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The values of chivalry
Medieval writings on chivalry
Chivalry in literature
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When Maurice Keen set out to write a book on the components and development of chivalry, he did not know it would be “the last word on a seductive subject,” as stated by one Washington Post reviewer. Instead, Keen was merely satisfying a curiosity that derived from a childhood fascination of stories filled with “knights in shining armour.” This juvenile captivation was then transformed into a serious scholarly interest by Keen’s teachers, the product of which is a work based upon literary, artifactual, and academic evidence. Keen’s Chivalry strives to prove that chivalry existed not as a fantastical distraction, as erroneously portrayed by romances, but instead as an integral and functional feature of medieval politics, religion, and society. The thirteen chapters use an exposition format to quietly champion Keen’s opinion of chivalry as being an element of an essentially secular code of “honour” derived from military practices.
Keen opens his book with an introductory chapter examining three literary works pertaining to chivalry: the Ordene de Chevalerie, the Book of the Ordre of Chyvalry, and the Book of Chivalry. All three of these were written during a period of great religious reform, yet, according to Keen, they appear to not have been influenced by the ideas of the Church. The Ordene de Chevalerie is an anonymous poem that stresses the importance of the ritual required for initiation into knighthood. The popularity of the piece leads to the conclusion that the poem reflects “what men understood chivalry to mean” (8). This poem is then contrasted by the Book of the Ordre of Chyvalry, a narrative work written by Ramon Lull that describes in detail the origins and meaning of chivalry. A consideration of Geoffrey de Charny’s ...
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...ep love and appreciation for his subject matter is easily perceived by the reader and is exemplified by his thorough and in-depth analysis of every aspect of chivalry.
This edition of the Chivalry is a result of a reissue of the original edition and is photographically reduced by one-fifth. Though not a fault of Keen’s literary style, this reduction does make reading text much more difficult to accomplish, no matter one’s age. This reduction also sometimes makes the many black and white illustrations, a helpful addition of Keen’s, blurred and reduces their effectiveness in aiding the reader. Overall, however, Chivalry excellently communicates Keen’s belief of the practical importance of chivalric ideals and institutions and results in an enduring work with the “last word” on chivalry.
Works Cited
Maurice Keen, Chivalry. New Haven: Yale University Press, 2005.
Life during the Middle Ages was full of social change, division, and classism. This feudal society of Britain was divided into three estates. (social classes) Within the second estate was the the knight who was a soldier for the king who fought in many battles. Even though the knight is expected to have the strength and the skills to fight in battle, all knights during the Medieval period additionally had a chivalrous aspect to them. Chivalry was the honor code of a knight which included bravery, courtesy, honor, and gallantry toward women. Within the stories of the “Wife of Bath’s Tale” and “Le Morte d’Arthur”, the code of chivalry was broken by knights which show the corruption of England’s feudal society.
In White’s work chivalry can be seen as the substance that pulls knights away from the ugly violence they possess within themselves. In my essay, I will use this source as an Example to show the positive perspective of chivalry within an anti-war society. Archibald, Elizabeth “Malory’s Ideal of Fellowship.” Arthuriana 43.171 (1992): 311-328. Web.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
The inclusion of courtly love and chivalry creates entertainment to the society of the middle ages, rather than to entertain the thoughts of the author creating them. There is a different representation of courtly love and chivalry in “The Ill Made Knight” by T.H White. Although “The Ill Made Knight” still incorporates similar courtly love as “The Knight of The Cart”, its incorporation affects more on White’s life, rather than the entertainment of others. “In 1939 White, who had been trying to decide whether to maintain his pacifist beliefs or join the army to fight the Nazis, deferred the decision and moved to Ireland” (Nelson 4). White wrote about the chivalrous acts and courtly love to escape the
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
One must first understand the meaning of these medieval qualities, in order to then succeed in examining Tolkien’s use of them in The Lord of the Rings. Chivalry, to begin, is described by Maurice Keen, the author of the undisputed “last word” on the subject, as “a word that came to denote the code and culture of a martial estate which regarded war as its hereditary profession” (239); this is not, however, all that Keen be...
Stroud, Michael. “Chivalric Terminology in Late Medieval Literature.” Journal of the History of Ideas (1976): pg 323-334. JSTOR. Web.
Chivalry is a huge and consist theme in Sir Thomas Mallory’s fifteenth century work on, Le Morte d’ Arthur. One of the greatest knights in this story that portrays chivalry is Lancelot. Although Lancelot embodies chivalry he also challenges it in some of the things that he does. Lancelot fails in a certain aspect in chivalry because he is unable to restore his loyalty to the king, King Arthur, and his oath that he made to respect his wife, Guenevere. Lancelot’s failure is represented throughout the story when he can not find a way to uphold both chivalry and courtly love.
