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the life of zora neale hurston
the life of zora neale hurston
the life of zora neale hurston
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In literature, the significant themes of a story can sometimes be developed within dramatic death scenes. With that being said, Zora Neale Hurston 's presents an unappreciated housewife and her high-class husband 's sinful ways which ultimately lead to the husband 's unplanned death, in her short story “Sweat”. The concluding death scene can best be described as illustrating the theme as “what goes around comes around”. Sykes was abusive and tried plotting his wife, Delia 's, death by using a rattlesnake, but his plan backfired and it was Sykes that was killed in the end. In Hurston 's short story “Sweat”, the theme is expressed in many ways throughout the story, though most prominently by way of domestic violence and ungratefulness shown …show more content…
Sykes and Delia 's abusive relationship had been going on for 15 years. Delia makes the comment towards Sykes, “Ah been married to you fur fifteen years, and ah been takin ' in washin ' for fifteen years. Sweat, sweat, sweat!”. (Hurston) In the story, Sykes ' abusive side to him gets the very best of him. He is unappreciative towards Delia and all the “sweat” she puts into the house work. Sykes makes the remark towards Delia, “Don 't gimme no lip neither, else Ah 'll throw 'em out and put mah fist up side yo ' head to boot.” (Hurston) According to the story, Sykes kicked all of the clothes together again after Delia had sorted them out …show more content…
Sykes had a mistress named Bertha who he spoiled all the time, but the people in town always wondered why he never paid attention to Delia. Walter Thomas, one of the men from the store, said, “Ah 'd uh married huh mahself if he hadnter beat me to it.” (Hurston) All the men in town were jealous of Sykes because of Delia. But Sykes, on the other hand, didn 't see what he had right in front of him. The plotting of Delia 's death was all done by Sykes. He went out of his way to get a rattlesnake and place it in the clothes hamper with the lid on, hoping it would strike her while washing clothes. When Delia saw the snake, she scurried outside and hid in the barn until Sykes arrived home. Delia calmly stated, “Ah done de bes ' ah could. If things aint right, Gawd knows it aint mah fault.” (Hurston) After the freak accident of Sykes being struck by the rattlesnake and suffering a long and painful death, Delia, hearing all the screaming and moaning coming from inside her “broken” home, sat under a Chinaberry tree that was in the front yard. She felt a sense of relief after she heard Sykes crying for her help and her knowing that she could not do anything to help. Her fear of their relationship and of him that went on for 15 years, was finally over and she felt as if she achieved her
Hurston puts many biblical allusions in this short story. Delia is a woman with strong faith. At one point , she even went to the extent of changing her church so she would not have to deal with Syke (Hurston 707). Sykes is said to “ have strayed from God’s path of righteousness” (Hurd 3). One allusion that contributes to Delia’s character is the following:
Hurston’s juxtaposition of the dreams of men in contrast to the dreams of women is signified by the movement from concrete imagery to abstractions. She describes men’s dreams as cargo on a ship which is at the mercy of the tide, while women’s dreams are likened to memory, which can be controlled. Her deliberate choice to contrast the way that men and women dream affects the reader by immediately raising the issue of the differences of perception between the two genders. The purpose of this comparison is to immediately prompt the reader to realize a fundamental difference between men and women by using imagery they can relate to. The difference is also one of the novels thematic concerns: women are proud and defiant, they can control their wills and chase their dreams while men never really reach for their dreams. This is symbolized by men’s dreams on a ship; dreams for men either come to them or leave them, like a ship. A ship is
...lia Jones endured fifteen years of violence, disrespect, and infidelity, and only in those last few months was she able to muster some form of resistance. Until Sykes threatened all that she had, her home and her job, she was content enough just sweating it out. However, Sykes made that grave mistake on his own accord, and when leaving Delia with nothing to lose, he found that he had set himself up for a losing battle. Delia had surrendered to him in all those years, but Sykes had finally found a way to bring out the worst in his wife, and her aggression was finally realized by defending all that she had. After such pain and endurance, one can easily recognize how Delia Jones played the lead role in a short story called "Sweat."
