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Essays on the wars by timothy findley
The wars timothy findley sparknotes
The wars timothy findley sparknotes
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Recommended: Essays on the wars by timothy findley
Within his novel The Wars, Timothy Findley, deconstructs the concept of friend and enemy. Jacques Derrida, the founder of deconstruction stated, “Deconstruction takes place, it is an event that does not await the deliberation, consciousness or organization of a subject, or even of modernity. It deconstructs it-self. It can be deconstructed.” (Mapp, 781). Jacques Derrida believed deconstruction happens on its own, and therefore one does not need to consciously deconstruct a text, as it is an unconscious process that one need not deliberate. In the text The Wars, Findley makes the assumption that one’s enemy is their closest friend. Oxford Dictionaries defines the term “enemy”, as a person who is actively opposed or hostile to someone or something. Within a war the concept of friend and enemy is certainly evident; soldiers are deployed from all around the world fighting alongside their country and their allies, this being their “friends”, to ultimately defeat the “enemy”. In the text, the protagonist, Robert Ross and his men are commanded by Captain Leather to set up gun beds close to the German lines. While setting up, Robert Ross and his men are unmasked by the Germans, and after luckily surviving a gas attack, Robert Ross and his men encounter a German sniper sent to watch and kill them, who instead, ended up risking his own life to free them all. “He could have killed them all. Surely that had been his intention. But he’d relented. Why” (Findley, 131)? Robert Ross realizes that the German soldier had a rifle beside him the entire time, which he could of used to kill them all, but did not. As an enemy of Ross and his men, this young German soldier should have, being inimical to these soldiers, shot and killed them as he intended....
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...attacks, and burning from flame throwers. The Germans are relentlessly hostile toward the British and Canadian soldiers, saving no lives but disposing of many. The Germans are truly enemies of these soldiers; however, in this case they definitely do not act as friends, which ultimately disagrees with Timothy Findley’s assumption that one’s enemy is their closest friends. The saying, “keep your friends close, and your enemies closer”, is truly substantiated within the text The Wars. For one’s “enemy” will not hurt them, as no trust is deposited into an enemy, however one’s friend will, since as a friend, one invests plenty of trust into another and by having this trust broken one is hurt more than anything. Timothy Findley deconstructs the concept of friend and enemy within his novel The Wars, by illustrating that one’s enemy will turn out to be their closest friend.
The Wars written by Timothy Findley shares a great relation to many of the ideas surrounding postmodern society, thus implementing many of the prominent ideas of the time around politics and societal norms into the plot of the story itself. Findley successfully depicts the plot of the novel taking place in the early 1900's; a time in which the western world was emerging from an industrial revolution, bringing radically foreign ideas on politics in the world, including the materialization of the Marxist political theory. The seemingly negative reception of the Marxist theory has denied it the right as a valid political view. One thing that cannot be denied is that a majority of the foundational ideas of the theory, describe basic human society and nature very accurately, which is something Findley explores in depth. The ideologies of power, class, and struggle are key factors in Marxism. These are the ideas that usually dictate; many of the actions that we make as people and in the journey's that we encounter in our lives. "Marxism attempts to reveal the ways in which our socioeconomic system is the ultimate source of our experience" (Tyson 277). The protagonist in The Wars ,Robert Ross, is an example of this experience. He is a young man from an elitist family that encounters these ideologies throughout his journey. The archetypal journey of Robert Ross in The Wars contains many elements of political theory from Marxism, showcased through the class system, the distinction between the oppressors and the oppressed, and the revolutionary actions that occur.
they decide to become allies with each-other because they realize that war is useless and in
“We did not break down, but adapted ourselves” These soldiers know that modern warfare is extremely complicated and demands knowledge and experience. They learn how the differentiate shell sounds, when to take cover, when it’s safe to take off your gas mask, how to tell shrapnel from high explosives. It is shown through the naive and inexperienced recruits that not knowing and applying this knowledge is fatal. Some soldiers call on their innermost animal instincts to allow them to kill mercilessly on the field, using the assistance of a metaphor Remarque writes “We are dead men with no feelings, who are able by some trick to keep on running and keep on killing.” Granted war is a barbaric affair, ironically sometimes the worst of conditions can bring out the best in people. This is through the form of comrade and mate ship. On the field fellow soldiers would provide mutual support for each other and create extremely tight bonds. This is shown in All Quiet on the Western Front through Paul and his tight nit platoon. Paul’s unique experience with mate ship is how especially close he is with his friend Kat. This is expressed in the recounting of when they stole and cooked a goose together. Remarque writes “We don't talk much, but I believe we have a more complete communion with one another than even lovers have.” This shows how mate ship was
The Wars by Timothy Findley is an anti-war novel set during the First World War. The novel follows Robert Ross, a Canadian military officer, as he suffers through the horrors of the war both on and off the battlefield. As the novel progresses, Robert evolves from an innocent young man to a deeply troubled and broken individual. This loss of innocence plays a great role in Robert’s development as a character and is highlighted by his experiences with sex and death, experiences that eventually leads to his downfall.
In war, most actions are motivated by survival. In the graphic memoir “A Long Way Gone” written by Ishmael Beah, survival and trust cause people to do what they consider necessary. Throughout the book, the reality of survival and trust in war is constantly explored. In the duration of the war, Ishmael struggles to come into the presence of new people without being threatened and chooses to be alone to survive. This suggests that trust is a foreign idea that is replaced by the need for survival.
