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Stereotypical western films
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John Wayne as the American Cowboy
When I think of an American cowboy in my mind I see a picture of John Wayne mounted high on his horse in a desert setting riding out into the sunset. His name is synonymous with the western film genre. John Wayne’s characters are known world-wide as American symbols that embody the true characteristics of how Americans ought to be. His characters were always so tough, courageous, and upstanding. For this and other reasons I consider the actor, John Wayne, to have had a tremendously positive impact on our and other societies around the world. To fully appreciate Wayne’s impact, it is important to closely examine where he came from and to consider the factors of his upbringing that influenced his development.
John Wayne was born Marion Michael Morrison in Winterset, Iowa on May 26, 1907. At the age of six, his father Clyde Morrison became ill and decided to move the family to southern California. The family lived for a short stint of time on a eighty acre farm, there Marion learned how to handle horses and often played cowboy. They then moved to the city of Glendale, California where Clyde opened a drugstore. In Glendale, Marion was exposed to film making for the first time. He saw outdoor scenes being shot at the Triangle Studios. As if to consequently further influence him, his family’s drugstore happened to be in the same building as a silent film theater. Marion saw movies at the theater four to five times a week for free. It was also at Glendale that Marion was given his infamous nickname of “Duke.” Despite the royal and noble connotations of the name Duke, Marion received it from his Airedale terrier also named Duke.
Marion was an “A” student, president of the Latin society...
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...harine Hepburn. The film was Hepburn’s first western.
John “The Duke” Wayne died of lung cancer on June 11, 1979 at the age of 72. In a career of over 50 years, he left us with more that 200 films. His films taught us what it truly means to be American: to speak out for what you believe in, to be bold and courageous, to be patriotic, to fight to preserve freedom and liberty, and to love your country. There is no question that John Wayne was a positive influence on society, as his message transcended social and political borders. He has become a household name, and to many an example of a rare breed of true Americans. When many people around the world think of a American, they too see a picture of John Wayne mounted high on his horse in a desert setting riding out into the sunset.
The day he died, a Tokyo newspaper ran the headline, “Mr. America passes on.”
"Relocating the Cowboy: American Privilege in "All the Pretty Horses"" Pepperdine University: Global Tides Seaver Journal of Arts and Sciences. Maia Y. Rodriguez, 2014. Web. 2 May 2016. . The Western typically illustrates the journey of a man, usually a horse riding cowboy, into the Western frontier where he must conquer nature "in the name of civilization or [confiscate] the territorial rights of the original inhabitants... Native Americans" (Newman 150). What this brand of mythology promotes is precisely the values of American culture: rugged individualism, achievement and success, activtity and work, democracy and enterprise, and--most importantly--
Few events in history have impacted a culture as much as the introduction of the horse into plains Indian culture. The positive impact of the horse on North America's indigenous people has been romanticized forever in popular culture. The portrait of a plain Indian horse created by the likes of John Wayne and Clint Eastwood is far from complete. While the horse did make nearly every aspect of Native American life more efficient, the spread of horses also contributed to the violence in the southwestern region of the United States in three ways. The trade of horses among the plains Indians created competition for resources, encouraged and contributed to raiding, and allowed the domination of the region by the Apache Indians.
Infamous serial killer, John Wayne Gacy, was born on March 17, 1942, in Chicago, Illinois. Gacy, born into an abusive environment, was assaulted physically along with his siblings, with a razor strap if they were perceived to have misbehaved by their alcoholic father. In addition, Gacy’s mother was physically abused as well throughout her marriage and during the children’s upbringing. During John Wayne Gacy’s childhood education, he suffered further alienation due to a congenital heart condition that resulted in further feelings of contempt from his father. Furthermore, Gacy eventually came to the realization that he was attracted to men, which caused a great amount of mental turmoil over his sexuality.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
The image of the cowboy as Jennifer Moskowitz notes in her article “The Cultural Myth of the Cowboy, or, How the West was Won” is “uniquely
“Film is more than the instrument of a representation; it is also the object of representation. It is not a reflection or a refraction of the ‘real’; instead, it is like a photograph of the mirrored reflection of a painted image.” (Kilpatrick) Although films have found a place in society for about a century, the labels they possess, such as stereotypes which Native Americans are recognized for, have their roots from many centuries ago (Kilpatrick). The Searchers, a movie directed by John Ford and starring John Wayne, tells the story of a veteran of the American Civil War and how after his return home he would go after the maligned Indians who killed his family and kidnapped his younger niece.