Finally Delia becomes free from Sykes when his plan for Delia to be bit by a snake backfires, and he is the one who is bitten and dies.
Appiah, K.A. and Gates, Henry Louis, Jr. eds. Zora Neale Hurston: Critical Perspectives Past and Present. New York: Amistad Press, Inc., 1993.
Narrator, this was a third person account, thus leaving much to the imagination. The conversation’s language was left as if truly taken from an African American speaker in the south in such a time. The way Hurston made the scenery appear before me was like a white sheet gets stained with red wine, unable to wash out of my mind. The narration was very brut in a grammatical manner, giving a wash bucket effect of never being settled.
In Delia’s case she is a women with a job, but even with work she is still powerless to Sykes, her husband. As a woman her freedom is still robbed from her by men’s overpowering force, which in her case is Sykes’s abusive behavior towards her. It also shows that men in society disagree with women working at jobs, as shown through Sykes’s words, “Ah don’t keer if you never git through. Anyhow, ah done promised Gawd and a couple of other men, ah ain’t gonna have it in mah house. Don’t gimme no lip neither, else Ah’ll throw’em out and put my fist up side yo’ head to boot” (176-77). Sykes claims emphasize that men including God are in agreement with him that they too also do not approve of women performing work. Women who have work means that they have equal standing as men, which goes against society’s views. Also, Delia’s marriage represents the binding of mental and physical freedom to her husband, which she has endured with for many years.
Syke taunts her with his bullwhip, rolls around laughing in mirth at her fear, and continuously kicks the piles of clothing she is working on. Syke, overbearing and dominating, paints a startling portrait of sexist masculinity. He stands in clear contrast to the ways in which Delia is described in his presence: her “thin, stooped shoulders” sag deeper and deeper. In all his masculine, angry bravado, Delia is painted as his opposite, a portrait of meek servitude.
Animosity was strong between Sykes and Delia. He verbally, mentally, and physically abused Delia to an extent, men in town even noticed how he had taken her beauty from her. Delia was a hard-working woman, and washed
"Zora Neale Hurston is Born." history.com. A&E Television Networks, 7 Jan. 2016. Web. 12 Jan.
In Zora Neale Hurston’s “Their Eyes Were Watching God” and “Sweat,” Hurston uses the characters Janie Crawford and Delia Jones to symbolize African-American women as the mules of the world and their only alternative were through their words, in order to illustrate the conditions women suffered and the actions they had to take to maintain or establish their self-esteem.
The most apparent symbol in the story is the title, "Sweat". It is also mentioned in the story, "Looka heah, Sykes, you done gone too fur. Ah been married to you fur fifteen years, and Ah been takin' in washin' fur fifteen years. Sweat, sweat, sweat! Work and sweat, cry and sweat, pray and sweat" (Hurston 679). The "Sweat" is the product of Delia's hard work supporting them. It stands for her work ethic and how she has tried to make her work as best as she can, it is a big part of her life.
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
Delia is a hard working woman who uses her faith in God to guide and protect her from her husband’s physical and emotional abuse. She, as a protagonist, is physically weak but yet spiritually strong. Sykes, in the story, tormented Delia in many ways throughout the story. One incident was with the bull horn when he tried to scare Delia while she was sorting the white clothes. Sykes also kicks all the clothes she had sorted all over the floor. Through all the pain and torment she goes through with Sykes, she still goes to church on Sundays and pray and come home go back to working around the house.
This story theme is like the well-known cliché, “What goes around, come back around”. In other words, Destiny vs. Karma and Confidence-building vs. Existence are the central theme of this story, in my opinion. Destiny vs. Karma because throughout the story Sykes would do cruel things to his wife Delia, he would talk to her anyway and treat her bad. He knew his wife feared snakes, but instead still brought a snake into their home with the intent to either kill or scare Delia out the house. But in the end was his karma, everything that he did to try and destroy Delia, that snake end up biting and killing him. It seemed like Delia Jones had put her with her husband for a long time and through everything that he did to her she finally gained the