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The Significance Of The Portrait In Dorian Gray
Significance of the portrait of dorian gray
Authors intent of the picture of dorian gray
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The Aesthetic literary movement is a nineteenth century movement that appeared in France and England. The French term "fin de siècle," or the "end of the century," is often linked to the Aesthetic movement; it refers to the end of an era and the beginning of a new one. The movement appeared at a time where the ideals of the Victorian Age were not a priority anymore as it got replaced by Aesthetic values. “The main characteristics of the movement were: suggestion rather than statement, sensuality, massive use of symbols, and synaesthetic effects—that is, correspondence between words, colours and music. It was the music that set the mood.” This essay focuses on the massive use of symbols in The Picture of Dorian Gray. Basil Hallward’s portrait of Dorian Gray was a regular portray until Dorian has recognized how his beauty will fade unlike the beauty in the picture so he said: “If it was I who were to be always young, and the picture that were to grow old! For this—for this—I would give everything! Yes, there is nothing in the whole world I would not give!” little did he know that his wish would be fulfilled the moment he uttered it. The portrait becomes a mirror to what is inside Dorian Grey’s. His deeds, thoughts and of course the effect of time on his beauty are reflected upon the painting, leaving him flawless. The portrait is a symbol of his conscience, every crime he commits; he can see its effect on the painting. It is a vivid view of Gray’s inner self. Although his corruption did not leave its trace on him and left it on the canvas instead, the portrait reminds him of his cruel actions which eventually led to his own death as he ripped the portrait apart, thinking it was the only way to redeem himself. The colour white in th... ... middle of paper ... ...ents Dorian’s shame of his true self. Finally the quote in the first chapter: “Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-colored blossoms of the laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs” the laburnum is a beautiful but poisonous tree, just like Dorian. This is considered foreshadowing the character development. Oscar Wilde in The Picture of Dorian Gray shows the readers several forms of Aestheticism since he is considered in Britain to be famous as one of the best representatives of the aesthetes. He believes that art represents nothing but itself, and that art has its own life just as thoughts do. Works Cited http://www.cummingsstudyguides.net/Guides3/PictureOfDorian.html http://www.sparknotes.com/lit/doriangray/themes.html http://www.douban.com/note/165121319/
The classic novel by Oscar Wilde, The Picture of Dorian Gray inspires beauty, and romance. The main focus of the novel is aesthetics, a philosophical view detailing the nature of creation and appreciation of art and beauty. The tragedy of the young Dorian Gray after becoming misled by his companion, Lord Henry Wotton, is one that causes many to reform ideas on life and purpose. Lord Henry believes in hedonism, a thought stating that pleasure is the only true good; he declares, “The only things worth pursuing in life are beauty and fulfilment of the senses” (Wilde). This outlook is tempting for many persons, including that of the title character, Dorian Gray. In contrast to Lord Henry is an artist named Basil Hallward, whom perceives Dorian to be his muse; serving as inspiration, and purpose. Basil has many moral traits including trust, compassion, and kindness. His infatuation with Dorian causes him to change his art and style, composing an exquisite painting of the young boy. Basil states, “the work I have done, since I met Dorian Gray, is good work, is the best work of my life…his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently.” (Wilde). Dorian becomes so mesmerized by the beauty of the picture and the words of Lord Henry that he wishes for the picture to depict his sins and age, rather than his physical being. To the surprise of the young Dorian, his wish becomes fulfilled. This theme shares similarity to the Faust story, as the title character exchanges his soul for pleasures
Wilde first shows the importance of looks when Basil first sets eyes on Dorian Gray. "I knew that I had come face to face with someone whose mere personality was so fascinating that...it would absorb my whole nature, my whole soul, my very art itself" (7). This was before Basil had even talked to Dorian, and he had already judged what type of personality he had, ...
The Supremacy of Youth and Beauty - The first principle of aestheticism, the philosophy of art by which Oscar Wilde lived, is that art serves no other purpose than beauty. Throughout The Picture of Dorian Gray, beauty reigns. It is a means to revitalize the wearied senses as indicated by the effect that Hallward's painting has on the cynical Lord Henry. It is also as a means of escaping the brutalities of the world, as Dorian distances himself from the horrors of his actions (not to mention his consciousness) by devoting himself to the study of beautiful things: music, jewels, rare tapestries. In a society that prizes beauty so highly, youth and physical attractiveness become great commodities. Lord Henry reminds Dorian of as much upon their first meeting, when he laments that the young...
With the fateful encounter with Lord Henry, Dorian is ushered into a world of idealistic art and beauty. Lord Henry plays a key role in introducing a new world in which beauty, youth and sensations dominate. First, Lord Henry employs a powerful strategy of developing Dorian's self-consciousness of his ow...