For many Americans, the image of the cowboy evokes pleasant nostalgia of a time gone by, when cowboys roamed free. The Cowboy is, to many Americans, the ideal American, who was quick to the draw, well skilled in his profession, and yet minded his own business. Regardless of whether the mental picture that the word cowboy evokes is a correct or incorrect view of the vocation, one seldom views cowboys as being black. The first cowboy I met was from Texas and was black. After he told me that he was a cowboy, I told him that he had to be kidding. Unfortunately, I was not totally to blame for my inability to recognize that color has nothing to do with the cowboy profession; most if not all popular famous images of cowboys are white. In general, even today, blacks are excluded from the popular depiction of famous Westerners. Black cowboys were unheard of for almost a century after they made their mark on the cattle herding trade, not because they were insignificant, but because history fell victim to prejudice, and forgot peoples of color in popular depictions of the West and Western history.
Robert Johnson I went down to the crossroads fell down on my knees. Robert Johnson went to the crossroads and his life was never the same again. The purpose of this essay is to tell you about the life of Robert Johnson. He is the root of much of the music of today. If he didn't influence the musicians of today directly, he influenced the bands that influenced today's music.
McCarthy’s plot is built around a teenage boy, John Grady, who has great passion for a cowboy life. At the age of seventeen he begins to depict himself as a unique individual who is ambitious to fulfill his dream life – the life of free will, under the sun and starlit nights. Unfortunately, his ambition is at odds with the societal etiquettes. He initiates his adventurous life in his homeland when he futilely endeavors to seize his grandfather’s legacy - the ranch. John Grady fails to appreciate a naked truth that, society plays a big role in his life than he could have possibly imagined. His own mother is the first one to strive to dictate his life. “Anyway you’re sixteen years old, you can’t run the ranch…you are being ridiculers. You have to go to school” she said, wiping out any hopes of him owning the ranch (p.15). Undoubtedly Grady is being restrained to explore his dreams, as the world around him intuitively assumes that he ought to tag along the c...
John Wayne Gacy was born on March 17, 1942. He grew up in a working class neighborhood of Chicago. He was close to his mother, Mayrum, and sister, Karen. His father was a violent alcoholic, who beat Gacy frequently during his violent outbursts. Gacy loved his father despite his violent temper and homophobic nature. Throughout his childhood, Gacy strove to make his stern father proud of him, but seldom received his approval. This friction between father and son was constant throughout his childhood and adolescence.
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
According to wikipedia Johnny Cash was born in kingsland arkansas, though he was never given a real name, he was called J.r while a child, then when he got older people called him Johnny.When he turned five Johnny helped out on his fathers farm with his mom, dad, and older brother.Johnny had a rough childhood, not only the untimely death of his brother, but his abusive father made things worse.Johnnyjoined the air force as a radio operator in Landsberg am Lech, Germany.where he joined a band called the Landsberg Barbarians.afterhis term he married Vivian Liberto and moved to Memphis where he was a radio salesman, and studied to be a radio announser. Cash where for a record deal at sun records, where he sung mostly gospil, and Sam Phillips the owner of sun records said " go home and sin, then come back with a song I can sell.", cash won over sun records and relese...
John Wayne Gacy was born in Chicago, Illinois on March 17 1942. Gacy had an uneventful childhood up until the age of eleven. While out playing he had been struck on the head by a swing. Subsequently he suffered fainting fits for many years.
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
Marlon Brando was a kid who thought there was no hope but turned into the best actor of his time. He was very handsome, famous, and rich. These things did not bring happiness in his life. Brando died a bitter lonely old man.