In both Prague by Arthur Phillips and Midnight in Paris by Woody Allen, authenticity and sincerity are ideas that preoccupy the texts. The Oxford English Dictionary defines authenticity as “the fact or quality of being true or in accordance with fact; veracity; correctness,” and sincerity as “freedom from falsification, adulteration, or alloy; purity, correctness.” Prague and Midnight in Paris explore this idea similarly; the characters presented as most desiring of authenticity and sincerity are those that are the most incorrect, unreliable, and distorted themselves. This is a comment about human nature – the people who are most attracted to authenticity and sincerity are those who least possess the traits. The dual-nature of mankind inferred …show more content…
He longs for the beauty of 1920’s Paris, the best and most livable time period: “Imagine this town in the ‘20’s. Paris in the ‘20’s, in the rain. The artists and writers!” (4:13-4:17). This fantasy by which he has been consumed becomes corporeal, “I’m Gil Pender. I was with Hemingway and Picasso. Pablo Picasso and Ernest Hemingway. I’m Gil Pender, from Pasadena. Cub Scouts…” (42:17-42:36)., and is later confirmed by the journal of a woman he encounters and pursues on his midnight strolls. Gil becomes that same embodiment of a person seeking the most authentic and novel, but through a means that makes him appear inauthentic, insincere, and a bit insane. His ideal picture of the 1920’s proves to be a mirage. Perhaps the single point at which viewers can determine that Gil is more deceptive than authentic comes at that point where Gil recognizes that fact: the 1920’s Paris he visits seems to be a construct of his own imagination, helping him unveil the things he cannot confess in his daily life. In the following scene, Gil addresses Gertrude Stein on the content of his novel, which Hemingway has also read: “‘He doesn’t quite believe that the protagonist doesn’t see that his fiancée is having an affair right before his eyes.’ ‘With?’ ‘The other character, the pedantic one.’ ‘Yeah, it’s called denial. Thank you.’” (1:24:38-1:24:58). Knowledge …show more content…
Gil learns that in order to make something of himself, in order “to write something worthwhile, I have to get rid of my illusions” (1:23:41-1:23:47); however, his lesson is short-lived and the film ends with a shot of Gil and his new romantic interest walking through Paris in the rain. The other misfortune lies with John, who does not learn from his experiences in Budapest, but imagines another ideal life awaiting him in Prague, allowing his delusions to live on: “Life will start there, at the end of this ride […] This year will be different, surrounded by seriousness. Real life awaits, birthdays, a redem…” (366). Better to be Gil, who can at least, in part, identify his disillusionment. Readers and viewers see that there cannot be both attraction to and self-riddance of these qualities; their divorce is impossible. Similarly, the divorce of ideal and authentic is necessary, but difficult to recognize. Both John and Gil are representative of an ignorance of truth: the peaceful existence of the ideal and the authentic is oxymoronic, and people often do not see this. Such is the flaw with mankind – they are doomed to choose a side, without an acknowledged existence of the
The section in the novel night that painted a dark and angry picture of human nature is when the Jews were fleeing Buna and hundreds of them were packed in a roofless cattle car. The Jews were only provided with a blanket that soon became soaked by the snowfall. They spent days in the bitter cold temperatures and all they ate was snow. For these reasons, many suffered and died. When they stopped in German towns, the people stared at that cattle cars filled with soulless bodies. “They would stop and look at [the Jews] without surprise.” It was a regular occasion for the German people to see suffering Jews and not feel pity. The dark and angry picture of human nature was when a German worker “took a piece of bread out of his bag and threw it
McGuire, Danielle L. At the Dark End of the Street: Black Women, Rape, and Resistance- A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power. New York, New York: Vintage Books. 2011.
The most memorable figures in literature are not created simple, instead their lives are not easy to understand. These characters have multiple perspectives of the imaginary worlds that they are placed in, which allow readers to associate themselves with such a literary idol. One of these notorious figures recognized as a powerful symbol is Jay Gatsby; this man is described as a “criminal and a dreamer” in Adam Cohen’s article of The New York Times. When reading “Jay Gatsby, Dreamer, Criminal, Jazz Age Rogue, Is a Man for Our Times”, the audience is exposed to many sides of Gatsby. We are able to observe this complicated yet fascinating character through various rhetorical techniques in which Cohen uses to fully convey the image of the “mysterious Prohibition-era bootlegger”.
