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a literary criticism of a picture of dorian gray
literary critiques about the picture of dorian gray
critical commentary the picture of dorian gray
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In chapter 20 of Oscar Wilde’s The Picture of Dorian Gray, Dorian reflects on his past and wonders whether he will ever regain his innocence. In this passage, Gothic elements underline the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings also highlight Dorian’s personal yearning to let go and forget about his past. Dorian has evidently changed as a character in contrast to the beginning of the book. In this chapter, he aims to cleanse his soul and start new. However, Dorian still strives merely for what he wants instead of thinking for others. He is willing to take risks in order to accomplish his own goals no matter how negatively others are affected. Dorian’s decision to leave Hetty was simply a response to the desire of returning to his innocent state. It is written, “Perhaps if his life became pure, he would be able to expel every sign of evil passion from the face…he would be good and the hideous thing…would no longer be a terror to him” (211). The way Dorian focuses primarily on eliminating the repulsiveness from his face indicates that he prevented Hetty’s corruption solely for the benefit of retrieving his beauty. In all, his actions are far from being due to the good intention of helping others. The central idea in this passage is morality of beauty. Dorian’s concerns remain solely on the appearance of his soul. Dorian’s personal feelings, desires and worries are highlighted. It mentions, “It was better not to think of the past. Nothing could alter that. It was of himself, and of the future he had to think. James Vane was hidden in a nam... ... middle of paper ... ...hat merely concern him. Additionally, negatively connotated words such as evil, hideous and terror are used when Dorian expresses his emotions. This contrasts with his reaction to those he had killed. While he regrets the mistakes he makes concerning himself, he shows no remorse for having a negative influence on others. Conclusively, Dorian Gray’s overwrought emotions are apparent and draw attention to his selfishness. His emotions cause him to focus solely on his own concerns. He reduces the gravity of the deaths of Basil, Alan, James and Sibyl by expressing his relief that their murders had not affected him in any way. Dorian directs the focus on his life and not towards others, no matter what extent they had been affected by him. In all, Dorian’s selfishness is evidently portrayed through Wilde’s use of Gothic elements in character, style and idea development.
Dorian Gray loses his eternal youth due to his disconnect with the world, but to realize this disconnect the reader must first examine the context for his connections to Basil Hallward and Lord Henry. Nikolai Enders examines these relationships within his article, “Platonic Love and Closet Eros in...
The gothic literature is only a prime example of how our work reflects us in life, or in this instance the case of Oscar Wilde. In this case, whether conscience of the decision, Wilde has placed himself into the novel as Dorian Gray, and replicated the same decisions as he took in life that led each to the same fate. The use of gothic also portrays the same idealistic rules presented, if not spoken in those who create work for the gothic. Although many artists and authors grow in different background and learn different styles, what is presented in their works will always show similar
The French born author, Anais Nin once wrote, “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative” ("Think Exist Quotations"). Anais is expounding upon the inconsistency all people have in aspects of their personalities. Some days a person may be hailed as a saint for their actions, while other days they seem absolutely evil. In most literature, characters are defined as good or evil based on their revealed thoughts and actions. On occasion an anomaly may be found, where a character is more ambiguous. Dorian Gray’s Actions throughout The Picture of Dorian Gray paralyzes the readers’ ability to condemn Dorian as purely good or purely evil, causing them to be more sympathetic than usual.
The transgression of moral codes and degeneration are central themes to all three texts. Dorian Gray, also referred to as the decadence manifesto, embodies creeds relative to art, that conflict with Victorian society’s conformities regarding art. Therefore, the book itself would have been deemed degenerate. Wilde adopts Walter’s notion of the art for art’s sake. He addresses the idea of valuing ‘Not the fruit of experience’, but’ the experience itself’ through denying that art should be didactic or morally instruct. (Pater, 1868:152)‘The books that the world calls immoral are books that show the world its own shame’, thi...
...This essay discusses enough of The Picture of Dorian Gray to explain how floral imagery impacted the novel’s meaning. The use of floral imagery and symbolism has earned Wilde a place as one of the greatest and most influential writers of all time.
and rich people in his town as well. His beauty charmed the world. Basil was
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
Innocence may be easily corrupted by a malignant outside influence. The novel The Picture of Dorian Gray shows that corruption and bad influence may be easy to pursue. Author Oscar Wilde attempts to highlight that corruption may not come in the form of materials, but also in the forms of friends, society, etc. Dorian’s youth is easily corrupted by the influence of not only Lord Henry but also by the society and the substances which he chooses to use and abuse now and then. The corruption takes a toll on Dorian’s behavior significantly, and the readers notice that it ultimately leads to his demise. In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources.
Dorian begins to embrace the new hedonism doctrine after Lord Henry proclaims, “Youth! Youth! There is absolutely nothing in the world but yo...
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama." Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corrupt nature.
Wilde, O. (1945). The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf