The Face in the Courthouse Window
On a stormy night in January 1878, an angry mob of citizens gathered in Carrollton, Alabama with one purpose in mind. Even though the wind blew hard and thunder roared, their eyes were locked on a single window in the courthouse and their cries for justice kept them from hearing the coming storm. They were there to get revenge from the man who had burned the symbol of their recovery from Yankee defeat (Windham and Fish 64). A suspect had been arrested on circumstantial evidence and was being held in the attic. Henry Wells, the accused, watched the crowd grow from the window upstairs. He was terrified that his life might end before the night was over. What happened next assured him that at least his story would survive. A sudden flash of lightning captured the image of his face in the garret window of the Pickens County courthouse. Many believe it is a visual reminder of the threat Wells shouted from the attic, “If y’all come up here and kill me, I’ll haunt you for the rest of your lives. I swear” (Johnson)! The legend of the face in the courthouse window is about a community who reacts to similar disasters with determination, exaggerated expectations and superstition instead of logic. The Face in the Courthouse Window has become one of the most interesting mysteries in Alabama and is the most famous thing about Carrollton, Alabama.
Carrollton became the county seat of Pickens County in 1830. The first courthouse was burned by Union soldiers in 1865. Citizens united together to rebuild the courthouse shortly after the war even though money, material and labor were hard to find. They had to sacrifice to rebuild the courthouse (Windham and Fish 64). At a cost of twenty thousand dollars, it was a s...
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...nors College, 2012. Film.
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Wells, Henry. "Dying Confession of Henry Wells." Pickens County Herald [Carrollton] 13 Feb. 1878: 4. Print.
Windham, Kathryn Tucker, and Margaret Gillis Fish. “The Face in the Courthouse Window.” 13 Alabama ghosts and Jeffrey. 1969. Reprint. Huntsville, Ala.: Strode Publishers, 1976. Print.
Interestingly, the book does not focus solely on the Georgia lynching, but delves into the actual study of the word lynching which was coined by legendary judge Charles B Lynch of Virginia to indicate extra-legal justice meted out to those in the frontier where the rule of law was largely absent. In fact, Wexler continues to analyse how the term lynching began to be used to describe mob violence in the 19th century, when the victim was deemed to have been guilty before being tried by due process in a court of law.
Through out the short novella, 'The Turn of the Screw,' by Henry James, the governess continually has encounters with apparitions that seem to only appear to her. As Miles' behavior in school worsens so that he is prevented from returning, and as Flora becomes ill with a fever, the governess blames these ghosts for corrupting the children, Miles and Flora, and labels them as evil and manipulative forces in their lives. But why is it that these ghosts only seem to appear to the governess even when the children are present at the time of the sightings by the governess? Evidence from the short story leads the reader to believe that the ghosts are not real but are merely the evidence of the fragmenting sanity of the governess.
In this paper I will explain and discuss the historical events that took place in a small rural town in early Massachusetts. The setting for which is Irene Quenzler Brown's and Richard D. Brown's, The Hanging of Ephraim Wheeler. I will explain the actions and motives of Hannah and Betsy Wheeler in seeking legal retribution of husband and father Ephraim Wheeler. I will also discuss the large scope of patriarchal power allowed by the law and that given to husbands and masters of households. Of course, this will also lead to discussions of what was considered abuse of these powers by society and the motivation for upholding the Supreme Court's decision to hang Ephraim Wheeler.
• Simms, William Gilmore. "The Marion Family," in Southern and Western Monthly Magazine. Vol. 1 (1845): pp. 209--215.
One of the major events in Harper Lee’s award-winning novel To Kill a Mockingbird is Tom Robinson’s trial. It is based on the Scottsboro Case that took place in 1931 in Alabama, in which several black men were accused of raping two white women. Both the Scottsboro Boys and Tom Robinson are unfairly judged, however, because of prejudice against colored people. The racial discrimination makes whites’ testimony more believable even when it contradicts itself. The same happens in To Kill a Mockingbird. As we delve deeper into the case and get increasingly closer to the truth, it is quite suprising to see that Mayella Ewell is the true villain rather than a victim. She shall and must bear full responsibility for her actions because she makes the decision to tempt Tom Robinson, gives false testimony in court that directly leads to Tom’s death, and has been well aware of the consequences of her behaviors.
The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being understood, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable considerably supported by textual evidence from the novel. One issue which, like the rest, can be answered in more than one ways is why Mrs. Grose believes the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equals even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants we...