1 It was a cold March night in 1980 in China. There was only Tyler Day, TJ Paul, 2 and Lauren Day at the movie. It was late at night, when Tyler, TJ, and, Lauren were 3 leaving from the movies. They decided to play hide n seek after watching the movie 4 Friday The 13th. The three of them split up, and they all had night vision goggles so 5 they didn't hit any trees. Lauren volunteered as tribute to be it, but that was kinda 6 weird because she is never it first in any game they played with people.
After reading the directions and topic for this paper, I was extremely eager to get started. Adolescence is a stage of life that is very critical for a person. Speaking from my own experience, I know that the teenage years are a difficult part of life and during these years, one experiences a rollercoaster of different emotions, obstacles, and decision-making. Aside from the topic of Adolescence, I was glad that I could choose which movie I wanted to watch, and that was an easy decision. I decided to watch Sixteen Candles. The last time I watched this movie was when I received the DVD as a gift, which was when I turned sixteen. Watching the movie then, I obviously did not realize that most of the problems and events that occurred in the movie
Dagoberto Gilb was born in Los Angeles in 1950. A mix of gritty humor, mundane terror, and economic misfortune distinguishes his short stories. His life has been neither easy nor subdued, and these influences are reflected in his writing style and choice of subject matter. The short story entitled “Love in L.A.,” by Dagoberto Gilb, shows how one can see many reasons in seeing irony and even satire by the story’s title and how all is stories combine in someway.
Certain authors, including F. Scott Fitzgerald, wanted to reflect the horrors that the world had experienced not a decade ago. In 1914, one of the most destructive and pointless wars in history plagued the world: World War I. This war destroyed a whole generation of young men, something one would refer to as the “Lost Generation”. Modernism was a time that allowed the barbarity of the war to simmer down and eventually, disappear altogether. One such author that thrived in this period was F. Scott Fitzgerald, a young poet and author who considered himself the best of his time. One could say that this self-absorption was what fueled his drive to be the most famous modernist the world had seen. As The New Yorker staff writer Susan Orlean mentions in her literary summary of Fitzgerald’s works, “I didn’t know till fifteen that there was anyone in the world except me, and it cost me plenty” (Orlean xi). One of the key factors that influenced and shaped Fitzgerald’s writing was World War I, with one of his most famous novels, This Side Of Paradise, being published directly after the war in 1920. Yet his most famous writing was the book, The Great Gatsby, a novel about striving to achieve the American dream, except finding out when succeeding that this dream was not a desire at all. Fitzgerald himself lived a life full of partying and traveling the world. According to the Norton Anthology of American Literature, “In the 1920’s and 1930’s F. Scott Fitzgerald was equally equally famous as a writer and as a celebrity author whose lifestyle seemed to symbolize the two decades; in the 1920’s he stood for all-night partying, drinking, and the pursuit of pleasure while in the 1930’s he stood for the gloomy aftermath of excess” (Baym 2124). A fur...
In the popular literary works of F. Scott Fitzgerald’s The Great Gatsby and Franz Kafka’s novella “The Metamorphosis,” we are given examples of the importance of a profound narrative point of view in creating an integral depth to the author’s story and enchanting its characters. Through key placement of well-rounded characters, both works of art succeed in creating a perfect narrative point of view which illuminates their stories in emotionally moving ways. The Great Gatsby’s Nick Carraway, plays the role of a secondary character in most of the novel. Enabled by his laidback, trustworthy nature, he manages to provide an extremely interesting first person point of view on all the events surrounding him throughout the story. He also functions as the author’s voice as he reflects on the human condition of man, the American dream, and the “modern” world’s moral values. In “The Metamorphosis,” we experience a third-person omniscient point of view which is mainly limited to Gregor Samsa’s thoughts, feelings, and assessment of his predicament. After Gregor dies, the point of view shifts to his remaining family members, but we don’t experience the same intimacy involving their innermost thoughts and feelings; instead we are given an impersonal third-person narration. Kafka intelligently uses this technique to further establish the Samsa’s sense of morals and final adjustments to the situation. We are left with an unmistakable impression of the opposing natures man can live at and accept. A strong, well-written narrative point of view is evident in both these literary works; it is the character’s undertaken, excellent role in their expression which ultimately shape and guide the author’s stories into a masterpiece.