John F. Kennedy once said “mankind must put an end to war before war puts an end to mankind.” (Brainy Quotes) This quote describes the message Timothy Findley was trying to convey using the four elements in his novel “The Wars.” The four elements are water, fire, earth, and air. Findley uses Water to show the reader that as Robert goes through the war he slowly loses both his freedom and his clarity. Fire conveys the message that as the war continues people change how they show passion, and how some of the soldiers have lost their humanity. Earth shows the reader that the Earth is human’s home which is supposed to support and protect them, but in times of war, it does the opposite. Lastly, air displays how war disrupts human sanity and sense
Many individuals look at soldiers for hope and therefore, add load to them. Those that cannot rationally overcome these difficulties may create Post Traumatic Stress Disorder. Tragically, some resort to suicide to get away from their insecurities. Troops, notwithstanding, are not by any means the only ones influenced by wars; relatives likewise encounter mental hardships when their friends and family are sent to war. Timothy Findley precisely depicts the critical impact wars have on people in his novel by showing how after-war characters are not what they were at the beginning.
“We all fight on two fronts, the one facing the enemy, the other facing what we do to the enemy” (Boyden 199).
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
War has been a constant part of human history. It has greatly affected the lives of people around the world. These effects, however, are extremely detrimental. Soldiers must shoulder extreme stress on the battlefield. Those that cannot mentally overcome these challenges may develop Post Traumatic Stress Disorder. Sadly, some resort to suicide to escape their insecurities. Soldiers, however, are not the only ones affected by wars; family members also experience mental hardships when their loved ones are sent to war. Timothy Findley accurately portrays the detrimental effects wars have on individuals in his masterpiece The Wars.
Timothy Findley Creates a fictional world through his novels, where readers can relate to the situations and characters. The protagonists that Findley creates are often similar and connected to the hardships that they eventually encounter and defeat or that which they are defeated by. Findley takes his readers back in time to the First World War, displaying his knowledge of history and research, where the hardships of a young soldier’s battles internally and externally are brought to the reader’s attention in his historical-fiction novel The Wars. Findley writes about the reality and absurdity of the First World War, and takes the reader’s on a journey through the active reading process to find what is “sane” and “Insane” throughout the duration of the novel. Following the journey of the protagonist, Robert Ross as he enlists in the Canadian Army after the death of his sister Rowena, and undoubtedly is the turning point of the text and ideally where Findley initiates the active reading process, and where the contents placed in the story by Findley, are analyzed and opinionated based on the reader’s perception and subjectivity of truth. Essayist Anne Reynolds writes “ Findley manages, through technical prowess, to combine Hemingway-like choices of clear moment searing horror and truth at the battlefront with scenes depicting the effects of war on the families and lovers of the soldiers.” (Reynolds, 4) According to Reynolds Findley has been able to display the absurdity and affect that not only the First World War has caused but the ludicrousness war in general has caused the families of soldiers, and society as a whole. Using the literary theory of deconstruction many aspects and scenarios in The Wars can be analyzed, as Fin...
"A picture is worth a thousand words," we say. From the eyes and mind of the archivist studying the pictures of Robert Ross' experience with war, they are worth a lot more. The photographs in the epilogue of Timothy Findley's "The Wars" play an important role in Findley establishing both a trust with the reader, and a sense of realism to his war story. This satisfies the need for realism in his tale. The result of this image that is brought forth through the medium of the photograph, is that we are forced to see the "before" and "after" of Roberts "experience" and figure out our way through what is deposited in between: the cause and effect.
During World War II and the Holocaust, there was not only mistrust for the government but there was also plenty of mistrust for prior friends and neighbors. In the graphic novel, “Maus (Volume I and II) Vladek Spiegelman makes it very clear to his son, Artie, that one cannot count on their friends. He makes the point that in time of hardship, friends will abandon you quite quickly. Vladek says, “Friends? Your friends…if you lock them together in a room with no food for a week…then you could see what it is, friends! (Maus, VI. 5-6). Throughout the novel, we see examples of this gloomy point proven repeatedly.
In “How to Tell a True War Story” by Tim O’Brien, Orwell’s ideas are questioned and the competition between the truth and the underlying meaning of a story is discussed. O’Brien’s story depicts that the truth isn’t always a simple concept; and that not every piece of literature or story told can follow Orwell’s list of rules (Orwell 285). The story is told through an unnamed narrator as he re-encounters memories from his past as a soldier in the Vietnam War. With his recollection of past encounters, the narrator also offers us segments of didactic explanation about what a “true war story” is and the power it has on the human body (O’Brien 65). O’Brien uses fictional literature and the narration of past experiences to raise a question; to what extent should the lack of precision, under all circumstances, be allowed? In reality, no story is ever really truthful, and even if it is, we have no proof of it. The reader never feels secure in what they are being told. The reliability of the source, the author, and the narrator are always being questioned, but the importance of a story isn’t about the truth or the accuracy in which it is told, but about the “sunlight” it carries (O’Brien 81).
The war in Vietnam is without a doubt an outlier in comparison to every other U.S. war, specifically as the only war that the U.S. has ever lost. Losing the war may have been a direct result of a draft that placed young men in Vietnam, many of whom had absolutely no personal goals other than survival. This sets the scene for Going After Cacciato and its main character Paul Berlin. The book is told in the form of three stories. Sixteen chapters are a narrative of the real war, focusing on the deaths of the men in Berlin’s squadron, another ten chapters depict a single full night when Berlin decides to take the whole watch rather than wake up one of his companions, and the other twenty chapters center on the squad’s imaginative journey to Paris chasing Cacciato. Berlin spends essentially the entire novel trying to come up with his own stories, one a true recollection of what actually happened and another, the fictional account he can tell when he returns home. The book is metafictional; it explores the process of writing a war story (Calloway 188). In Going After Cacciato Tim O'Brien utilizes metafiction to examine the confusion of war.