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Good versus evil in the tragedy of Shakespeare
Evils in the plays of Shakespeare
How does shakespeare present claudio in the play much ado about nothing
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Recommended: Good versus evil in the tragedy of Shakespeare
William Shakespeare's Much Ado About Nothing Much Ado About Nothing is a comedy about deception. In this play we
discover that there are different types of deception: - good deception
and bad deception. Good deception is deception based on good
intentions and the outcome is constructive. Bad deception is deception
based on bad intentions and the outcome is destructive. The whole of
Act IV Scene I is based, entirely, on deception and deceptive plots
that were laid earlier on in the play. Don John's plot to thwart
Claudio reaches its climax. Don John's plan is an example of bad
deception because from the beginning of the play, he wanted to destroy
Claudio.
"If I can cross him any way, I bless myself every way." (Act I Scene
III Line 62- 63)
From the beginning he wishes to thwart Claudio. His plan succeeds and
brings with it a very destructive outcome. He deceives Claudio about
Hero's loyalty and in turn, Claudio deceives Leonato and everybody
that has gathered at the church for the wedding. Claudio deceives Hero
and Leonato by turning up at the church, giving a false impression
that the wedding will continue. He then goes on to deceive everybody
about Hero's innocence by making a big scene and announcing in front
of everybody that he will not marry Hero because she has been
unfaithful. Claudio's talk about deception in this scene is in fact
ironic because he himself has been deceived, but not by the person he
is accusing. However, Claudio's dialogue about deception was genuine
Much Ado About Nothing. The Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398.
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
Rossiter, A.P. "Much Ado About Nothing." William Shakespeare Comedies & Romances. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.
Barton, Anne. Introduction. Much Ado About Nothing. The Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 361-365.
Shakespeare's comedies A Midsummers Night's Dream and Much Ado About Nothing have many parallels while Measure for Measure is a problem play with a completely different tone. Comparing and contrasting these three plays provides insights into the views of Shakespeare concerning comedy.
William Shakespeare said: “Women may fall when there's no strength in men” (Romeo and Juliet). Throughout history gender role have been a big, whether someone is a feminist or someone believes there is no equality between males and females; everyone has different opinions when it comes to the matter of gender roles. The same thing can be said about William Shakespeare who was a feminist (Shakespeare of Stratford). This ideology can be seen in his play Much Ado about Nothing. In this comedy Shakespeare focuses on two pairs of lovers named Claudio and Hero who are set to be married in a week but before their marriage day, they plan to conspire with Don Pedro, the prince of Aragon to trick their friends Beatrice and Benedick to admit their love for each other. Don John, the brother of Don Pedro, meanwhile plots to prevent marriage of Claudio and Hero by accusing Hero of being unfaithful. Don John initially succeeds in his plan as Hero is accused and ashamed at the marriage ceremony, but at the end Claudio and Hero are united and marry each other. Also, Beatrice and Benedick finally declare their love for each and dance at the end of the play. Shakespeare uses a lot of sources for this comedy and one of them is “Orlando Furioso” written in 1591, which gave Shakespeare the idea of Hero and Claudio’s marriage and Don John’s plot to prevent it. Another source Shakespeare used to write the play is the courtier written in 1588, which gave him the idea of the romance between Beatrice and Benedick. And also “La Prima de la Novelle” written in 1554 by Matteo Bandello gave Shakespeare the idea of putting the setting in Messina, Italy (Shakespeare in quarto). Because Shakespeare was a feminist, some of the women appear as supporting and central...
With its entangled plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses, both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery that carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play, we are quickly introduced to the sharp tongued Beatrice as she verbally annihilates her unseen co-star Benedick.... ... middle of paper ... ...
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
"Much Ado About Nothing: Entire Play." Much Ado About Nothing: Entire Play. N.p., n.d. Web. 29 Mar. 2014. .
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
Rossiter, A.P. "Much Ado About Nothing." William Shakespeare Comedies & Romances. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.
Shakespeare, William. Much Ado about Nothing. Ed. Paul Werstine, Barbara A. Mowat, and Gail Kern. Paster. New York: Simon &ump; Schuster Paperbacks, 1995. Print.
Hamlet and Much Ado About Nothing While Hamlet and Much Ado About Nothing have the same author, they both have similarities and differences in themes. Some people live their life looking for love and never finding it, it is often said that you will find love when you least expect it. Both plays have common beliefs of love, marriage, however, death is viewed very differently. Love in Hamlet is often depressing, even though love is wanted by all. What is the point in loving somebody if they are going to die anyway?
In the play Much Ado About Nothing by William Shakespeare, love is a very important and a consistent theme; which the play is based on. The theme if love is important because, from a very young age people feel love. We want to know what love is. Where does it come from? How do I get it? What does it feel like? When will I have it? What do I need to have love? Love is something we wait for. We imagine our first kiss. Our first “I love you.” Our first heartbreak. The truth is love is made up of many things: Pain, Joy, Compassion, understanding, longing, and tears. Shakespeare uses the notion of love to show how important trust and loyalty are in any relationship.