When one evokes The Salem Witch Trials of 1692, the image that comes to most peoples minds are that of witches with pointed hats riding broomsticks. This is not helped by the current town of Salem, Massachusetts, which profits from the hundreds of thousands of tourists a year by mythologizing the trials and those who were participants. While there have been countless books, papers, essays, and dissertations done on this subject, there never seems to be a shortage in curiosity from historians on these events. Thus, we have Bernard Rosenthal's book, Salem Story: Reading the Witch Trials of 1692, another entry in the historiographical landscape of the Salem Witch Trials. This book, however, is different from most that precede it in that it does not focus on one single aspect, character, or event; rather Rosenthal tells the story of Salem in 1692 as a narrative, piecing together information principally from primary documents, while commenting on others ideas and assessments. By doing so, the audience sees that there is much more to the individual stories within the trials, and chips away at the mythology that has pervaded the subject since its happening. Instead of a typical thesis, Rosenthal writes the book as he sees the events fold out through the primary documents, so the book becomes more of an account of what happened according to primary sources in 1692 rather than a retelling under a new light.
Wells, Ida B. Southern Horrors. Lynch Law in All Its Phase. New York: New York Age Print, 1892. Print. 6.
- Williams, Roger. "Mr. Cotton's letter Lately Printed, Examined and Answered." Narragansett Club. Providence: 1866.
In the early twentieth century, the United States was undergoing a dramatic social change. Slavery had been abolished decades before, but the southern states were still attempting to restrict social interaction among people of different races. In particular, blacks were subject to special Jim Crow laws which restricted their rights and attempted to keep the race inferior to whites. Even beyond these laws, however, blacks were feeling the pressure of prejudice. In the legal system, blacks were not judged by a group of their peers; rather, they were judged by a group of twelve white men. In serious court cases involving capital offenses, the outcome always proved to be a guilty verdict. In Harper Lee’s novel, To Kill a Mockingbird, the plot revolves around a Depression-era court case of a black man accused of raping a white woman. The defendant Tom Robinson is presumed guilty because of one thing alone: the color of his skin.
The original trials of the Scottsboro Boys, presided by Judge Hawkins, were unfair. Haywood Patterson wrote that as he and the Boys were herded into the Scottsboro courthouse by the National Guard, a horde of white men, women, and children had gathered outside, ready to lynch them. He “heard a thousand times… ‘We are going to kill you niggers!’” (Patterson 21). The atmosphere around the courthouse on the day of the trials was like Barnum and Bailey’s and the Ringling Brother’s...
The setting for this ghost story was at Sturdivant Hall, in Selma, Alabama in the 1860’s.
One of the most critically discussed works in twentieth-century American literature, The Turn of the Screw has inspired a variety of critical interpretations since its publication in 1898. Until 1934, the book was considered a traditional ghost story. Edmund Wilson, however, soon challenged that view with his assertions that The Turn of the Screw is a psychological study of the unstable governess whose visions of ghosts are merely delusions. Wilson’s essay initiated a critical debate concerning the interpretation of the novel, which continues even today (Poupard 313). Speculation considering the truth of the events occurring in The Turn of the Screw depends greatly on the reader’s assessment of the reliability of the governess as a narrator. According to the “apparitionist” reader, the ghosts are real, the governess is reliable and of sound mind, and the children are corrupted by the ghosts. The “hallucinationist”, on the other hand, would claim the ghosts are illusions of the governess, who is an unreliable narrator, and possibly insane, and the children are not debased by the ghosts (Poupard 314). The purpose of this essay is to explore the “hallucinationist” view in order to support the assertion that the governess is an unreliable narrator. By examining the manner in which she guesses the unseen from the seen, traces the implication of things, and judges the whole piece by the pattern and so arrives at her conclusions, I will demonstrate that the governess is an unreliable narrator. From the beginning of The Turn of the Screw, the reader quickly becomes aware that the governess has an active imagination. Her very first night at Bly, for example, “[t]here had been a moment when [she] believed [she] recognized, faint and far, the cry of a child; there had been another when [she] found [herself] just consciously starting as at the passage, before [her] door, of a light footstep.” The governess herself acknowledges her active imagination in an early conversation with Mrs. Grose, when she discloses “how rather easily carried away” she is. Her need for visions and fantasies soon lead her to believe that apparitions are appearing to her. It is from this point on that she begins to guess the unseen from the seen, trace the implication of things, and judge the whole piece by the pattern. After the first appearance of Peter Quint, the governess begins to make infe...
In many of Faulkner’s stories, he tells about an imaginary county in Mississippi named Yoknapatawpha. He uses this county as the setting for his story “Barn Burning” and it is also thought that the town of Jefferson from “A Rose for Emily” is located in Yoknapatawpha County. The story of a boy’s struggle between being loyal to his family or to his community makes “Barn Burning” exciting and dramatic, but a sense of awkwardness and unpleasantness arrives from the story of how the fictional town of Jefferson discovers that its long time resident, Emily Grierson, has been sleeping with the corpse of her long-dead friend with whom she has had a relationship with.
Tanner, James E. “Uncle Tom’s Ghosts.” Heldref Publications 1975: 5, 70, 3. Citerary Reference Center. AVL. FCS. 16, Jan. 2008