Oscar Wilde's The Picture of Dorian Gray was written during the late nineteenth century England. The protogonist Dorian Gray is portrayed as a paragon of youth and beauty whose aristocracy and charisma inspire his surroundings, particularly an artist called Basil Hallward. Dorian poses for him and one day while again posing to Basil, he is introduced to a cycnical philosopher and orator William Henry. Dorian is easily seduced by his theories. Lord Henry corrupts this young boy by transforming into a hedonist. Through him, he faces the harsh realities that his physical appearance is fading and he becomes afraid of ageing. He envies the concrete and ever-to-survive masterpiece of Basil and longs for aging on his life without any sign of ageing and decay. Then his wish incredibly turns out to be real. And his sins begin to be appear in the pic...
The Picture of Dorian Gray was heavily influenced by the Aesthetic Movement of the mid 1800’s. The Aesthetic Movement implied that art is only to exist for the idea of beauty, and that the viewer of the art should not look into the meaning behind the art. Oscar Wilde believed this theory, and he used ideas from the Aesthetic Movement in many of his pieces, including The Picture of Dorian Gray. The Picture of Dorian Gray was an incredibly controversial novel, especially with its added aesthetic ideas.
Within The Picture of Dorian Gray and The Sun Also Rises, Oscar Wilde and Ernest Hemingway respectively illustrate characters that hold a fascination for their own beauty. Through this essay I will compare and contrast those characters, Dorian Gray and Brett Ashley, and their obsession with their said beauty. Within The Picture of Dorian Gray both Dorian Gray and Lord Henry value youth to extreme extents, and Dorian is able to grasp a sense of eternal youth only to drive himself to his own demise. Brett Ashely on the other hand, uses her beauty to find a powerful identity within a patriarchal society, and at the end of the novel she finds herself cycling back to who she was in the beginning of the novel. While both characters use their beauty to gain power, Ashely is able to avoid the downward spiral that Dorian suffers due to her dependent relationship with Jake Barnes. Within The Picture of Dorian Gray, Basil is incapable of forming any reciprocal relations with Dorian, thus allowing Lord Henry to mold him. Henry plants the seeds for Dorian’s development, but Dorian breaks away from Henry and begins to develop an overzealous form of masculinity that excludes all external relationships. It is due to this disconnect that Dorian is unable to reach the same fruition of his goals as Ashely is. Through their tales both Dorian and Ashely developed into strong idealized figures of beauty, but only Brett is capable of maintaining her mentality.
Dorian Gray's life is dictated by his physical appeal "extraordinary personal beauty". His beauty lies within his
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
During this time an artist was seen as an important figure to society because he was able to visually create and give meaning to beautiful things, which was considered art. Art and beauty became correlated this way. Sometime it is thought that artwork has to be significantly beautiful to be considered art. Basil believes that he has created his one and only master piece, which is the picture of Dorian Gray. He sees so much of himself in the art that becomes insecure about his masterpiece. In Victorian times the artist was always more important than the artwork because of what he could possibly represent in the eyes of society as an artist. This allowed Basil to become insecure about his artwork, he did not want to be judged based off of his artworks that he put some much of himself into; artistically and intelligently. This is the reason he becomes too reluctant to exhibit his artwork, “I know you will laugh at me,” he replied, “but I really can’t exhibit it. I have out too much of myself into it.” (6). This statement by Basil shows his insecurities and afraid of judgement as an artist. it also depicts that he is very concerned with the reaction and judgements of others because he tells Lord Henry his reason for not wanting to exhibit his painting Dorian, which he becomes very drawn and attracted to. Basil pushes Victorian gender roles by showing
...ey saw his watch on the wrist of that old, wrinkled corpse. The symbolism on the painting is much more than just his aging. Since the art in Wilde’s era was held up to mean so much more when it didn’t need to, the art was not able to be admired for its true beauty. After Dorian wished to stay young as his painting would age, HE became meaningless, HE became what Wilde considered true art, and the painting, as contradicting as it may sound, now meant much more than just beauty. It meant all of Dorian’s sins and wrongdoings. It represented all of the repugnancy in Dorian, and now Dorian did not mean anything, he became art. He was meaningless.
In chapter 20 of Oscar Wilde’s The Picture of Dorian Gray, Dorian reflects on his past and wonders whether he will ever regain his innocence. In this passage, Gothic elements underline the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings also highlight Dorian’s personal yearning to let go and forget about his past.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Wilde, O. (1945). The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama." Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corrupt nature.