Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Conceptualizing addiction 455
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Conceptualizing addiction 455
Infinite Jest
Introduction
Wallace's fictional narrative Infinite Jest is an epic approach to the solicitous and addictive nature of humanity. The novel's diverse characters demonstrate both individually and collectively the fixations and obsessions that bind humanity to the pitfalls of reality and provide a fertile groundwork for the semiotic explanation of addictive behavior. Although Wallace may have actualized the concept of the "addicted gaze" to the literal or physical response to the viewing of Incandenza's coveted film the Entertainment [Infinite Jest], it is manifested symbolically throughout the novel in the distractions of its characters.
Nihilism
It would appear that Wallace has chosen society's most frequently rejected and denounced individuals as the vehicle for the narrative search for and preservation of the ultimate fix, which is illustrated by the obsession for Incandenza's film. At the same time and despite their diversity and distinctions, these individuals will ultimately represent the inextricable and covert characteristics of nihilistic behavior.
School-aged malcontents, drug addicts and the physically challenged all attempt to get a hold of a copy of the film and experience its pleasures at any cost. Ironically, it was the film maker James Incadenza's habit to regularly observe the depravation of Boston's crowded street milieus, where "everyone goes nuts and mills, either switching or watching" (620). It is not surprising the...
Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.
Throughout the years, and throughout various forms of media, some of the greatest creative minds have been the victims of the most unfortunate circumstances. For many, their major problem is that of addiction, and one could say that it affects their work, for better or worse. For example, a writer’s prose usually is affected at least partly by the author’s inner dialogue, and thus, the author’s problems get mixed in with their writings. Therefore, the author’s addictions become a part of the work itself.
Anselm began with his definition of God. That God is “that then which nothing greater can be conceived” (Id quo nihil mauis potest), meaning that it is impossible for there to be a more perfect being. This leads to the first two premises. Firstly, “God is that then which nothing greater can be conceived” and secondly, “Something that exists in reality (in re) is bound to be greater than something that exists in the imagination (in intellectu). This leads to the conclusion, that as God is “the greatest conceivable thing”…it is only logical that God exists “both in reality and thought”. Anselm’s essential claim was that existence was a “predicate of God” which means a quality of God’s nature. As God is the “greatest conceivable thing”, He must be great in possible way which includes existing.
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
excused it on the pretense that her views reflected the past times in which she
As “talkies”, or film with spoken dialogue, made their debut, Americans were struggling through the Great Depression. Being a relatively inexpensive form of entertainment, many people across the nation would attempt to escape into the fictional worlds that movies provided. In the 1934 film, It Happened One Night, the audience embarks o...
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
Biner, Pierre. The Living Theater. Takin' It To The Streets: A Sixties Reader, pp. 288-293. ed. Alexander Bloom and Wini Breines.
Throughout Romeo and Juliet love and hate are combined. However even though they are combined love still remains the principal theme in the play. Although in the play the theme of hatred can be just as important and sometimes it intensifies the theme of love. For example Romeo and Juliet’s love wouldn’t have been so extreme and powerful unless there was the hatred between the Montague’s and Capulet’s.
In the book Proslogium, Anselm came up with the ontological argument in Chapter 2 and 3. In chapter 2, Anselm claimed that things can only exist in mind or in both mind and reality. Then he said that things that in both mind and reality will always greater than the things in mind alone. He used the painter as an example to convince people. He said that when a paint has been done by the painter, the painter will understand more than the paint only in imagination. And in chapter 2, the words showed that Anselm is a believer for God, he even called people who do not believe in God are fools. Then he claimed that God is the greatest. For Anselm, God is perfection, like he said in the book God, “than which nothing greater can be conceived”. At the end of the Chapter 3, he said that necessary existence is greater than contingent existence. From all those proofs, he got his finally answer that God has to exist.
There are many reasons why I decided that I wanted to work in the social work profession. When I first enrolled in college, I was a nursing major with the mindset of becoming a neonatal nurse. When that did not go as planned, I decided to become a social work major because I knew I would receive the same reward of helping someone out and providing an individual with a better opportunity by lending him or her a hand. This was my first reason for choosing this career because I saw so many benefits from this profession. My second reason for was due to the fact that I want to help people during their time of need. There were times in my life where I needed guidance and it felt great to have someone there being compassionate and caring towards me.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
...elieve that Anselm would argue that there could not be two gods. For if there were, then it would be possible to use the same argument to prove that there are an infinite number of gods. Anselm would attack this argument at premise two. Because if God were the greatest that could be conceived, then it would be impossible to conceive of anything greater. Since two gods is greater that one God, then even if it was impossible to conceive of two gods, it would be no greater than conceiving of one God. I will actually agree with Anselm on this argument, given his definition of God. Since he defines his notion of God to be that which a greater could not exist, it is impossible to prove that something greater exists, just by his definition of God.
Anselm uses the definition of God (the ontological argument), in which I have described above, to prove God's existence. As I mentioned, Anselm believes that God is the greatest being we can possibly think of. He does this by first trying to prove the