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The breakfast club film analysis
Analysis of the breakfast club
The breakfast club film analysis
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Skyler is on the phone, Marie is warning her on the possibility Walter could pay her a visit. Skyler is unreadable, she’s reassuring her sister but it’s hard to tell if she’s scared, sorry for Marie who clearly is not even close to understand Walter’s mind and skills, or simply prepared for every possible outcome. But when the call ends and Skyler seems to talk to herself then the camera come closer, moving that little bit that reveals Walter presence: he was there all the time, concealed to our view behind a wooden column. I find this extremely representative of what we have and have not seen all this time, from the start: looking back, to me, is like Heisenberg was always there, very present, just in a blind spot, in a dark corner or in the middle of the scene but hidden to our view by a peculiar narrative perspective.
Walter is not become Heisenberg, Heisenberg was there, all the time, waiting for Walter needed him. We have given every sort of excuse to justify Walt’s actions because we liked him: it’s so easy to sympathize with a good, honest man beated by life, humiliated by his employer, kind of bullied by his successful brother in law. Walter appeared to our eyes so in need and yet so amusingly naive with is mad, desperate, plan to cook and sell drug in order to free his family from debts and secure his children’s future, that we couldn’t help ourselves to stand by his side. Then, the fun and the compassion escalated in admiration: Walter is a genius, an artist in his own field of expertise,it’s quite impossible to not root for him. At the beginning was easy: the cancer, the wellness of the family (a kid with problem plus a newborn little girl) were the perfect and natural excuse. Family first. Then Jane. Walter let her die...
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...ment in which Walter askes for a little help to the “universe” because “i’ll take care of the rest” and the keys car magically land on his lap, in that moment he has the odds with him. He comes back, finds a the way to terrorize and at the same time obtain Gretchen and Elliot help to secure once and for all the wealth, the future, of his family. He has his total revenge on Todd, Lydia, uncle Jack and their nazi folks. He frees Jesse not only phisically, but – as a side effect – psychologically. He, of course, won’t be remembered with love by his family, by Skyler, Walter Jr, Marie, but definitely he will be remembered by everyone. The blue crystal formula is gone with him but is going to stay in the history, criminal history but still. And at the very last, with nothing else to accomplish, he dies among the instruments of his art. In the end he dies at his own terms.
When Walter was brought home he accounted the events that had lead up to his discovery in the country side. He remembered playing in front of the home as two men in their car invited Walter and Charlie inside. The car pulled off rapidly when the children climbed inside and soon after Walter began to fuss and shout. This lead for the abductors to become frustrated, knowing the older child would bring more issues, so they ditched him on a country road and continued on without Walter.
The first reason I believe that Walter is the protagonist is because he isn’t a selfish man. What I mean by this is when he is talking about issues he tends to discuss family issues above his own personal things. Though at times in the play when he is drunk and loses his temper he does start speaking selfishly, I believe that his overall attitude in the play is for his family to move up the world. I believe that Walter’s son Travis is the main reason why he acts so unselfishly. He seems to want the best for this son and doesn’t want his son to feel that there isn’t anything he can’t have or do.
One can infer from this moment that Walter is hav... ... middle of paper ... ... that same rhythm throughout. Whereas in the movie, his fantasies play in active role of pursuing his quest of finding the missing negative for the last Times magazine edition- or he loses his job.
The Blacklist is a crime drama television program that airs on NBC. It is an American television series that stars Megan Boone, James Spader and Harry Lennix. The idea behind it is that an ingenious, criminal mastermind, for some apparent reason, starts to assist the FBI in catching the world’s most wanted criminals, some of which they did not know existed. Yet, Raymond “Red” Reddington surrenders to the authorities under the condition that he will only cooperate with a rookie FBI profiler, Elizabeth Keen. NBC ordered for a nine episode first run on October 4, 2013, and in December 2013, they renewed the show by ordering a twenty two episode second season as an early indication for future success. But, what were the reasons for the show’s early success? After examining various trade journals and articles on the subject, I am asserting that The Blacklist is the number one new television from last Fall’s list of pilots based on its specific marketing, distribution, audience, timeslot, critical reception, and potential revenue.
The final character is Walter. Although he has other minor dream such as opening liquor store, he has long dreamed of making his family’s life better.
We've come to a point where television has become so loaded with “vampire-this” and “werewolf-that,” that each show has begun to look like the reruns of another. Luckily, this definitely isn't the case for creator Vince Gilligan's, Breaking Bad. Breaking Bad follows the life of Walter White (played by Bryan Cranston), an ordinary high school chemistry teacher. With a loving wife and teenage son at home, over time, Walter has formed an exceedingly mundane routine for his life. After soon discovering that he had been diagnosed with inoperable lung cancer, Walter decided to take extreme measures in order to secure his family financially. Eventually, he would descend into a world so dark and utterly twisted, that it would eventually consume him. Walter White became Heisenberg; the greatest drug lord the streets had ever seen. As he ascended in status within the drug cartel, the love and trust he had from his family and friends quickly descended. There are thousands of reasons that explain why millions of people tune into Breaking Bad. This series offers a much needed relief from the Dracula descendents, which frankly, are slowly diminishing any scope of variety existing on television. Because of the outstanding acting, seemingly distorted reality, and uniquely relatable storyline and characters, this hit show tops the charts as the best modern-day television series that cable has to offer.