...ferent from their peers has isolated Bernard, Helmholtz, and John, it has also deepened their individuality. This scenario, at a lesser level, often plays out in modern day. People possess a natural desire to fit in and often are willing to forego individuality in order to do so. Though one may gain a facade of happiness as a result of fitting in, being truthful to oneself and expressing one’s free will allows for honest expression of individuality, a concept much greater than such a facade. A society without unique individuals is a society without humanity, and, as demonstrated through these characters’ experience, does not function. Ultimately, people must realize that individuality, knowledge, and raw emotion is more important to society than superficial happiness.
...t time. Gil’s lover ultimately decides to stay in the past and sadly, they part ways.
Rachel Perkins hybrid musical drama One Night the Moon set in the 1930’s Australian outback and Malala Yousafzai’s ‘speech to the UN’ in 2013 were composed to raise awareness and reveal truths of multiple perspectives, representing the voice of the unheard and disempowered in juxtaposition to the dominant and powerful. Both Perkins and Yousafzai challenge societal expectations of their context, advocating for all voices to be heard and for the potential unity between cultures and races through education and shifts in paradigm.
“Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.” Fyodor Dostoyevsky once said this and this quote has greatly influenced the theme statement for this paper. The theme statement for this paper on the Great Gatsby is some people are willing to put up a false façade in order to become something they think is better and they lose their true selves in the long run. This paper will go through three examples of putting up a false façade. First the paper will go through Jay Gatsby, then Nick Carraway and finally the paper will wrap up with the parties that Gatsby throws.
So often, it seems, life can seem like a "patient etherized on the table" (Eliot, 3). Be it the apparent futility of existence as a whole, or the insecurity of those single moments of doubt; life is often fleeting. I believe life is best described as a fickle beast, always elusive; always turning down some new and unexpected road. This fleeting life is what both Jay Gatsby of The Great Gatsby and Alfred J. Prufrock of "Love Song of Alfred J. Prufrock" experience. These two men experiences move down remarkably similar paths as they quest for love and life. Yet each has sealed their shared fate in a different manner. As they head toward the seeming abyss of death, both remiss on all they wish they had done during their lives. By the time each man meets his end they both feel they have failed themselves and life as a whole.
“The Great Gatsby” and “The Love Song for J. Alfred Prufrock” are two pieces of writing written in the 1920’s. Both F. Scott Fitzgerald and T.S Elliot were able to express the overwhelming force of the most powerful human emotion. Although the two eponymous characters seem vastly different from each other in, it can be seen when analyzed in greater depth that the two hold more similarities than differences. Both Prufrock and Gatsby live more in their own minds than the actual world. This causes them to become isolated from other people and become captives by their own illusions. Both men will eventually allow love and fear to corrupt their lives and lead them to make decisions which will ultimately bring about their demise.
F. Scott Fitzgerald’s The Great Gatsby is a tragic tale of love distorted by obsession. Finding himself in the city of New York, Jay Gatsby is a loyal and devoted man who is willing to cross oceans and build mansions for his one true love. His belief in realistic ideals and his perseverance greatly influence all the decisions he makes and ultimately direct the course of his life. Gatsby has made a total commitment to a dream, and he does not realize that his dream is hollow. Although his intentions are true, he sometimes has a crude way of getting his point across. When he makes his ideals heard, his actions are wasted on a thoughtless and shallow society. Jay Gatsby effectively embodies a romantic idealism that is sustained and destroyed by the intensity of his own dream. It is also Gatsby’s ideals that blind him to reality.