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The theme of death used in literature
Death theme in literature 123help
Death theme in literature 123help
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“If We Must Die & The Flea”
The two poems “If We Must Die” by Claude McKay and “The Flea” by John
Donne both authors use animal images in similar and different ways. McKay and Donne
both use death of an animal as an analogy to get their point across in each poem. Claude
goes on to use his animal imagery to show honor in analogy of honor and death
compared to the life of a hog. John uses his analogy of his sexual motive to the actions of
how a flea feeds on its’ prey. The two authors both show us different way that animal
imagery can be displayed pertaining to the characters situation.
McKay starts off the poem saying, “If we must die, let it not be like hogs” (1),
Stating that death is evident which is a metaphor relating death to hogs. The death of hogs
is evident because they are usually domesticated pigs that are bred and raised specifically
for slaughtering. On the other hand Donne also uses death of the flea in relate to the death
of her purity. Donne uses the flea that the female he’s is attempting to woo by saying, “It
sucked me first, and now sucks thee...
The poem “The Death of a Toad” incorporates the literary devices of structure, syntax, imagery, and diction to portray the speakers’ sarcasm. The poet leads the reader through the detailed stages of the toad’s death through out every stanza. The grammatical forms that the speaker uses is to help depict the scene of the dying toad. Another tool the speaker uses is to refer to death in an indirect way. The stanzas progressively illustrate the dying toad as well as the cynical view of the speaker.
The seducer of “The Flea” makes use of different arguments to convince the woman to have sex. One argument is that the blood of both him and his lover has mingled inside a flea, because it has bit them both. He tells her that nothing has befallen her that there is not “A sin, nor shame, nor loss of maidenhead” (The Flea, 6). The Flea has both lovers’ blood in it, and they have not committed a sin for the punishment of their blood mixing. The seducer connects this to sex and explains that there will not be any punishment for having intercourse, either. This is not successful because he must use other ways to convince her. The seducer also uses imagery. He calls the flea, with his and her blood inside of it, a holy trinity. He explains it would be suicidal to kill the flea, and that it would be “sacrilege, three sins in killing three” (The Flea, 18). The seducer shows his lover that they all form a trinity, and it should not be broken. The image of the holy trinity to the lover would have been a strong point, but the ex...
While these works by Whitman and Dickinson are different in many ways, a few similarities can be found between the two. The most obvious of these similarities involves the themes and subject matter of the pieces. Both poems present the idea that life is a continuous and constant circle and that no one is ever really dead as long as he is remembered. Each also suggests that Earth is a living thing which all humans are a piece of in both life and death. Another likeness which can be found in these two poems is the imagery used by the authors. Through Whitman's detailed and vivid description, he allows the reader to form a clear picture of the scene in his head. Likewise, Dickinson use of personification causes the poem to come alive in the reader's mind. Indeed, by observing the themes and imagery found in these two poems, one can see that they do contain some similarities.
When considering the structure of the poems, they are similar in that they are both written loosely in iambic pentameter. Also, they both have a notable structured rhyme scheme.
In lines 9-12, Donne speaks to death in a way that is belittling. It is as if he were trying to make Death feel small and inadequate. Death is told that he is a slave to chance and to certain men, and that he dwells with poison, war and sickness. The speaker is referring to the fact that killing can happen at the will of someone other than Death. The speaker then informs Death that drugs are able to make us sleep as well if not better than the sleep of Death. Why then is Death proud ("why swell'st thou then"), he asks, implying that Death has nothing to boast in. This all shows the powerlessness of Death.
