Zora Neale Hurston expresses two different yet complementary tones in this passage. Hurston is disdainful toward the jealous crowd that is hyper-analyzing Janie’s movements. However, Hurston is simultaneously compassionate for Janie, signified through Hurston labeling the verbal attack on Janie as an instance of “mass cruelty” (2). Hurston is condemnatory about the lack of self control that the crowd exhibits by failing to think about the negative consequences their demeaning words can have upon Janie. Hurston uses food imagery to express her disdain toward the group. The group collectively reveals their innermost insecure thoughts that rest in the “back parts of their minds” and appears to greatly enjoy using their deep insecurities to fuel …show more content…
Janie’s grandmother describes how she does not want any man, regardless of race, to make a “spit cup” out of Janie (20). A spit cup is a small jar used to spit chewing tobacco in, and was used extensively in the South during this time period. Rather than explicitly stating that she does not want men to attempt to take advantage of her granddaughter, the grandmother uses a common, everyday item to describe how she does not want any man to treat her granddaughter as if she is just some object to be used at one’s disposal. Afterwards, Janie’s grandmother describes herself as a “cracked plate” that must be handled with care (20). Through the use of this term, the grandmother explains how she is both damaged and fragile, and thus cannot be mishandled or else she will fall apart. Hurston uses these terms to attempt to evoke sympathy from the audience for the grandmother and to further establish the grandmother as a multi-dimensional character. Although she has proven herself capable of physically hurting Janie, she has also proven herself to be worn-out. A parallel can be drawn between the grandmother acting violently and then lovingly and Tea Cake inflicting violence and then expressing his love for Janie. Janie is forced to juggle feeling hurt by being violently struck by those she loves and continuing to feel love for the perpetrators of violence against
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
Janie’s character undergoes a major change after Joe’s death. She has freedom. While the town goes to watch a ball game Janie meets Tea Cake. Tea Cake teaches Janie how to play checkers, hunt, and fish. That made Janie happy. “Somebody wanted her to play. Somebody thought it natural for her to play. That was even nice. She looked him over and got little thrills from every one of his good points” (Hurston 96). Tea Cake gave her the comfort of feeling wanted. Janie realizes Tea Cake’s difference from her prior relationships because he wants her to become happy and cares about what she likes to do. Janie tells Pheoby about moving away with Tea Cake and Pheoby tells her that people disapprove of the way she behaves right after the death of her husband. Janie says she controls her life and it has become time for her to live it her way. “Dis ain’t no business proposition, and no race after property and titles. Dis is uh love game. Ah done lived Grandma’s way, now Ah means tuh live mine” (Hurston 114). Janie becomes stronger as she dates Tea Cake because she no longer does for everyone else. Janie and Tea Cake decided to move to the Everglades, the muck. One afternoon, a hurricane came. The hurricane symbolizes disaster and another change in Janie’s life. “Capricious but impersonal, it is a concrete example of the destructive power found in nature. Janie, Tea Cake, and their friends can only look on in terror as the hurricane destroys the
The late first lady Eleanor Roosevelt once said, "Hate and force cannot be in just a part of the world without having an effect on the rest of it." Mrs. Roosevelt means that although one person may feel alone through the hardships one faces, one has millions beside oneself who can relate to and understand what one may feel. Zora Neale Hurston shows that even though Janie's family and spouses continue to be abusive and harsh toward Janie, their hate and control left her stronger than before, preparing her for the next challenges thrown at her. In Their Eyes Were Watching God, the deaths' of close relatives and family positively affect Janie because she tends to become more educated and wiser with each death she overcomes in the obstacles she calls her life.
The Harlem Renaissance was all about freedom of expression and the search for one's identity. Zora Neale Hurston’s, Their Eyes Were Watching God, shows these goals through the main character Janie and her neighbors. Janie freely expressed what she wanted and searched for her identity with her different husbands. Even though Janie was criticized by everyone except her friends, she continued to pursue. She lost everything, but ultimately found her identity. Hurston's writing is both a reflection and a departure from the idea of the Harlem Renaissance.
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable. Hurston’s Nanny has seen a lot of trouble in her life.
Within Zora Neale Hurston’s novel Their Eyes Were Watching God, Janie learned the importance of finding power and comfort with herself throughout her lifetime. Although she originally believed that her journey to finding love would be an easy road to follow, she ultimately learned that in order to accomplish great feats, she must overcome adversity and learn to find strength within herself. Even though she felt oppressed and frightened throughout her quest for self-fulfillment, she ultimately learned how to take control of her own life. After all, the only way to achieve one’s goals is to never lose sight of your horizons and to stand up for what is
She was told to keep silent, and to put away her beauty. After the death of her second husband, she exemplifies the magnitude of her own voice, and her freedom: “She went over to the dresser and looked hard at her skin and features. The young girl was gone, but a handsome woman had taken her place. She tore off the kerchief from her head and let down her plentiful hair. The weight, the length the glory was there.” (Hurston 87). While Janie’s second husband was still living, he forced her to “Put away” her hair. He doesn’t see Janie as a human being with her own opinions and feeling, but as property, to keep from other men. Janie’s hair represented her value, and her independence. After his death, Janie takes it down, and observes her power. She no longer endures the bondage of the ideal woman during her time. Jody, one of Janie’s over protective husbands stated; “Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves.” Janie replies to Jody saying, “Ah knows uh few things, and womenfolks thinks sometimes too!"
