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Setting in literature and why its important
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Setting, including physical location and time, is essential for establishing the backgrounds and identities of characters in a piece. Even within countries like the United States, where English is the national language and spoken by almost everyone, regional influences on language exist. The way a character speaks and communicates is an important part of their personal identity as a character, as well as an expression of their regional and cultural background. In Zora Neale Hurston’s Sweat, the dialect of the South used by the characters is a ready example of the influence of culture on one’s language. The heavy influences of culture are apparent in many texts, and a change in time or location would alter the language and mannerisms of speech …show more content…
She does this by writing out the words the way the characters pronounce them, not necessarily how they are spelled. An example of this style is a line spoken by a minor character: “Yep. Hot or col’, rain or shine, ies ‘ez reg’lar ez de weeks roll roun’ Delia carries ‘em an’ fetches ‘em on Sat’day.” Hurston exemplifies the traditional southern speech, used specifically by African Americans, by removing letters and replacing them with an apostrophe, eliminating the sound to match the omission of syllables by the speaker. When the reader reads this line, they not only understand the message, but the way that it would be spoken. This allows for a deeper connection to each character, and for the regional and cultural influences on their language to be showcased naturally. The physical representation of language influences our perception of the character, and in most other books written in “proper” English, this connection is somewhat lost. This phonetic language represents the culture of the area perfectly, and contributes the development of characters and their …show more content…
It is widely known that regional accents exist all over the United States, and that the cultural history of the area has a large influence on how modern inhabitants speak. This is addressed and tracked in the documentary Do You Speak American, and provides an excellent sampling of the regional accents throughout the United States and their origin. The differences, all based on the historical inhabitants of an area, pertain to any number of differences, primarily pronunciations of words. This creates a clear picture for all the different possible accents or mannerisms that could be developed by the characters of Sweat, provided the story took place in a different location and possibly time. If the story had changed location to the Northeast, near Boston, the lifestyle and culture, as well as the language, of the characters would be vastly different. As described by Professor Vajda, the Northeast dialect, influenced primarily by English Puritans, possesses a twang, a “flat sounding nasal lengthening of vowels.” This leads to the famous r-less pronunciations of words, like cah (car) and Hahvahd (Harvard). If this language influence was present in Sweat, the individuals would speak without the distinctive lack of an -ing at the end of words, along with a number of traits. African Americans were much more
In “Sweat” by Zora Neale Hurston, the protagonist Delia is “double-colonized,” living in a society where African Americans are oppressed by whites, while her husband Sykes is also oppressing her. Delia is living in Florida in the early 20th century, when Jim Crow laws kept the black community segregated and oppressed. Delia washed clothes for the wealthier white community to make her living. She even had to work on Sunday night just to get all the washing done every week. Sykes tells Delia “Ah done tole you time and again to keep them white folks’ clothes outa dis house” (Hurston 137). He then goes on to call Delia a hypocrite for praying at church then coming home and doing laundry for white people, before stomping on the whitest pile of clothing. Hurston illustrates the hatred that manifests from racial oppression. Delia tells Sykes “Ah been married to you fur fifteen years, and Ah been takin’ in washin’ fur fifteen years. Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat!” (137). This epitomizes Delia’s existence; she works constantly,
“Sweat” is a short story written by Zora Neale Hurston. It is a story where the husband, Syke, does terrible things to Delia, the wife. Such terrible things are being abusive, and having an affair with someone else. However, this does not hurt Delia any more than it could have. Delia possesses strong characteristics. She is a hard working person, who basically earns for both of their livelihoods, and also very courageous. In order to reveal Delia’s character, Hurston adds in symbols and allusions.
1 In Zora Hurston's short story, "Sweat," [Titles] Delia Jones is married to a very dominant and powerful man. Skye [Sp] Jones is his name, and he is an abusive man who has no respect for Delia. Being married for fifteen years seems to be a lot for Delia, considering that she has only loved Skyes [Sp] for a short time after they were married. Living a life of fear and helplessness allows the dominant figure of that person's life to continue to have total control until the fall of that dominant figure. The theme of the story [This theme] can be supported by characterization, symbols, and setting.
