In terms of gender roles, modern dance is frequently heavily rooted in classical traditions and rules, which it may or may not undermine or try to break out of. The traditional vocabulary of dance dynamics presents men as carriers, enablers, and restrictors of female movements. On the other hand women are individuals of being enabled, guided, supported, and restricted. One dance performance in particular illustrated in Helene Blackburn’s Suites Cruelles which is passionate and incredibly rhythmic. In the article it states,
“The dance is almost painfully traditional despite the attempted play on gender stereotypes by including a gay couple, and putting men in high hells. In every encounter between a man and a woman, the man ...
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...r in dance is from heavily rooted roles in classical traditions and rules. Today, more and more choreographers represent femininity and masculinity without subjugating either of the genders. Some choreographers move past modernist dominations and hierarchies, and construct a new, postmodern, post-feminist gender dynamic in dance. Art has the power to remind us that we have the ability to construct new representations, which can inspire us to move past heavily rooted in classical traditions and rules.
Helgeson, V. (2008). Psychology of Gender (3rd Ed.). New York: Prentice Hall.
Modern Dance and Gender Relations. (n.d.). Suites Culturelles. Retrieved May 5, 2014, from http://suitesculturelles.wordpress.com/2010/03/11/hello-world/
The Dance Anthology. (n.d.). The Dance Anthology. Retrieved May 5, 2014, from http://thedanceanthology.blogspot.com
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