In Zora Neale Hurston’s powerful feminist novel, “Their Eyes Were Watching God,” she tells the story of Janie Stark and her journey into becoming a powerful black woman during the time when those words were not spoken together. Hurston uses Janie as an archetype for what we should all aspire to be, because in Hurston’s eyes, and the eyes of many others, Janie is the only character in the novel that gets it right. The thing about Janie that set her apart from everyone else, the reason that she got it right, was not because she was just born that way, but it was because she used all of the trials and hardships in her life to her advantage. She never crumbled or quit, but she continued to move on and use her life experiences to help mold to her
Jody believes that Janie has poisoned him, illustrating the magnitude of both of their unhappiness. Almost immediately after Jody dies, Janie “starches” and “irons” her face, which could also imply how the headrags represent a facade that she unwillingly dons in public. Janie goes to the funeral inundated in loneliness and grief. However, after she emerges from the funeral Janie burns all of her head rags. Hurston states: “Before she slept that night she burnt up everyone of her head rags and went about the house the next morning..her hair in one thick braid”(pg 89). Fire represents the destruction of something; by burning the very tool that was facilitating the suppression of her identity, Janie is making a vow to never sacrifice herself to others. The long, nimble braid the reader is introduced to in the first chapter reemerges. It is important to note that as she lets her hair down, her circumstances change for the better. Janie meets Tea Cake, her playful new husband. Hurston describes Janie as the curious, vibrant child she was under the pear tree similar to how she is presently with Tea Cake. Therefore, Hurston reveals the overarching theme that when one unwillingly enshrouds their identity, their circumstances become unpalatable. This theme is conveyed through JAnie: As she sacrifices herself to tie her hair up, her happiness devolved into loneliness. However, once she crosses the threshold to her true self, she fully exuded the vivacious Janie that she truly is. All of this is manifested through her
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
After she has to kill her beloved husband whose health has deteriorated because of the rabies, Janie is put on prosecution. In the court room, all of her former black friends are there to testify against her. Janie’s doctor, Dr. Simmons, helps her in her defense but Janie is the one who succeed in telling the facts that find her innocent. Surprisingly, Hurston employs an unusual narrative device to expose us those facts. Indeed, while we are all expecting Janie to make a long statement in direct discourse, the speech is summarized indirectly by the narrator: “she had to go way back to let them know how she and Tea Cake had been with one another so they could see she could never shoot Tea Cake out of malice. She tried to make them see […]” (p.278). We can firstly assume that Janie, by going “way back”, is telling the audience the story of her whole life leading to her love with Tea Cake. This is probably the practical reason why Hurston uses the narrator to tell us about this scene, in order to avoid redundancy. Nevertheless, at this stage of the novel, Janie learned to control her voice and is now capable of making people see in order to be rightly understood. Therefor, the narrator put a great emphasis by repeating for the third time: “she made them see how she couldn’t ever want
Janie eventually attains what she has spent forty years searching for--her voice, and her identity. The only voice Janie had in her marriage to Killicks was to throw down her apron and walk out the door (Racine 9). While with Joe Starks, she allows herself to live a dual life--one in which her body contributes and another in which her thoughts wonders boundlessly. In Janie's marriage to Tea Cake, she gains the freedom and the self-identity she has been searching for. By killing Tea Cake, Janie selects herself over the dominant society of men (Holloway 43). In Their Eyes Were Watching God, Zora Neale Hurston suggests to her readers that Black men and women have been controlled by white society.
Hurston uses the power of language and different narrative techniques to show Janie's transition throughout the novel. It is important to notice that in Janie's journey from object to subject, the narration of the novel shifts from third person to a mixture of first and third person; thus, the shift shows the awareness of self within Janie. Language becomes an instrument of injury and salvation and of selfhood and empowerment. The use of powerful language is exemplified well in the text when Janie is asked to say a few words as the new Mrs. Mayor. Joe, her second husband, quickly cuts in and says, "Thank yuh fuh yo' compliments, but mah wife don't know nothin' 'bout no speech-makin'. Ah never married her for not...
Nanny Janie’s grandmother disapprove the kiss between Janie and Johnny Taylor under the pear tree (11). Janie was only sixteen years old and naïve to think that was love. Nanny knew Johnny Taylor did not mean to cause no harm, but she felt Johnny was trying to mislead Janie to hurt and humiliate her by being sexual that can be dangerous (Hurston 12-15). Likewise, Janie was forced into marrying Logan an older man, Nanny approved of because Janie will have a husband that will love her. Same as, Hurston describe Janie emotions of unhappiness within the marriage not having affection and desire for Logan, Hurston implies, “Ah ain’t got nothin’ tuh live for.” (118) Hurston also describes Janie as confident that caught men attention as well as her physique, the women were jealous of Janie implying “Janie will never fit in the upper class of white men because of her appearance.” (Hurston 41) The women try to make Janie feel worthless and unattractive of not having enough sexually appeal. . Hurston writing engage the character from love to lust in a unhappy marriage that lead to a prolonged period of difficulty
... Janie is free-spirited and unconcerned about what others think of her. When she returns to Eatonville after Tea Cake’s death, she shows no shame for what she has done or where she has been, because she is finally able to live the life she always wanted to lead. Hurston’s own struggles in life for individuality and an outlet for her suppressed spirit clearly contribute to the development of Janie’s character. Just as Hurston struggled for recognition, equality, and purpose in the literary world during the Harlem Renaissance, Janie’s struggle for the recognition, equality, and purpose in her relationships.