Women have been both a centripetal and centrifugal force for many creative artists. In India, they are idolized, the most idealized, and canonized image in art, literature sculpture and religion. These artists have exposed only their external physic but none cared to explore and express the psyche and the inmost passions of their mind. Indian women are still bogged down by the invisible fetters of religion, tradition and culture. The myth of collective unconscious prized by a society is prevalent in Indian women. The Indian women are in the transitional stage of moving towards freedom.
Three Stages of Feminine Freedom:
1. The first stage is Embryo-Incipience and the second stage is Incubation-Transition and the third stage is Fledgelings-Transformation. In the first phase the Indian women assimilate the native culture. Brought up in a joint family, which is patriarchal, they themselves internalize the values of the period during their formation and growth. Their evolution in their embryo stage is in the conventional mode. It is a retreat into silence dwelling as in a dark chamber.
2. In the second phase Incubation-Transition, there i...
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... woman. The only thing to remember is that choice is relevant only there is knowledge. In the same way freedom is relevant only when there is responsibility- responsibility to oneself, Freedom to survive ‘the whole’ within the system, and Jaya ultimately feels it is possible. She acquires moral strength after a long silence. She decides to sound like a true fledgling with the rational capacity developed by education. She propels herself in the right direction towards feminine freedom. She breaks out the cocooned existence and comes out as a fledgling of the new sought freedom.
Deshpande,Sashi. That Long Silence. New Delhi: Penguin, 1989.
Landis,G.Mary. Reading in Marriage and the Family. New Jersey, 1952.
Maurya, Sahab Deen. Women in India. Allahabad:Chug,1988.
Radha,.K. Ed. Feminism and Literature. New Delhi:Creative Books, 1995.
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