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The modern sitcom in the 21th century essay
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Although ‘Men Behaving Badly’ is not that much older than ‘Friends’ the more recent episodes of Friends are quite different to the final episodes of M.B.B.
The most obvious difference between the two programmes is the clothes the actors wear and their accents. Of course this is to be expected due to the difference in time and location of filming but also the characters play very different parts. In M.B.B. all the characters are around aged 30 and live in quite a bad part of London and not particularly worried about their sense of fashion; whereas in Friends they live in the centre of New York and most of the characters are always dressed in the latest clothes and some of the narrative revolves around what they are wearing. Fashion is touched upon a lot more in Friends and there is also a lot of talk about stereotyping what men and women are meant to wear. Also most of the actors in Friends are a lot younger than those in M.B.B. and would therefore appeal to the younger generation.
Another difference is the filmic style between the two programmes. As there are a lot more characters in Friends, the two shot is not used as much as in M.B.B. Friends also uses a lot more close-ups because there is a lot more intimacy between the characters. In M.B.B. The preferred type of shot is usually a medium long shot or two shot because there are rarely more than 2 characters in the scene at one time.
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The Impact of African-American Sitcoms on America's Culture Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded.
Now, the new sitcoms have introduced new family situations, and controversies around them. However, these family members aren’t the sweet, funny, semi-normal characters that were adored in (Full House). They seem to have very different, weird and somehow funny personalities. (Modern Family) introduces the typical “mom, dad, and three kids” family along with an old man married to a younger Columbian woman and gay men with an adopted Asian baby. These new sitcoms like Modern Family introduce family diversity, something that wasn’t exactly present in older sitcoms. Another difference between the old sitcoms and the new is that the humor is a bit more old school. Now the older sitcoms were very seldom and profane and they relied on more classic, clean cut direct humor. Current sitcoms often include less G-rated humor, relying on crude humor to get laughs. There’s not much harm in that though, as long as it doesn’t go overboard. Older sitcoms were based on more functional families, where newer ones tend to be based on dysfunctional families; new sitcoms, Modern Family especially, rely on this dysfunctionality to make their viewers laugh. Older sitcoms, like Full House, had a lot of feel-good moments of bonding between family characters, but new sitcoms seem to take away from that
We like to label things in our culture. Those over the age of 65 are called senior citizens. Those under the age of 18 are called children. Anyone falling in between those ages are considered adults and there are certain expectations placed on that demographic. Adults are the backbone of society, responsible for basically just about everything. Television reflects that responsibility, as adults are usually portrayed as hard-working, career-oriented, and often married and raising children. With television reinforcing these expectations, many young people have probably felt that they need to grow into these roles and become responsible adults. A decade ago, however, NBC’s sitcom Seinfeld debuted challenging these social preconceptions of what an adult should be.
For a large part of the history of TV sitcoms women have been portrayed as mothers or as having to fulfill the woman's role in the private sphere. Family based sitcoms were one of the forms of sitcom that keep women in these roles, but what is interesting is that even in other forms of sitcoms women do not truly escape these roles. Sitcoms, like Sex and the City and Murphy Brown showcase women whom have seemingly escaped these roles, by showing liberated women, but that does not mean that both do not fall into the gender role showcased in family sitcoms. It draws the similarities between ensemble sitcoms and family sitcoms when it comes down to the role of women. The starring women in both Sex and the City and Murphy Brown, and even the Mary
The ‘Golden Age of Television’ is what many refer to as the period between the 1950s and 60s when the television began to establish itself as a prevalent medium in the United States. In 1947, the American Broadcasting Company (ABC), Columbia Broadcasting System (CBS), the National Broadcasting Company (NBC), and the Du Mont Network were the four main television networks that ran stations with regular programming taking place. (Television, 2003) While regular television programming was a new innovation, the television itself had been commercially available for over twenty years prior to the 50s. It was conceived by many worldly innovators and went through several testing stages before it was finally completed in the late twenties. The three main innovators were Niplow - who first developed a rotating disk with small holes arranged in a spiral pattern in 1884, Zworykin - who developed the Iconoscope which could scan pictures and break them into electronic signals (a primitive form of the Cathode Ray Tube) in 1923, and lastly Fansworth - who demonstrated for the first time that it was possible to transmit an electrical image in 1927. (Rollo, 2011) However, one of the many reasons why this medium was successful in the 50s was due to the fact that it became more accessible to the public. Television sets were more affordable to middle class citizens which created further interest in the new technology. Through an historical account of the medium, the spread of television across America throughout this particular decade will be examined.
