Is Poe Successfully Horrific?

Is Poe Successfully Horrific?

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What makes an effective horror story?

An effective horror story needs a lot of strong language and vocabulary to be able to fulfil the criteria to make an effective horror story.
The setting for a story also needs to be strong and include things such as ghosts, haunted houses/ mansions, blood, guts, vampires, guns, knifes, death etc.


Does Poe’s story fulfil those criteria?

Yes, he does because he uses strong vocabulary, adjectives, verbs and adverbs etc. In the first paragraph he uses repetition in broken sentences. In the first line he uses sort of simple repetition by saying ‘True-nervous-very, very dreadfully nervous’- He obviously repeats very and nervous.
Later on in the horror story, he explains the death like the ‘killer’ is telling the story by saying “I was never kinder to the old man during the whole week before I killed him” which makes a story better because it will make the reader want too read on even more too see what happens during, and after the death.




What is it about the narrator the creates tension?

The narrator creates tension by…





What is gothic about the story?

The story is gothic because it has aspects of horror in ‘The tell-tale heart’ because the whole story is about death, and death is gothic. Also, fright could also be classed as gothic, and as the killer was about to enter the room, the door creaked and the old man sat up in ‘terror’: ‘I had my head in, and I was about to open the lantern, when my thumb slipped upon the tin fastening and the old mean sprang up in the bed, crying out- “who’s there?”… Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain of grief-oh,no!-it was mortal terror. ‘Mortal terror’ would be a strong use of an adjective. When the old man says ‘who’s there’- that’s a rhetorical question- he wasn’t expecting an answer.


We was never told the narrators name- why? What does this add to the story? What does this add too the story?

Not knowing who the narrator is can build tension and set a scene in the story. We was never told the narrators name because Poe generally wrote from a male perspective often infusing part of himself into his main characters. This adds to the story because the narrator would name anonymous because then he

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would not be known to when he killed the man- The narrator is finally able to kill the man because “I saw it with perfect distinctness- as a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old mans face or person: for I had directed as the ray as if by instinct, precisely upon the dammed spot.”


What affect does the old man have on the narrator?

The narrator sets out to rid his life of the fear he created by obsessing over the man’s eye, but once he feared he destroyed, another fear- that of the heartbeat- is created and becomes overwhelming that the first. As it gets more into the story, the narrator slips further into ’Fantasy world’ and so he becomes insane. An affect that the old man has on the narrator is that he makes me narrator more confident in killing the man but then ultimately turns into guilt even as he justifies in his mind to the killing, chopping up the body and placing it under the floorboards.

The slow movements when going to kill him builds up the tension- Explain how Poe uses language techniques to build up this tension.

The fixation on the old man’s vulture-like eye forces to concoct a plan to eliminate the old man. The narrator confesses the sole reason for killing the old man in his eye “whenever it fell upon me, my blood ran cold; and so bye degrees- very gradually- I made up my mind to rid myself of the eye forever” which he done so by killing him.- That’s how the tension build up when he is going to kill the old man.
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