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The theme of the hound of the baskervilles
The theme of the hound of the baskervilles
The hound of the baskervilles settings
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The Hound of the Baskervilles In the novel, “The Hound of the Baskervilles” written by Sir Arthur Conan Doyle, the reader is quickly introduced to many of the key characters, the curse of the Baskervilles, and the mystery of Sir Charles Baskerville’s death. The full theme, tone and mood of the mystery; however, takes some time to fully materialize. Most of the information provided to develop the story’s plot is delivered relatively clear and uncomplicated. This is a mystery or suspense novel so obviously there is the element of foreshadowing and the introduction of some disruptive or alternative theories. What is most puzzling to me is not who stole Sir Henry’s boot or if the beast is real or even who may have committed the murder of Sir Charles but what role the moor really has in the creation of the story and why it was chosen for the setting. In this essay, I will provide contextual information that will illuminate the author 's selection of the moor for the story 's setting and how it adds to the intrigue, trepidation and allure of the plot and …show more content…
To have a creature go unseen for generations the land would have to be expansive, treacherous and uninhabited. A moor is defined as: “A tract of open uncultivated upland; a heath”(Moor). Moors are also often marshy, foggy and have some rock formations. It is pretty clear that setting a suspenseful story in a dark, dreary, gloomy, large location adds fear and uncertainty to an already tense situation. Sir Doyle certainly understood that moors also have a deep history of legend and folklore that he could leverage to build credibility to his plot. The lore of the English moors goes back centuries and many tales still exists today. One moor was even said to have been visited by the Devil himself during the Great Thunderstorm of 1638(Dartmoor). Sir Doyle made the most of the history of the moors to set the tone and mood for the
Thomas Malory’s Le Morte D’arthur, T.H. White ’s Once and Future King, and George Romero’s Knightriders encompass the evolution of the Arthurian tale from Malory’s time to the 1980s. Through this time many things have changed and these changes can be seen within the differences between each work. While there are many prominent differences chivalry or the knightly code is one of the main forces that tie these tales together.
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
These two scenarios from Anglo-Saxon and modern times are similar, as well. They are similar because of the continuity of “monsters” terrorizing a society being a great influence among audiences of the past and present. The two works of both eras demonstrate the continual interest in defeating villains and “feeding” it’s listeners with tales such as these.
“The Hound of the Baskervilles” demonstrated the differences between the upper class and the lower class and even between those people who were in the same class as each others at the end of the 19th century in England. Beside those differences, there were also some similarities between the two classes. In this essay, I will analyse how they are alike and different in some main aspects such as the belief in the curse, the relationship to the law, their mysterious actions, and especially the subjugation between people in the same class.
I offer by way of introduction to the Gothic literary world an extract taken from Ann. B Tracy’s book The Gothic Novel 1790-1830: Plot Summaries and Index Motifs:
Feminine curiosity is one of the main rationales used to explain why women are imprisoned and oppressed throughout gothic fiction. This fear is driven by what these women may expose as a result of their curiosity and how that affects the status of man. Perrault’s, Blue beard, focuses on the consequence of female prying and how it is always man who will be negatively affected if women are free to inquire and explore with no repercussions. Firstly, it is man’s integrity that is exposed and excoriated by this temptation of the woman to uncover what is behind the door. Revealing the true nature of Blue beard’s character as a murderer he is tainted, similar to the key which she could “never make quite clean again” (Perrault 3), reflecting the power of women to disgrace man to the point of no return. This potential vulnerability, as a result female curiosity, incites the threat and imprisonment of women in much gothic fiction and observes reason to fear the feminine. Secondly, the switch of the characters’
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
In The Hound of the Baskervilles, various factors of Arthur Conan Doyle’s early life, popularity, perspective, and status were all expressed in multiple ways. Spiritualism played an crucial role in his life, greatly impacting his work, specifically “The Hound.” Additionally, his birthplace and upbringing, along with the time period, inveigled his writing. Furthermore, Doyle characterized the people in the story in along with real life scenarios.
Keen opens his book with an introductory chapter examining three literary works pertaining to chivalry: the Ordene de Chevalerie, the Book of the Ordre of Chyvalry, and the Book of Chivalry. All three of these were written during a period of great religious reform, yet, according to Keen, they appear to not have been influenced by the ideas of the Church. The Ordene de Chevalerie is an anonymous poem that stresses the importance of the ritual required for initiation into knighthood. The popularity of the piece leads to the conclusion that the poem reflects “what men understood chivalry to mean” (8). This poem is then contrasted by the Book of the Ordre of Chyvalry, a narrative work written by Ramon Lull that describes in detail the origins and meaning of chivalry. A consideration of Geoffrey de Charny’s ...
Bram Stoker and Sheridan Le Fanu’s texts, Dracula (1898) and “Carmilla” (1872), use gothic tropes in similar ways to captivate readers with horror and terror. This essay will illustrate how, in comparison, both texts include gothic tropes: the New Woman, sexuality and setting, in order to provoke emotions and reactions from the readers. To achieve this, this essay will focus on the women that challenge traditional gender roles and stereotypes, and deconstruct each text in regards to the very strong undertones of homosexuality; specifically between Carmilla and Laura, and Dracula and Harker. By discussing the harshness and darkness of the environments described, including ruined castles and isolated landscapes; this essay will also explore the
Edgar Allan Poe’s “The Cask of Amontillado” is a horror story about revenge and murder that occurred half a century ago. Through the haunting confession of the narrator, Montresor, the reader is able to feel what Fortunato had endured half a century ago. In this tale of revenge and murder the dark, damp, and bone-filled catacombs provide a contrast to life during the “madness of the carnival” (553).
The Hound of the Baskervilles written by Sir Arthur Conan Doyle and the movie The Hound of the Baskervilles directed by Jeremy Bret are two works of art that are mainly telling the same story. There are, however, many differences about the book and the movie. Those differences don’t affect the outcome of the story, but they give less impact to the story. Along with the differences there are many similarities, and those similarities give you confidence that it is the same story.
The gothic often presents dangling characters and plot lines, which contribute to the main point of the gothic: suspense. Brown’s works depend on the use of suspense as a literary technique and is evident in Wieland within Clara’s first person point of view narrative. Her constant reflections on how difficult it is for her to continue on with the series of events. Such actions, although they may seem trivial, persuade the reader to continue on to find out what happens
In the beginning, Sir Charles fears the mythical hound, and is killed because of it. When Dr. Mortimer, Sherlock Holmes, and Dr. Watson are discussing the details of the time leading to Sir Charles death and his death. This is depicted when Dr. Mortimer states, ‘“…Sir Charles’s nervous system was strained…so much so…nothing would induce him to go out upon the moor at night…[a] ghastly presence constantly haunted him…”’ (23-24). Furthermore, Sir Charles heart attack was caused by the fear of seeing the hound and when he died, his face was distorted with fear. His fear directly ruled his life through keeping him away from the moor at night and worrying about
Holmes and Watson discover that there is someone following Sir Henry and Dr. Mortimer. When they return to the hotel they discover a note that is telling Sir Henry