Different Strokes a comedy sitcom, first aired in 1978, and lasted until 1986. This sitcom consisted of a widowed Manhattan millionaire, Phillip Drummond , who adopted two orphaned brothers. Arnold who was 8 years old and Willis who was 12. The boys' mother was Drummonds housekeeper who became very ill, so Drummond made a promise to her that he would take care of her two sons after she passed away. Drummond treated the two boys like his own. He also lived with his daughter, Kimberly, who was 13 years old, and his current housekeeper. This sitcom showed typical life lessons in growing up, and social problems that were occurring during that time. Some of the aspects of this show were both positive and negative.
In both the novel and movie focus on the war. The war influences the characters to enroll.Also, the main setting is at the Devon School. However, in the novel Gene visits Leper at his house but in the movie Leper lives in the woods.In the novel Gene is coming back to the Devon School 15 years later.However, in the book he is coming to Devon as a new student.Therefore, similarities and differences exist in time and setting in the novel and the movie.In the novel and the movie there are similarities and differences in events, character, and time and setting.
The Andy Griffith Show, was a television sitcom that aired in the 1960s. Watching it from the perspective of someone in today’s society, a number of norms stood out to me. The norms of that time have changed dramatically as well as the ways they were enforced.
Soap Operas' Success in Their Construction of Realism One of the main appeals to the audience of soap opera is realism. Realism is the attempt to recreate the real, or to create a perception or representation of reality. This is created through a number of ways, such as settings which appear to be realistic, language including slang and even low-level swearing, and a wide range of characters in an attempt to reflect society. The events found in soap operas are usually realistic, and even the dramatic events are within the possibility of reality.
... to both the organization and the employee. Further, a more cooperative employer-employee relationship reduces the desirability of unionization.
There were many differences in the characters' relationships with each other. For instance, Heather and Melinda’s connection were very different from book to film.
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
The average America watches more than 150 hours of television every month, or about five hours each day (“Americans,” 2009). Of the 25 top-rated shows for the week of February 8-14, 2010, six were sitcoms, averaging 5.84 million live viewers each (Seidman, 2010), to say nothing for the millions more who watched later on the Internet or their Digital Video Recorders. The modern sitcom is an undeniable force in America, and its influence extends beyond giving viewers new jokes to repeat at the water cooler the next day: whether Americans realize it or not, the media continues to socialize them, even as adults. It may appear at first glance that sitcoms are a relatively benign force in entertainment. However, the modern sitcom is more than just a compilation of one-liners and running gags. It is an agent of gender socialization, reinforcing age-old stereotypes and sending concrete messages about how, and who, to be. While in reality, people of both sexes have myriad personality traits that do not fall neatly along gender lines, the sitcom spurns this diversity in favor of representing the same characters again and again: sex-crazed, domestically incompetent single men enjoying their lives as wild bachelors, and neurotic, lonely, and insecure single women pining desperately to settle down with Prince Charming and have babies. Sitcoms reinforce our ideas about what it is “normal” to be, and perhaps more importantly feed us inaccurate ideas about the opposite sex: that women are marriage-crazed, high-maintenance, and obsessed with the ticking of their biological clocks, while men are hapless sex addicts whose motives can’t be trusted. The way that singles are portrayed in sitcoms is harmful to viewers’ understanding of themselves...
miscommunication, which in ways could cause loss of work time, due to doing the wrong job.
organizations tend not to have the right components and working atmosphere in place that allows