One of the most fascinating time periods in history is a time called the Dark Ages, also known as the Medieval Times. These were times of knights and damsels in Distress. Such times are very mysterious to historians today, due to the fact that there was very little record keeping at the time. However, what little record keeping there was, tells tales that are not always believable. Stories of great castles and kingdoms that have never been found, dragons, and magic. One thing that has been very consistent throughout all the stories is the knight’s code of chivalry. The knights of the time, all followed an unspoken code of chivalry to each other and the weak whom they protected. “Defend the weak, protect both young and old, and never desert
For centuries, the Arthurian legend has captivated an untold number of readers. What is it about Camelot that draws us into its complex code of chivalry and amusingly brute anecdotes? Human nature, as one can surmise from antiquated literature, has still not changed in the least—we still experience the boons and pitfalls of love, joy, envy, lust and sorrow. This certainly explains why the tantrums of Malory’s jealous Queen Guinevere strike chords of familiarity and even evoke an empathetic chuckle. Yet it fails to explain why a certain well-respected knight would receive such acclaim after delivering a ruthless and fatal blow to an innocent man’s head simply for the use of his cart. A closer glimpse into the saga of Le Morte D’Arthur reveals one possible answer to the question of the legend’s continuing appeal. The lapse of a few centuries since the last time a Western political entity has expressly defined, enforced and lived by a multi-tiered code of behavior (one that accommodates pride to Christianity) makes the motivation behind the misadventures of the knights of the Round Table downright fascinating to the modern reader. This mysterious motivator—honor—is a dominant theme in Sir Thomas Malory’s work and easily claims paramount importance above all other Arthurian virtues.
The code of chivalry is a set of rules followed by the knights during the middle ages. The evolution of heroic and chivalry code has changed over time beginning from the Middle ages to now. The three stories Sir Gawain and the Green Knight, Lanval and Beowulf illustrate what it takes to be considered a chivalrous knight. In Sir Gawain and the Green Knight, Gawain shows qualities
Closely associated to the romance tradition are two idealized standards of behavior, especially for knights: courage and chivalry. The protagonist within many medieval romances proved their worth by going on quests, as many a knights went in those times, thus returning with great tales of their travels and deeds. Many modern people think of chivalry as referring to a man's gallant treatment of women, and although that sense is derived from the medieval chivalric ideal, chivalry could be seen as more than that. Knights were expected to be brave, loyal, and honorable-sent to protect the weak, be noble to...
In today’s society the differences in morals between the rich and the poorer classes are virtually non-existent, but during Medieval times “morals and, above all, the virtues at its center, played an important role not only for distinguishing between good and bad, but, more importantly, even for the structuring of society” (Virtus 1). The aristocracy class and the immoral poor class had morals but how they demonstrated them varied; the aristocratic class used chivalry as the basis of their morals, while the immoral poor class did not. Chivalry was not only a code of conduct for those who followed it; chivalry was a way of life. ‘Chivalry first arose in Europe during the Crusades.
In modern society, Martha Stewart and Miss Manners are authorities in the social amenities of community gatherings, and they promote their ideas in television programs and books. But in the Middle Ages, elegant behavior is illustrated in the Middle English poem, “Sir Gawain and the Green Knight,” in a detailed account of a holiday celebration at King Arthur’s castle. In this text, the idea of courtesy is shown as the foremost attribute of a knight, and King Arthur is introduced as the “most courteous of all” (26) rulers. In a mealtime setting, the lives and customs of “[t]he most noble knights known under Christ” (51) are displayed, and courteous behavior is established as the hallmark of knighthood. By showcasing the common experience of eating, the narrator reveals the significance of courtesy in courtly life and discloses the customs of this era. Indeed, the sequence, kind, and presentation of foods at the feast provide a framework for the courteous demeanor in this adventurous tale.
In everybody's life, there is something that makes him or her strive for success. That something can be money, a significant other, fame or many other incentives. To the medieval knights, victory renown and glory are the ambitions they strive for. Breaking a law in this code would be considered a disgrace, and would bring a dishonor worse than death itself. However, by applying the Code of Chivalry, the knights in medieval time displayed certain character traits that would secure success and honor in both battle and morality. In the book Ivanhoe, by Sir Walter Scott, a knight named Wilfred of Ivanhoe illustrates this by devoting his attention to keeping the rules of the Code of Chivalry, which consisted of love of adventure, integrity and loyalty to the king, to name just a few. These character traits of Ivanhoe coupled with strong characters and a realistic setting allow the reader to understand the importance of a strong set of moral guidelines to all individuals of all times in spite of Sir Scott's excessive detail and confusing subplot.