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
This metaphor was used to compare the temperature of the recently killed turkey to the perceived temperature of death. Herb is again teaching the narrator to gut the turkey, and after cutting it’s vertebrae, he instructs her to insert her hand into the dead turkey to remove the connective tissue. Although the turkey was alive just moments ago, it might as well have been dead for years. Once the life has left the turkey, it is prepped for consumption without a second thought. Death is very often used in conjunction with the word cold. “Living beings have a corporal temperature is lost at the instant of death. We conceive death as being characterized by coolness while life is prototypically warm” (Herrero Ruiz, 1). This metaphor shows that the turkey is being turned into a piece of meat, and the narrator is realizing that her job involves a great deal of death. This piece of meat is stimulating the protagonists thoughts. She now begins to think of the heartless aspect of her job, and whether or not she really wants to be a gutter. This metaphor brings meaning to the narrator’s character, by showing us that she must change and be less empathetic and a little more cold, in order to succeed in her new
John Donne, a member of metaphysical school in the Seventeenth century, exhibited his brilliant talent in poetry. In "The Flea," he showed the passion to his mistress via persuasive attitude. The tone might straightforwardly create playfulness or sinfulness; yet, the poem contains none of either. What impress readers most is situation and device. The situation between the speaker and the audience is persuasion, love or marriage. As to device, the notable parts are diction and rhetoric skills. Furthermore, unique characteristics of this poem are also an important element of his persuasive tone.
In her poem “It was not Death, for I stood up,” Emily Dickinson creates a depressing state of hopelessness felt by the speaker when trying to understand the tormented condition of her psychological state. The poem produces an extended metaphor of death, which resembles the speaker’s life and state of mind, through the use of various literary devices, such as parallel structure, repetition, imagery, personification, and simile, in order to create an overwhelming sense of hopelessness regarding the speaker’s undefined condition.
On the surface, John Donne’s poem “The Flea” dramatizes the conflict between two people on the issue of premarital sex, however, under the surface, the poem uses religious imagery to seduce the woman into having sex. The speaker in this poem is a man, who is strategically trying to convince a woman to have premarital sex with him through the conceit based on a flea, however, the coy lady has thus far yielded to his lustful desires. The speaker’s argument has the form of logic, which contradicts to its outrageous content.
However, before diving into the true meaning of the poem, it is quite important to scan it as a whole; therefore, looking for the structure, the rhyme scheme/meter, and the overall message of the poem as a whole. The Flea, as stated previously, is a metaphysical poem. This states that the poem does not follow an exact form, in some ways it can be looked at as sort of a free verse form of poetry, but with a rhyme scheme. When looking at the poem as a whole, it can be stated that the rhymes are very weak. For example, the rhyming of “this” to “is” and “said” to “maidenhead,” are expected and somewhat easy. While the message is clear as to what is happening, if better word choices had been made, then the poem might not feel as
John Donne’s “The Flea” details the attempts of a lover to convince his partner of the insignificance of physical love through conceit. The desperate lover hopes to woo ahesitant woman to have sex with him because physical love means nothing. Donne utilizes biblical allusions through symbolism and slant rhyme as the speaker builds and rebuilds his crooked case for the unimportance of sex. When the action of the poem shifts, the speaker’s argument shifts accordingly. The flea transforms into a symbol of the conscience that is the main obstacle to the physical love that the speaker seeks. Through the speaker and overstatement, Donne satirically asserts that physical love is not important, mocking a theme of contemporary carpe diem poems.
Metaphysical wit and conceit are two of the most famous literary devices used in the seventeenth century by poets such as John Donne. Emerging out of the Petrarchan era, metaphysical poetry brought a whole new way of expression and imagery dealing with emotional, physical and spiritual issues of that time. In this essay I will critically analyse the poem, The Flea written by John Donne in which he makes light of his sexual intentions with his lover.
The obvious comparison between the three poems is the theme of death. Both poets, in these works and many others, display a fascination with the death of themselves as well as the death of peers, and loved ones. Both Frost and Dickinson experienced a great deal of death throughout each of their lives. Frost’s greatest loss was the death of his son, which is greatly depicted in his poem “Home Burial.” Dickinson suffered the loss of many friends and family. She spent a lot of her time in her room looking out upon the headstones of these people.
Put simply, John Donne’s “The Flea” is about a man trying to convince his love interest to have sexual relations with him by using a flea that has bitten both of them as a metaphor for their relationship. The speaker argues that the flea, which holds both of their bloods, has become the embodiment of their love and its overall sanctity. Donne’s use of the flea as an extended metaphor of their relationship represents a metaphysical conceit that dramatizes the conflict between the woman losing her virginity to the speaker and the far-fetched attempt of the speaker to emphasize the significance of the flea which is being used to represent a sacred bond between the couple.