Film Analysis: Edward Scissorhands Genre Essay

Film Analysis: Edward Scissorhands Genre Essay

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Edward Scissorhands Genre Essay
The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an important feature to many gothic horror texts, and examining Edward and other various characters helps to bring about interesting ideas and concepts about this key role. Burton also draws on the relationship between the princess and the prince, commonly found in fairy tales. By using various features found in the gothic horror genre and the fairy tale genre, Edward Scissorhands is able to sway us to think about the consequences of judging people who are different, it influences us to question what true love is and changes the way we view who can be the prince and princess.
From the very beginning, Edward is cast as the monster – but is he really? We first see Edward when Peg searches for the owner of a dark, ominous, gothic mansion. She climbs up a set of gigantic spiral stairs that lead to “Edward’s room”. The setting is quite dark and the only lighting is coming through a gaping hole in the roof. Her curiosity gets the better of her, and as she examines this foreign place, we can hear in the bac...


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...d traditions, but also blending two distant genres together. The blending of genres gives us ideas about common conventions in films that we do not usually pay attention to, and how they can be manipulated to change the way we think about individuals and groups. Edward Scissorhands dives deeper than just a “Beauty and the Beast” narrative, and influences audiences to explore topics of how the gentlest of souls can be misjudged by their appearance, a seemingly normal community can be the “bad guy” if it only has its personal intentions in mind and no one else’s, and that true love is not about what is on the outside, but rather, what is on the inside. Edward Scissorhands can be considered as one of the most appealing films of the 20th century as it keeps audiences guessing, surprises them at the most unexpected times and breaks conventional film boundaries.





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