The influence of the media on women is not unknown, but it was especially prevalent in the 1960s. According to David Croteau and William Hoynes, both professors of sociology, “Media images of women and men reflect and reproduce a whole set of stereotypical but changing gender roles” (quoted in Mahrdt 1) and, as society changes and opinions are altered, television shows adapt. However, the television show Mad Men is unique because it does not show life today, but the life of the 1960s. It shows what life was like for the women who lived during a time when the “feminine mystique” controlled society.
... on, Walt learns about the Hmong culture, and eventually he establishes a grumpy fatherly connection with Thao. Walt develops a relationship with the Vang Lor family and stops the Hmong gang from raping Thao’s sister. Although, Walt is dying from lung cancer, the gang kills him. Walt leaves behind all his inheritance to the Vang Lor family, and most importantly, Thao inherited the prized 1972 Gran Torino.
Mama talks to Walter about her fears of the family falling apart. This is the reason she bought the house and she wants him to understand. Walter doesn't understand and gets angry. "What you need me to say you done right for? You the head of this family. You run our lives like you want to. It was your money and you did what you wanted with it. So what you need for me to say it was all right for? So you butchered up a dream of mine - you - who always talking 'bout your children's dreams..." Walter is so obsessive over money that he yells at his mom for not giving him all of it. He doesn't know that what his mom is doing is for the family. He thinks that having money will make the family happy, when in reality the family doesn't need anymore than what they have to be happy.
Initially, Walter?s sole focus on his dreams lead to impaired judgment. One way Walter portrays his impaired judgment is when he makes assorted empty promises. In the Yo...
After buying a house, Mama gives the remaining money to Walter, telling him to save some for Beneatha’s medical school, and that he can decide what the rest of the money can go to. Walter tells Travis that he is going to change their lives with the money: “One day...I’ll pull up on the driveway...just a plain black chrysler… though I’ll have to get something a little sportier for Ruth---maybe a Cadillac convertible...and I‘ll go inside...to see you sitting on the floor with the catalogues of the great in America all around you… just tell me what it is you want to be---… and I hand you the world!” (108-109). Walter fantasizes about owning classy cars and being able to pay for his son to go to any of the top-notch schools in America. His visions for the future reveal that his perception of reality is unrealistic and that wealth matters very much to him. He is very confident that he will be able to give Travis “the world”, which shows that he has excessive faith in his business deal. His delusions and excitement can hinder his ability to make calculated decisions. Without saving any money for Beneatha’s medical school, Walter gives the money to his friend, Willy, to invest in liquor stores. The next day, Walter’s other friend, Bobo, visits Walter to tell him that Willy ran off with the money. Walter melts down and yells, “Man, I put my life in your
The theme is presented all through the story by the setting. Whenever Walter went somewhere or passed a certain place, a daydream would be triggered. In his daydreams he was in many different places, doing different things. After dropping his wife off at the hairdresser, Walter passes a hospital. At the sight of the hospital, Walter begins to daydream that he is a well-known doctor. He is clearly regarded as great doctor for many achievements. He is also the one of higher importance because as soon as the anesthetizer begins to malfunction Walter is the one that everyone looks to. Near the end of the story while he waits for his wife in a hotel, he sees a magazine about World War I, which then catapults him into another daydream of him being a valiant soldier. Also while Walter is walking on the sidewalk, he hears the newsboy shouting about the Waterbury trial which leads him into a daydream about being a defendant. Walter is not satisfied with where he is and
What lies in the world of politics is a world of fear. Or so for the ones who cross Francis Underwood, the main character in the Netflix original series, House of Cards. As season one starts off, Francis Underwood captures the true essence of what the entire show is about, “There are two kinds of pain. The sort of pain that makes you strong, or useless pain. The sort of pain that's only suffering. I have no patience for useless things”(Script: reddit.com). As he finishes this line he brutally kills a dog lying on the street, who had just been injured after being hit by a car. He continues on, “Moments like this require someone like me. Someone who will act. Who will do what no one else has the courage to do. The unpleasant thing. The necessary thing” (Script: reddit.com). Through persuasion, manipulation and down right corrupt politics, House of Cards displays a unique spin on the world in Washington, one that some may believe not to be far from the truth.
...saves Thao one last time. Walt shows how much he believes in Thao by leaving his Gran Torino to him. Thao seems to be the only person that is deserves to possess the car that Walt has put so much effort in.
“Year after year, twenty-something women come to New York City in search of the two L's: labels and love” is the very catchy line that opens the film with Fergie’s ‘Labels or Love’ as the soundtrack and The Big Apple as its introductory shot. The scaling deduced from the bird’s eye-view-point of New York City, showing its Metropolitan atmosphere with skyscrapers and the famous Brooklyn Bridge; to the urbanites of the City; then to the lead actors of the film. A fifteen year-old girl watches the film, mesmerizing the ecstatic city while admiring the skinny white bodies of the ladies. And last but never forgotten, she gets carried away with the funky upbeat rhythm of the song emphasizing “Gucci, Fendi, [and] Prada . . .” That is the introduction of Sex and the City and the focus of its cinematography. With its elements, the movie can honestly influence teenage girls. Yet as much as critics such as Maya Gordon of Psychology of Women Quarterly say how media contributes to the sexual objectification and values women “based on their appearance,” this film should be an exemption.