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Antigone hubris summary
Examples of hubris in antigone
Examples of hubris in antigone
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The Hubris-Nemesis Complex Hubris, the feeling of self-confident pride and superiority, is one of mankind’s many vices. Left unchecked, hubris can lead to strife, hardship, and unforeseen consequences. Hand-in-hand with hubris is its equally dark twin, nemesis: the desire to exact vengeance upon a foe, especially if they themselves are hubristic (Ronfeldt vii). In Sophocles’s “Antigone”, the evils of hubris and nemesis are a central theme. Both Creon and Antigone display hubris and nemesis by defying the laws of a power higher than themselves, while attempting to exact justice against each other for doing so. In the end, both suffer greatly for their transgressions. Hubris and nemesis being central themes to “Antigone” is demonstrated by the edict put forth by Creon to not have Polynices buried:
That Polynices who, returning home
A banished man, sought to lay waste with fire
His household Gods, his native country . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
His body shall be left to be devoured
By dogs and fowls of the air. Such is my will. (Sophocles 8-9)
Creon attempts to justify his actions using Polynices’s having attacked Thebes, but his true intentions are betrayed by his sudden declaration that Polynices’ body “shall be left to be devoured by dogs and fowls of the air”,
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However, as the play unfolds, the chorus shifts, siding with Antigone’s views that following the decrees of the gods is only just, abandoning their hubris (Sophocles 41). Nemesis seems not to factor into their actions at any point, and as they attempt to advise Creon as senators, not defy him, siding with Antigone does not bring them in line with her hubris; they are arguing what they see is right, and in a way that honors and reveres what is right, unlike Antigone or
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to the state because he attacked his brother. Creon's first speech, which is dominated by words such as "authority” and "law”, shows the extent to which Creon fixates on government and law as the supreme authority. Between Antigone and Creon there can be no compromise—they both find absolute validity in the respective loyalties they uphold.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
The great Saint Augustine once said, “It was pride that changed angels into devils; it is humility that makes men as angels” (Enchiridion of Augustine chap. 27). Hubris “a great or foolish amount of pride or confidence”. This is a very important word in the play and for the characters. It is displayed in the play because it makes it more interesting in so many ways. Many of the conflicts are caused because of hubris. In a way it is good to have pride, but an excessive amount of pride can be harmful. In the play Antigone, Creon is the one that has the most pride.
Following Creon's rise to power, he makes an edict. He declares that Eteocles will be "given full military honors," while for Polynices, the edict "forbids anyone to bury him." (Antigone, p. 659) This is the edict that Antigone wants to defy. Many people might say that Antigone is wrong, is defying the law, but I do not.
To begin with, an in depth analysis and understanding of Creon's intents and actions must be established in order to evaluate the reactions of Antigone and Ismene. The central conflict of Antigone derives from Polyneices' betrayal to the city of Thebes. As the ruler, Creon naturally feels compelled to exert his authority by refusing Polyneices a proper burial "for the birds that see him, for their feast's delight" (162). The grotesque imagery evoked not only illustrates Creon's endeavor to discourage further rebellion, but also portrays a personal defense to protect his pride; this need to reassert his pride significantly heightens with Antigone's involvement. From Creon's perspective, leniency represents vulnerability within a leader "if he does not reach for the best counsel for [Thebes], but through some fear, keeps his tongue under lock and key"(167). Throughout the play, the symbol of "tongue" frequently recurs, illustrating how society cond...
Creon, in his paranoia was plagued with the feeling of incompetence and need to establish dominance. His decree that no one would bury Polyneices only provoked the people of Thebes into thinking of him as insensitive to their culture. When his ruling was disobeyed, only led him to him to believe that conspiracy was about and that no matter, family or not, he would punish Antigone, causing a chain reaction of events causing the loss of his entire family, except Ismene. Leaving the audience experiencing pity and fear for both characters.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Antigone did the right thing by defileing Creon's strict orders on burying Polynices because the unalterable laws of the gods and our morals are higher than the blasphemous laws of man. Creon gave strict orders not to bury Polynices because he lead a rebellion, which turned to rout, in Thebes against Creon, their omnipotent king. Antigone could not bare to watch her brother become consumed by vultures' talons and dogs. Creon finds out that somebody buried Polynices' body and sent people out to get the person who preformed the burial. Antigone is guilty and although she is to be wed to Creon's son, Haemon. He sentences her to be put in a cave with food and water and let the gods decide what to do with her. He was warned by a blind profit not to do this, but he chooses to anyway, leaving him with a dead son, a dead wife, and self-imposed exile.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
“…a mere mortal, could override the gods, the great unwritten, unshakable traditions…These laws I was not about to break them… and face retribution of the gods.”(505-513) This provides a basis for Antigone’s hubris, her belief in God, standing for what is right, defying man’s rule. As the play progresses Antigone’s hubris becomes more apparent as she claims, “Give me glory! What greater could I win than to give my own brother a decent burial?”(562-563). This pride in committing a moral and God-willed deed reaches a point where Antigone thinks that it is
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
The crux of the play, the causal factor to all the following events is how the new King Creon deals with the dead traitor Polynices, brother of Antigone. The decree not to bury the corpse must be considered from the viewpoint of a 5th Century Athenian, watching this play. The Antigone was written during a time of great strife for the city of Athens and they were in the middle of their conflict with the Spartans. At a time such as this , concern for the city was foremost in a citizen's mind. Creon's decree not to bury him at this stage then is right. Essentially not burying a body, any body, is an offence to the gods, and the persons spirit will not be able to go down to the underworld and cross the River Styx and Archeron. However, the Greeks believed that for some the sentence was deserved. The sentence of non-burial is appropriate in this case, as the Greeks believed that "those convicted of sa...
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
A key factor in the power of her speech is Antigone’s consideration for her audiences. The first of these audiences is Creon the king of Thebes. Creon is receiving this argument as an explanation for Antigone’s defiance of his law. Creon’s statement, “And yet you dared defy the law,” evokes this response, in which Antigone says, “Your edict, King, was strong,” (“Antigone” 1035 Line 56-59). This confirms that her argument is directed towards the king. The second audience is the people of Thebes. In the play, the chorus represents the citizens of Thebes. They are almost always present when the king speaks, and this scene is no exception. Anitgone forms her argument to appeal to the thoughts and emotions of the citizens.
Although Creon may be the king of Thebes, and in control, Antigone fulfills the role of the catalyst in the downfall of Creon. True, Creon made the law that nobody could bury Polynices, yet without Antigone defying the law and going against Creon, the likelihood of Creon experiencing such a dramatic downfall decreases to almost nothing. Antigone directly l...