In this book, Hurston writes in the dielect of the black community of the time. Many of the words are slang. Hurston begins the story with Janie telling it, but then it becomes a third person narrative throughout most of the story.
wonder what a few old cane-chewing men have to do with the plot of the story. However, these
The reason I responded to “Sweat” by Zora Neale Hurston is because of the message of the short story goes back two biblical quotes
Narrator, this was a third person account, thus leaving much to the imagination. The conversation’s language was left as if truly taken from an African American speaker in the south in such a time. The way Hurston made the scenery appear before me was like a white sheet gets stained with red wine, unable to wash out of my mind. The narration was very brut in a grammatical manner, giving a wash bucket effect of never being settled.
What I feel is truly remarkable about this author is that despite all the scrutiny and anguish that she faces like most of her race at the time she does not take a negative attitude towards white people and she actually chooses to ignore the general racial segregation. Her charming wit and sense of humor despite all the hardship is what attracts the reader. Hurston does not let her social disadvantages stop her from trying to achieve her aspirations and dreams. She does not see being colored as a disadvantage, but accepts it as a challenge to excel and be unique.
As he stoops over her as she attempts to do her work he yells, “You sho is one aggravatin’ nigger woman!” he declared and stepped into the room. She resumed her work and did not answer him at once. Ah done tole you time and again to keep them white folks’ clothes outa dis house. (Hurston, 1926)
Hurston’s characters have idealistic dialect for an African American in that time period; correctly depicting any stereotypes that might fall on the situation. The slang and slurs used throughout the characters dialogue makes the tale more realistic and believable. “Nope, sweetenin’ is for us men-folks. Y’all pritty lil frail eels don’t need nothin’ lak dis. You too sweet already” (987). This type of language appeals to me because of the fascination of a thick mock southern dialect. It is interesting to read the words and be able to hear the dialect sounded in your head. The language in this story helps the theme become more effective because it is obvious that they are less educated than most individuals. Typically, it is understood that the less educated have less money and money has always been known as the “root of all evil”.
“What she doin’ coming back here in dem over-halls? Can’t she find no dresses to put on?” Hurston's writing is full of conversations using colloquial diction. He uses a regional dialect to create the picture in your head of what the people speaking may look like by how they talk. In this excerpt, it describes a group of men and some women sitting on a porch watching another local women walk to her home. They are judging every move she makes. “What dat ole forty year ole ‘oman doin’ wild her hair swingin’ down her back lak some young gal?” The way he portrays their accents makes me picture them as somewhat idiotic.
Hurston style, choice of words and spelling reveals an attempt by the black community to differentiate itself from white culture. I understand that the manner in which black people spoke during this period of time was considered by some, (whites and at times black) to be tasteless and idiotic. I strongly disagree with this point of view. It seems as though it was one of the reasons why Richard wright condemned Zora Hurston 's novel, stating that her dialogues only managed to catch the simplicity of the Negro folk mind. On the contrary, I view this style of speech to be a creative yet unique outlet to Black folks during their time of oppression. The ability to invent a distinguishable "dialect" of the English language not only shows intellectual creativity but artistic
Mrs. Hurston uses Southern Black dialect through out the book. This is appropriate because all of the dialog is between Blacks who grew up in the deep South. Some authors that write in a dialect totally confuse their readers. However, Mrs. Hurston’s writing does not confuse us at all. One particular example of this is on page 102. Tea Cake starts off saying, "‘Hello, Mis’ Janie, Ah hope Ah woke you up.’ ‘Yo sho did, Tea Cake. Come in and rest yo’ hat. Whut you doin’ out so soon dis mornin’?’" Janie replied. This dialog is easily to understand. The reader really gets the feeling of the speech because reading it is just like listening to it. Mrs. Neale also knows where to stop writing in dialect. All of the narration and description in the book are in plain English: she does not confuse us by putting narration in dialect, only the speech of characters is in dialect. This part of Zora Neale Hurston’s art adds to the story without confusing the reader.
...izes that there are still great differences between them and she sees them in a positive way. She feels while he only hears. Hurston handles the topic of race relations with no shame for herself or the African American community. She is proud of the differences. She feels life more fully.
In literature, the significant themes of a story can sometimes be developed within dramatic death scenes. With that being said, Zora Neale Hurston 's presents an unappreciated housewife and her high-class husband 's sinful ways which ultimately lead to the husband 's unplanned death, in her short story “Sweat”. The concluding death scene can best be described as illustrating the theme as “what goes around comes around”. Sykes was abusive and tried plotting his wife, Delia 's, death by using a rattlesnake, but his plan backfired and it was Sykes that was killed in the end.