The first act of unnaturalness occurs at the start of the play. A great storm is brewing while Scotland and Norway wage against each other in war, and continues on figuratively throughout the main plot of the play. The storm was most likely conjured by the three weird sisters, or witches, who are abominations of nature in their own sense. They can bend the world at their whim, upsetting the natural order with every spell they manage during the duration of the tragedy. It can be noted that in the third scene of act one, the first witch begins casting a spell on Macbeth and Lady Macbeth: “Though his bark cannot be lost, Yet it shall be tempest-tost.” The storm is ambiguous; it can be interpreted as the first natural distress foreshadowing the events pending for exhibition, or it can be taken as a symbol for the uprising that will soon face King Duncan and the impending doom of Macbeth. No matter how you elucidate the reason for such a tempest, the rest of the play determines the coexistence of the human world that Macbeth resides in and the natural world that surrounds him.
Before Duncan’s death, he has a...
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...hat the wood of Birnam is moving towards their castle, to which Macbeth undoubtedly scorns him. That is, until he sees the forest move for himself. Even though Macbeth is at odds with both humans and nature, he never gives up the hope that he may succeed even when is castle is completely surrounded.
Nature is a hard theme to pull from any work of fiction. It is commonly misconstrued as a segment of the setting, only important when referring to time and place. However, it is especially important in Macbeth, since it emphasizes the importance of the king that was a belief practiced in Shakespeare’s time. The king had divine right, he was a godsend, and nothing could hurt him. So when a king was murdered, nothing would be at peace. Both nature and mankind would be reaping the consequences of such an important individual’s death. It was unnatural to assassinate a king.
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