Louis Armstrong : The King Of Jazz Essay

Louis Armstrong : The King Of Jazz Essay

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Louis Armstrong was known as the King of jazz, a trumpeter and singer who was one of the most influential figures in jazz music. Famous for his innovative methods of playing the trumpet and cornet, he was also a highly talented singer blessed with a powerful voice. Known for his skills on being able improvise, he would bend and twist the many lyrics and melody of a song with dramatic effect. As his popularity grew in the mid-20th century America when racism was more prevalent, he was one of the first African-American entertainers to be highly popular among both the white and the colored segments of the society. Fondly nicknamed Satchmo or Pops by his fans, he is often regarded to be the founding father of jazz as a uniquely American art form. Born into poverty in New Orleans, he had a very difficult childhood after his father abandoned the family. As a young boy, he sought solace in music and started playing musical instruments as a teenager to earn his living. He soon discovered that he was naturally gifted in music and over a period of years established himself as a much respected player of jazz music. He entertained millions over the course of his long and illustrious career and went on to become one of the first great celebrities of the 20th century.
Armstrong’s contribution was also significant in regards of racial justice. His development of instrumental, vocal, and stylistic techniques partnered with his amazing talent opened doors to the acceptance of all races. Armstrong played alongside of Rosemary Clooney, Bob Hope, Bing Crosby, and Frank Sinatra on the TV show, The Edsel Show in the late 1950s. With vast viewer popularity, other races made it apparent their unconditional love for him and his music. Armstrong began mak...


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...taught to play and learn music.
Countless people agreed that Armstrong was a major part in the development of jazz music as well as an advocate towards racial justice in America. Many, like his friend and colleague Barney Bigard felt that no one was more popular than Armstrong. Perhaps the most remarkable statement about Armstrong and regarding is career was said by President Richard M. Nixon after Armstrongs death in 1971. Nixon said that Armstrong was an American artist of worldwide fame and one of the architects of music; a free spirited entity. He then prepared for his body to lay in the National Guard Armory where 25,000 people attended the funeral. Furthermore, what might be a larger indication of the magnitude of his contribution might not be what we have said about him, but rather that after all these years, we are still talking about the King of Jazz.

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