novels such as The Glass Castle, To Kill a Mockingbird and the play, The Crucible, act to portray several attempts towards achieving this dream. Ultimately, the almighty American Dream manifests itself through the novels as the desire to accomplish stability and content within one’s
...us allows the reader to douse in this period of Harlem Renaissance from another point of view. Finding work and establishing themselves from “white America” and becoming entrepreneurs for black was not easy, they still had to work hard for very little. Once the reader has identified with the character, the character of Carrie begins to relate to the reader. Whether the reader is feeling one of Carrie’s many emotions or feeling the desperation of how hard it is to make a living. The theme is fully digested, and creates inspiration in the reader to begin their own quest towards striving for better opportunities.
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I think it is very difficult to define the exact character of Dreiser’s "Sister Carrie", and his original intention. I would say, "as many eyes, so many opinions", so no wonder there are different approaches and interpretations towards the novel which is influenced not just by the reader’s reading or personal experience, but also by their particular philosophy of life as well as knowledge about the historical background. "Sister Carrie" can be read as a novel of desire, seduction, or the critique of capitalism and consumerism. It’s definitely not the plot or characters which are dominant elements of it. The taste and the literary value of Dreiser’s novel is shaped and created by its setting and the author’s tone. Chicago and New York have almost as organic and important role in the novel as the characters. They do not just form the simple environment for the novel, but they influence its character and a very strong impression. Chicago’s character is kind of more "positive", it is a city of promise, luck, rise (Carrie). We can say that in Chicago, Hurtswood means something. New York ‘s character is different. It’s a city of lies, fall, impersonal isolation of "walled city where surviving is much more difficult than in Chicago. In New York, Hurstwood means nothing. The setting creates different expectations to people. During the reading of "Sister Carrie", I was interested in searching and revealing the different kinds of desire. Generally we can say that Dreiser deals with the desire of wealth, social status, material things which are represented by money. Within this generalization, we can find and identify many other faces and forms of lust and longing. Carrie, as an ambitious and strong woman embodies the social values of the consumer culture. All she longs for is a material wealth, which represents power. She can be seen as a symbol of money. But Carrie lives in a world of prices. Her labor costs $4.50; board $4 a week; car fare $.60; cheap lunch $.10; etc. She imitates everything perfectly and that’s why she is becoming what people want her to become. Her desires come from other people’s desires. It is exactly Drouet, who introduces her to the world of wealth, to materialism. He gives her money, flat even "name when she enters the world of theater. She plays her role according to Drouet’s desires – once acts as his mistress or "wife".
She believes the American Dream means having family and a home. Her beliefs are not negative, but her attitude regarding obtaining these possessions is negative. She tries to obtain a family or a loving relationship and preserve a home by any means necessary. In the novel, she is portrayed as a separated young woman whom is irresponsible and selfish. She willingly pursues a married man in an effort to have someone she can love and someone to love her back. She does not want to be alone or feel lonely. She disregards the wife and children Lester has at home. After Kathy loses her home, she makes poor choices to retrieve her home. She takes the law into her own hands and disregards the feeling and lives of the new owners of the home. Kathy’s actions are unacceptable, but her view of the American Dream is simplistic and
Throughout the history of literature, a great deal of authors has tried to reveal a clear understanding of the American Dream. Whether it is possible to achieve lies all in the character the author portrays. The Great Gatsby and The Catcher in the Rye stand as prime examples of this. F. Scott Fitzgerald and J.D. Salinger, the authors of these titles, respectively, fashion flawed characters, Jay Gatsby and Holden Caulfield, with one vital desire: the longing to gain what they can’t have; acceptance and the feeling of belonging. Each retaining characteristics that shows their differences and similarities in opinion of the world around them.
The American Dream seems almost non-existent to those who haven’t already achieved it. Every character in the novel has moments of feeling happy and endures a moment where they believe that they are about to achieve their dreams. Naturally everyone dreams of being a better person, having better things and in 1920’s America, the scheme of getting rich is quick. However, each character had their dreams crushed in the novel mainly because of social and economic situations and their dream of happiness becomes a ‘dead dream’ leading them back to their ‘shallow lives’ or no life at all.
When people think of the American Dream, they usually picture a wealthy family who lives in a big house with a white picket fence. They see the husband being the breadwinner for the wife and kids, by supporting and providing the best way that he can. They also picture the wife catering to her husband 's every need. The protagonist Janie Crawford lives this American Dream but soon comes to a realization that this life isn’t her destiny. Crawford learns that love does not involve money but rather being joyful. In Their Eyes Were Watching God by Zora Neale Hurston, Janie breaks the American Dream myth by living a non-traditional life through belief, happiness, and freedom.
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In August of 1889, Carrie Meeber leaves her small town to find employment in the city of Chicago. Theodore Dreiser, the author of Sister Carrie, informs the reader that, "Self-interest with her was high, but not strong. It was nevertheless her guiding characteristic.". With her youth and innocence she hopes to seek employment so that she can get and buy all the nice things that she wants. Carrie does not have any idea how hard this is going to be.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.